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Monday, 11 June – from 5pm to 9pm
Session 1. The Society of Stress
Accompanied by Amador Fernández Savater
Reading:
Suely Rolnik, “¿Una nueva suavidad?”, in Félix Guattari; and Suely Rolnik, Micro política. Cartografías del deseo, Madrid, Traficantes de Sueños, 2006There are more and more bodies that, to different degrees, feel the obligations that are a by-product of living as a force that carries on its shoulders a constant state of unease. Anxiety, stress, exhaustion, and fatigue are words chosen by some theorists to describe the mutations of a society that distances itself farther from well-being with every crisis, while forms of contemporary production and reproduction demand more docile and precarious bodies.
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Wednesday, 20 June – from 5pm to 9pm
Session 2. Début d'une lutte prolongée...
Accompanied by Guillermo Rendueles
Readings:
Félix Guattari, “Anti-psiquiatría y anti-psicología” and “El circuito alternativo de la psiquiatría”, from La revolución molecular, Madrid, Errata naturae editores, 2017Film:
Peter Robinson, Asylum, USA, 1972, about Dr. Laing's Archway Community (96’)This session seeks to analyze current illnesses beginning with the revision of a series of experiences that imagined an alternative future in the 1970s: Franco Basaglia's position in favor of socialized care, the ennobled marginalization of the Socialist Collective of Patients (SPK) in Heidelberg, the right to be mentally ill demanded at La Borde or in the sit-ins and strikes held by anti-Francoist psychiatrists. All these experiences, through different means, insist on the need to reflect on the relationship between clinics and politics, not as a dimension of personal life, but rather as the effect of certain social phenomena that stem from modes of production and domination.
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Wednesday, 27 June - from 5pm to 9pm
Session 3. Other-transformation
Accompanied by Franco Castignani and La Rara Troupe
Readings:
Félix Guattari, “Devenir niño, devenir maleante” and “Devenir mujer”, from La revolución molecular, Madrid, Errata naturae editores, 2017
Fernand Deligny,Semilla de crápula,Buenos Aires, Editorial Cactus and Tinta Limón Ediciones, October 2017Film:
Fernand Deligny, Josée Manenti and Jean-Pierre Daniel, Le moindre geste, France, 1971 (101’)The pragmatic essays of Fernand Deligny and the collaboration between Félix Guattari and Gilles Deleuze (in their work Capitalismo y esquizofrenia) on how subjectification must transcend individual limits, sketch a singular and at the same time multiple way of being. It concerns pragmatics and a new epistemology that go beyond schizophrenia as a limit of capitalism, as demonstrated in the program of recent feminist struggles and in the work of different collectives that, bringing together people diagnosed and non-diagnosed, explores sensitivity and daily life as the center of the political sphere. Part of the session will take place in Dora García's Second Time Around exhibition hall.
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Wednesday, 4 July – from 4pm to 7pm
Session 4. Exile
Accompanied by Montserrat Rodríguez Garzo
Readings:
Jacques Lacan, Seminario 7. La ética del psicoanálisis, Buenos Aires, Paidós, 1988Film:
Horacio Valcárcel, Psiquiatría social, Spain 1970 (11’)This session investigates exile as a place in the world basing it on the paths of two conflictive exiles, through Jacques Lacan, François Tosquelles, and Oscar Masotta. Using this focus as a foundation one can consider exile as a necessary way of being, and from where one can confront the primary deprivation borne out of the separation from one's roots. At the same time, and using it as an example, it is possible to come to terms with ostracism as one's own style, as an expression of individuality.
A Possible Strength: Towards a Poietics of Living Together
Reading group

Held on 11, 13, 20, 27 jun, 04 jul 2018
In the world today, madness is undoubtedly present: one either forms part of it or trivializes what a panic attack or depression can be. Unwellness seems to be reduced to a private and personal matter, as if it was possible to simply decide to suffer and not stay in line with the arbitrary notion of what is normal. In addition, attention is diverted away from the political implications of a series of disorders typical of our age, and that, rooted in the precarious conditions of our current lives, turns our existence into an anxious one, with constant stress and a threat of never-ending suffering.
As part of the A Possible Strength: Towards a Poietics of Living Together activities program, this reading group and collective reflection emerge with the goal of revisiting a past that reverberates in the present: from Jacques Lacan and his intuition on illness capitalism, language, and bodies, to the developments and possibilities of being-another, touching on alternative psychiatry, communal experiences, reforms to the assistance to the ill since the 1970s, and finally the current intersection of biology and neo-liberalism, in the twilight of the welfare state, where pain and death are become primordial vectors in new bio-political reasoning.
The proposed series of texts and films seeks to delve into possibilities opened up decades ago by a number of militant-researchers that worked, not only on language and images, but also on the body. On sharing certain physical and psychological symptoms, they were able to show that they are also common. As such, the group looks not only to find discursive negotiation, but also to address different practices, geared towards an exercise in enunciation that imagines new forms of insurrection and revolt.
This workshop is directed to professionals or users of mental health, to interested and affected persons, diagnosed and non-diagnosed, and at those interested in this way of managing this experience.
Program organizer
Alfredo Aracil
Activity inside the programme
Organised by
Museo Reina Sofía within the framework of the Midstream. New ways of audience development in contemporary art project

