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BREATHE, CO-INSPIRE
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Meeting: Language or Death
Publication
Organised by: Museo Situado
Razib, Afroza and Elahi are migrants. They were born in Bangladesh and live in Madrid. On 26 March, at the height of the healthcare emergency caused by COVID-19, their fellow countryman, Mohamed Hossein, died in confinement after calling the health authorities over a six-hour period. Hossein didn’t speak fluent Spanish, and no doctor went to tend to him. Since then, all three, together with migrant and social organisations, have demanded compulsory interpreting in health centres, schools, courthouses, and State offices. Over the course of April 2020, poet Dani Zelko spoke to them by phone while under lockdown in Buenos Aires, with the exchanges, accounts and silences of Razib, Afroza, Elahi and Pepa leading to the publication Lengua o muerte (Language or Death), framed inside the project Meeting by this Argentinian artist and publisher.
Participants: Dani Zelko with Rakibul Hasan Razib, Elahi Mohammad Fazle, Afroza Rhaman and Pepa Torres Pérez
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Udlot, Udlot, by José Maceda
Concert
Video of the concert: Udlot, Udlot, by José Maceda
In March 2019, the Museo opened a call to participate in the performance of the piece Udlot Udlot (1975), by Philippine composer José Maceda, whose work combined his interest in traditional music from Southeast Asia and Europe. The performance of the piece required no prior musical knowledge, simply attendance at a workshop organised by the Museo, in collaboration with the Escuela Municipal de Música y Danza del Distrito Centro María Dolores Pradera. Some one hundred people learnt the score together and kept in time with its rhythms. During the current pandemic, the experience reminds us of something essential: the power of union and respectful co-existence, not only between humans but with all other living organisms on the planet.
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Raciality and Care in the Dispute for Other Lives
Lecture
Link to the lecture: Keeanga-Yamahtta Taylor and Yayo Herrero
In this lecture from the series Six Contradictions and the End of the Present, African American activist and theorist Keeanga-Yamahtta Taylor and anthropologist, technical engineer, social educator and ecofeminist Yayo Herrero reflect on care as the starting point for thinking about a more just and equal society, putting forward a life outside of ideas of production and economic value. Taylor focuses on the need to confront present-day racism in the USA, now a structural effect of a system which seeks to create a State of terror, while Yayo Herrero analyses how care has become precarious and circumscribes migrant collectives and women as they are essential but dismissed from all social considerations.
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Breathing
Reading group
During the early days of confinement, the Museo’s Public Activities Department came up with the idea of sharing readings and discussing them each week. These texts and encounters have woven together a place for either joint thinking and sharing common feelings and questions, or simply to get some breathing space. “It is no coincidence that the term ‘aspiration’ means both hope and the act of breathing,” we hear in The Great Silence (2014), a work by artists Allora & Calzadilla with a text by science-fiction writer Ted Chiang. Shortness of breath is one of the most persistent symptoms of the current virus and also a trait of the different wars against living, as recalled by philosopher Achille Mbembe in a recent text “The Universal Right to Breathe”, which is shared here. The readings and conversations include texts written under lockdown by the group’s participants, for instance “Algunas herramientas para escuchar esta pandemia: calma, silencio y quietud (Some Tools for Listening to this Pandemic: Calm, Silence and Stillness)” y “No tener olfato (No Sense of Smell)”, and the video-letter “Planta baja (Ground Floor)”.
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Fluxus to the People. Reactivations
Journeys Through the City
Journeys (Spanish version):
Espacios de batalla. Paisaje transversal
Tour de la Represión. Todo X La Praxis
Cunctatio 2024. Ficciones-paisaje en torno a la Carta de los Comunales Metropolitanos. Cunctatio
In conjunction with International Museum Day, part of the programme Fluxus to the People, organised by the Museo in 2012, is reactivated, with its invitations to open, playful and activist collectiveness by way of art actions from the Fluxus movement. More specifically, there is the restoration of routes around Madrid designed by artists, architects and urban planners, drawing inspiration from “fluxtour” critiques of gentrification in New York neighbourhoods. In the current landscape, where the only possible urban interaction is walking, these critical routes around care and memories of the city can be carried out.
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TOUCH, AFFECT
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With Three Wounds, I
Exhibition and Encounter
Exhibition: from Monday 18 May 2020
Encounter: Monday, 25 May 2020 – 6pmThis second photographic exhibition on the experience of confinement spotlights six photographic stories from the interior and intimacy of lived spaces, spaces which can be a refuge at certain times and a place of hostility at others. In these accounts the camera has served as therapy, condemnation, diary and a footprint of occurrences, where that which is photographed shows itself, once more, as an encounter between the bodies of those taking pictures, those letting themselves be photographed and those we see.
Artists: Olmo Calvo, Rubén H. Bermúdez, Edu León, Roberta Marrero, Isabel Permuy and Judith Prat
Curated by: Inés Plasencia
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The Touching Community. Aimar Pérez-Galí
Interview
Interview Iink: RRS. Aimar Pérez Galí. The Touching Community (Spanish Audio)
An interview with choreographer, dancer and researcher Aimar Pérez Galí, coinciding with the presentation of The Touching Community in the Museo Reina Sofía in December 2017. The piece creates a space of trust and mutual understanding, where bodies with different training and ages touch and are touched to an out-loud reading of letters Pérez Galí wrote to dancers who fell victim to AIDS. One, addressed to Felipe, a dancer from Madrid, can be heard on this radio podcast.
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Blinking. An Accessible and Inclusive Performance
Performance
In 2019, the women’s group La profesión va por dentro (The Profession Is Inside) conducted research into the Museo’s Collection and temporary exhibitions, granting privilege, from their varyingly adept bodies, to the emotions and role of the body when relating to the works and museum space. The upshot of this work was presented in the stage piece Blinking. An Accessible and Inclusive Performance (its research process and images are available on the Museo Reina Sofía website), whereby participants reflected upon the physical Museo’s accessibility and cognitive barriers, as well as the security protocols conditioning the visit. The group are currently working on the project Gestos CoVidianos on the lockdown situation and its effects on their bodies.
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With All My Affection
Handwritten dedications in the library of Jean Cassou
The personal library of Jean Cassou (1897–1986), the renowned French Hispanist and art critic, is part of the holdings of the Museo Reina Sofía Library and Documentation Centre. Consulting its contents reveals the most relevant works from the twentieth-century’s Spanish and Latin American literary landscape, in addition to an ensemble of handwritten dedications that reveal a story of affection. Noteworthy figures such as Ramón Gómez de la Serna, Max Aub, María Teresa de León, Jorge Guillén, Eugenio D’Ors, Miguel de Unamuno, Pedro Salinas and Manuel Altolaguirre were part of Cassou’s close circle, which in turn made the Parisian house on rue du Figuier a place for the sharing of work and friendship. This brief selection of images is also a foretaste of the digital Library project, which will offer digital access to a significant part of the Museo’s bibliographical collections.
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Breaking La Casa (The Crevice House): Transmitting the Intimate, Inventing Ourselves Together
Artistic process with Aitana Cordero
From Monday 25 to Sunday 31 May 2020
Participation with prior registration; aimed at young people aged between 15 and 21La Casa (The House) is a vast project full of ramifications and has been developed by artist Aitana Cordero over the past four years. Its point of departure is the idea of “how to destroy a theatre, how to build a house, us, together”, and takes the form of four performance pieces and a number of workshops in different parts of the world. Initially planned to be conducted on-site in the Museo, this workshop has been radically transformed by the lockdown: What is intimacy now? What do we want to transmit? Cordero joins a group of teenagers and young people aged between 15 and 21 to break down the walls of the many confinements to which our bodies are subjected, with the aim of imagining new places of encounter and rethinking the ties that bring us together in the here and now.
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TREAT, AVERT
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Driving Away Evil
A study group publication
Download Espantando el mal (Driving Away Evil)
Active since February 2020, this study group addresses the ‘pharmaceuticalization’ of life and contemporary disturbances, thus pooling forms of resistance against neoliberal logics. During this healthcare emergency, the group will draft a virtual diary series to reflect on how life has radically changed, an edition presented on International Museum Day and made from fragments of the diary in the form of a collage of images and words as it seeks to become a momentary record of an ongoing autobiographical and multiple-voiced discussion on the current unknown.
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Ecologies of Care in the Welfare State Crisis. A Dialogue Between Madrid and Trieste
Sessions
Round-table discussion. Enter Outside in Community Healthcare: Experimenting with Militant Research
In April 2019, the Museo organised these sessions on experiences of community healthcare in Madrid and Trieste with regard to institutional critique in the field of psychiatry and, specifically, to the work of Franco Basaglia. At the same time, the activity set out from the research residency Marta Malo, Marta Pérez and Pantxo Ramas carried out in 2016 in the Museo Reina Sofía Study Centre, resulting in the project Enter Outside. From the Public and the Commons.
Organised around two round-table discussions, the programme analysed the history and present of care institutions devised in light of 1970s institutional critique movements. Its contributions can now be reviewed in the context of a museum with aspirations of care.
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The Death of the Clinic?
Lecture by Paul B. Preciado
Audio: ¿La muerte de la clínica? (The Death of the Clinic?)
The title of this lecture given by philosopher Paul B. Preciado in 2013 during the opening session of the programme Somateca draws inspiration from Michel Foucault’s The Birth of the Clinic (1963). By way of an analysis of the conquests of twentieth-century feminist and homosexual politics, which sought to dismantle the disciplinary institutions denounced by Foucault, Preciado explores models of the somato-political management of contemporary neoliberal societies. This recording of the lecture prompts us to consider the currency of these reflections, and to rethink the politics of care as a critical instrument of museum institutions.
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Time. Claudia Claremi
Audiovisual mediation project
FRAGMENT 1
FRAGMENT 2
FRAGMENT 3Time is a work in progress which, via the collective creation of an experimental film, explores the personal and collective memories of the Museo’s team of volunteers. The project got under way in 2019, with the line of argument of a dystopian present: in the wake of the collapse of modern society, Western culture has lost its hegemonic place and its institutions, such as museums, fall by the wayside. To this backdrop, the volunteers appear as a group of people that inhabit and preserve the Museo. The current shutdown of society has deeply shifted the meaning of the project, so much so that what was recorded as fiction now seems a plausible reality. The film, currently in the editing stage and presented here in three fragments, transposes experiences of attention towards and silent dialogue with artworks, as well as different ways of inhabiting and traversing museum space.
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Situated Feminist Pedagogies
Encounter
The reflection and dialogue around feminist pedagogies in a context of confinement like the present one, in which the education community finds itself stretched to the limit in an unprecedented dislocation of its schools, in the desire to establish a virtual education model for which nobody was prepared, can end up in itself being an exercise in care. This conversation between Alicia Bernardos, Irene Martínez, Analía Villagrán and Rosa Mari Ytarte, which took place in 2018 in the context of the programme Perturbable School, analyses key issues in education: power relations opposite care relations; bridges between scientific knowledge, popular knowledge and the role of experience; the diversity of subjects, bodies and identities; sorority networks opposite the impositions of capital.
![Gertrude Käsebier, Blessed Art Thou Among Women [Bendita tú eres entre todas las mujeres], 1899. Alfred Stieglitz Collection, 1933. The Metropolitan Museum of Art](https://recursos.museoreinasofia.es/legacy_programs/pedagogias-peq.gif "Gertrude Käsebier, Blessed Art Thou Among Women [Bendita tú eres entre todas las mujeres], 1899. Alfred Stieglitz Collection, 1933. The Metropolitan Museum of Art")
Taking Care of Ourselves: For a Hospitable Museum
Special online programme. International Museum Day 2020
Held on 14 may 2020
This special programme, organised in conjunction with International Museum Day, melds the lines of work developed by the Museo Reina Sofía with the contours of a timeline of interventions which places care and the sustainability of life as an inescapable ethical priority. Taking Care of Ourselves is an ongoing action about ourselves and others, a proposal with which to put forward initiatives to question this emergency present while searching in archives and past activities to bring forth the practices and reflections accompanying us at this current moment. This analysis, however, of the current situation cannot get away from questions regarding the future, for it becomes necessary to imagine, together, the world ahead that we all want.
Today we inhabit the Museo with a vividly perceived memory of what it once was: a hospital shaken by the epidemic of the so-called Spanish flu at the beginning of the twentieth century. Amidst another ferocious pandemic, the role of the Museo as a public institution gains new meaning and is re-considered in all its dimensions and forms of expression. It is a museum that wishes to be situated and is located in a neighbourhood with residents who, like so many others, have been seriously affected by the disease — overcrowding, a lack of basic resources, rising rent prices — but also with networks of solidarity and self-organisation which once again demonstrate its vitality.
This image of a collective work in the Museo’s garden — where different life forms and temporalities co-exist — evokes, together with the memory of the former hospital, the power of mutual care in sustaining human and non-human life. By means of the hospital-garden-museum constellation, the present programme is organised into three blocks of activities, grouped together by poetic affinity and prompting a reflection of care through the senses: “Breathe, Co-inspire” stresses the need for community as a survival condition; “Touch, Affect” alludes to sensitive experiences and contact with others; and, finally, “Treat, Avert” calls upon the need for assistance around the environment in which we are situated, in addition to imagining forms of protection and transformation.
![Miguel Brieva, ilustración de la novela infantil Manuela y los Cakirukos (Reservoir Books, 2022) [izquierda] y Cibeles no conduzcas, 2023 [derecha]. Cortesía del artista](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/ecologias_del_deseo_utopico.jpg.webp)
![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)
Más actividades
Long Live L’Abo! Celluloid and Activism
4, 5, 6 DIC 2025
L’Abominable is a collective film laboratory founded in La Courneuve (Paris, France) in 1996. It came into being in response to the disappearing infrastructures in artisan film-making and to provide artists and film-makers with a self-managed space from which to produce, develop and screen films in analogue formats such as Super 8, 16mm and 35mm. Anchored in this premise, the community promotes aesthetic and political experimentation in analogue film opposite digital hegemony. Over the years, L’Abominable, better known as L’Abo, has accompanied different generations of film-makers, upholding an international movement of independent film practices.
This third segment is structured in three sessions: a lecture on L’Abo given by Pilar Monsell and Camilo Restrepo; a session of short films in 16mm produced in L’Abo; and the feature-length film Une isle, une nuit, made by the Les Pirates des Lentillères collective.
Estrella de Diego Lecture. Holding Your Brain While You Sleep
Wednesday, 3 December 2025 – 7pm
Framed inside the Museo Reina Sofía’s retrospective exhibition devoted to Maruja Mallo, this lecture delivered by Estrella de Diego draws attention to the impact of the artist’s return to Spain after her three-decade exile in Latin America.
Committed to values of progress and renewal in the Second Republic, Mallo was forced into exile to Argentina with the outbreak of the Civil War and would not go back to Spain to settle definitively until 1965 — a return that was, ultimately, a second exile.
Mallo saw out her prolific artistic trajectory with two impactful series: Moradores del vacío (Dwellers of the Void, 1968–1980) and Viajeros del éter (Ether Travelers, 1982), entering her most esoteric period in which she drew inspiration from her “levitational experiences” of crossing the Andes and sailing the Pacific. Her travels, both real and imaginary, became encounters with superhuman dimensions.
In parallel, her public persona gained traction as she became a popular figure and a key representative of the Generation of ‘27 — the other members of which also started returning to Spain.
This lecture is part of the Art and Exile series, which seeks to explore in greater depth one of the defining aspects of Maruja Mallo’s life and work: her experience of exile. An experience which for Mallo was twofold: the time she spent in the Americas and her complex return to Spain.
Juan Uslé. That Ship on the Mountain
Tuesday, 25 November 2025 – 7pm
Ángel Calvo Ulloa, curator of the exhibition Juan Uslé. That Ship on the Mountain, engages in conversation with artist Juan Uslé (Santander, 1954) in the Museo’s Auditorium 400 to explore in greater depth the exhibition discourse of this anthological show spanning four decades of Uslé’s artistic career.
The show casts light on the close relationship Uslé’s work bears to his life experiences, establishing connections between different stages and series which could ostensibly seem distant. Framed in this context, the conversation looks to explore the artist’s personal and professional journey: his memories, experiences of New York, his creative process, conception of painting, and ties with photography and film, and the cohesiveness and versatility that characterise his art. Key aspects for a more in-depth understanding of his artistic sphere.
The conversation, moreover, spotlights the preparatory research process that has given rise to this exhibition to grant a better understanding of the curatorial criteria and decisions that have guided its development.
These inaugural conversations, part of the main working strands of the Museo’s Public Programmes Area, aim to explore in greater depth the exhibition narratives of the shows organised by the Museo from the perspective of artists, curators and specialists.
The Films of Ira Sachs
From Thursday, 20, to Sunday, 23 November 2025 – Check times
The International Festival of LGBTQIA+ Cinema in Madrid (QueerCineMad) and the Museo Reina Sofía come together to organise a retrospective on Ira Sachs (USA, 1965), a pivotal film-maker in contemporary queer cinema whose work has charted, across three decades, the affects, losses and resistance that traverse the lives of the LGBTQIA+ community. Sachs is the creator of a filmography which conceives of New York as the emotional architecture of his narratives, and as a space of memory, struggle and community. This programme includes the premiere of his most recent film, Peter Hujar’s Day (2025), in Madrid, with the film-maker in attendance in three of its sessions.
Sachs has filmed, with delicacy and conviction, the tensions between desire, precarity and belonging, from his first feature-length film, The Delta (1996), set on the margins of the Mississippi, to Love Is Strange (2014), where a gay couple have to give up their Manhattan apartment after marrying. In Keep the Lights On (2012) intimacy becomes a battleground in confronting addiction and neglect, while Lady (1994), a short film on the solitude of an elderly woman in New York, anticipates his sensibility for bodies made invisible. Last Address (2010) is a silent homage to queer artists who died from AIDS/HIV-related illnesses — Robert Mapplethorpe, Keith Haring, David Wojnarowicz — whereby the façades of the buildings they lived in become intimate monuments, the remnants of history erased through windows. Thus, Ira Sachs’s body of work engages in a profound dialogue with film-makers such as Rainer Werner Fassbinder in situating the gaze at the centre of bodies, in exploring the complexity of the struggle between himself and his films. Further, his practice reverberates through New Queer Cinema, a 1990s film movement that transformed the representation of sexuality from difference.
The director’s presence in Madrid, coupled with the premiere of his new work, makes this film season an event which extols both his career and his form of gazing and inhabiting the city from the queer, the community and the poetic. In these times of eviction and urban homogenisation, Sachs’s film-making reminds us that the neighbourhood can also be a gesture of care, a form of resistance, a future promise.
Crossed Vignettes
Friday, 21 November 2025 – Check programme
The Crossed Vignettes conference analyses the authorship of comics created by women from an intergenerational perspective and draws from the Museo Reina Sofía Collections. Across different round-table discussions, the programme features the participation of illustrators Marika, Carla Berrocal, Laura Pérez Vernetti and Bea Lema and researchers Viviane Alary, Virginie Giuliana and Elisa McCausland.
The aim of the encounter is twofold: to explore in greater depth the different forms in which women comic book artists have contributed to developing a counterculture; namely, the appearance of ruptures, reformulations and new genres within the ninth art. And to set up a dialogue which ignites an exploration of genealogies linking different generations of artists.
Moreover, the activity is put forward as a continuation to the exhibition Young Ladies the World Over, Unite! Women Adult Comic Book Writers (1967–1993) and the First International Conference on Feminist Comic Book Genealogies, held in April 2024 at the Complutense University of Madrid.
In redefining the visual narratives of the comic book and questioning gender stereotypes in a male-dominated world, women comic book writers and artists have impelled greater visibility and a more prominent role for women in this sphere. The study of intergenerational dialogue between female artists past and present enables an analysis of the way in which these voices reinterpret and carry the legacy of their predecessors, contributing new perspectives, forms of artistic expression and a gender-based hybridisation which enhances the world of comics.
The conference, organised jointly by the Museo Reina Sofía and Université Clermont Auvergne/CELIS (UR4280), features the participation of the Casa de Velázquez and is framed inside the context of the CALC programme The Spanish Artistic Canon. Between Critical Literature and Popular Culture: Propaganda, Debates, Advertising (1959–1992), co-directed by Virginie Giuliana. It is also the outcome of the projects Horizon Europa COST Actions iCOn-MICs (Comics and Graphic Novels from the Iberian Cultural Area, CA19119) and COS-MICs (Comics and Sciences, CA24160).