Participants
Amador Fernández Savater. Independent researcher and political and cultural activist. He also is editor of Acuarela Libros and habitual collaborator with eldiario.es. He has recently published, among others, the Yippie! titles Una pasada de revolución (2015) and Fuera de lugar: Conversaciones entre crisis y transformación (2013).
Guillermo Rendueles. Psychiatrist and essay writer. His works are centered on orthodox psychiatry criticism, social theory, and radical politics. Among his most recent publications are El manuscrito encontrado en Ciempozuelos: análisis de la historia clínica de Aurora Rodríguez (2018) and Las falsas promesas psiquiátricas (2017).
Franco Castignani. Political scientist and independent researcher. His principal areas of interest analyze mutations in contemporary labor, new sensitivities, and the politicization of unwellness.
La Rara Troupe. Thought, reflective, and creative collective dealing with mental health since 2012 in the Department of Education and Cultural Action at the Museum of Contemporary Art of León (MUSAC). Composed of persons diagnosed and non-diagnosed with mental health related illnesses, their activity is based on using audiovisual creation in auto-representation and first-person narration.
Montserrat Rodríguez Garzo. Psychoanalyst, researcher, and exhibition curator. She is co-author of numerous volumes, including the catalog for the Apuntes para una psiquiatría destructiva (Sala de Arte Joven de la Comunidad de Madrid, 2017) exhibition, co-written with Alfredo Aracil, and the book Esquizofrenias y otros hechos de lenguaje. De la clínica analítica del MACBA (2015), with Darío Corbeira.
Más actividades

Christian Nyampeta and the École du soir
13, 14, 15 NOV, 11, 12, 13 DIC 2025
Christian Nyampeta is a Rwandan artist, musician and film-maker whose work encompasses pedagogies and community forms of knowledge production and transmission. His Ècole du soir (Evening School) is an art project conceived as a mobile space of collective learning and is named in homage to Ousmane Sembène (1923–2007), a pioneer of African cinema who defined his films as “evening classes” for the people, a medium of education and emancipation through culture.
This block is made up of three double sessions: the video work of Christian Nyampeta, the films of École du soir and one of Ousmane Sèmbene’s feature-length films. Nyampeta will introduce all three first sessions.

UP/ROOTING
11, 12, 13, 14, 15, 16 NOV 2025
Museo Reina Sofía and MACBA Museu d'Art Contemporani de Barcelona (MACBA) invite applications for the 2025 iteration of the School of Common Knowledge, which will take place from November 11th to 16th in Madrid and Barcelona.
The School of Common Knowledge (SCK) draws on the network, knowledge and experience of L’Internationale, a confederation of museums, art organizations and universities that strives to reimagine and practice internationalism, solidarity and communality within the cultural field. This year, the SCK program focuses on the contested and dynamic notions of rooting and uprooting in the framework of present —colonial, migrant, situated, and ecological— complexities.
Building on the legacy of the Glossary of Common Knowledge and the current European program Museum of the Commons, the SCK invites participants to reflect on the power of language to shape our understanding of art and society through a co-learning methodology. Its ambition is to be both nomadic and situated, looking at specific cultural and geopolitical situations while exploring their relations and interdependencies with the rest of the world.
In the current context fraught with war and genocide, the criminalization of migration and hyper-identitarianism, concepts such as un/belonging become unstable and in need of collective rethinking:
How can we reframe the sense and practice of belonging away from reductive nationalist paradigms or the violence of displacement? How to critically hold the entanglement of the colonial routes and the cultural roots we are part of? What do we do with the toxic legacies we inherit? And with the emancipatory genealogies and practices that we choose to align with? Can a renewed practice of belonging and coalition-making through affinity be part of a process of dis/identification? What geographies —cultural, artistic, political— do these practices of de/centering, up/rooting, un/belonging and dis/alignment designate?
Departing from these questions, the program consists of a series of visits to situated initiatives (including Museo Situado, Paisanaje and MACBA's Kitchen, to name a few), engagements with the exhibitions and projects on view (Project a Black Planet: The Art and Culture from Panafrica), a keynote lecture by Stefano Harney and Fred Moten, as well as daily reading and discussion gatherings, editorial harvest sessions, and conviviality moments.

The Joaquim Jordà Residencies 2025
Friday, 7 November 2025 - 7pm
In this activity, the recipients of the 2024–2025 Joaquim Jordà Residencies call, María Aparicio (Argentina, 1992) and Andrés Jurado (Colombia, 1980), present respective projects related to their body of work in an open session in which to discover the creative interests of two of the most up-and-coming independent film-makers in Latin America today.
María Aparicio presents the working process behind her film De sol a sol (From Sun to Sun), along with a brief journey through the films prior to this project and her filmic searches in recent years. Aparicio synthesises the storyline of De sol a sol from the silhouettes of a group of men who appear between the stalks of a reedbed. Their knives glisten as the sun hits them, flashing and disappearing with their hand movements. Apprentices split the canes using no method; seasoned workers cut with skill. They are workers from a sugar mill in northern Argentina and are watched by Juan Bialet Massé, accompanied by Rosich, assistant and photographer. It is Argentina in 1904 and he is carrying out a mission assigned to him by his country’s government: to travel the Argentinian provinces, reporting on the state of the working classes.
Andrés Jurado, for his part, will look over his own work and the work of the La Vulcanizadora lab in this session. He will also open the archive stemming from the research process in the project Tonada, a journey through the succession of peace agreement betrayals in the history of Colombia. From the colonial era, understood in tumultuous terms, as a hurricane that keeps swirling, to the present day he traces the stories of people like Tacurrumbí, Benkos Biohó, Bateman and the many women and men who were betrayed by governments and oppressors. Tonada seeks to build a sound and film dialogue between the guerrilla disarmament of 1953 and the period following the peace agreement of 2016, invoking these and other events and confronting traumas of betrayal through a film composition devised to be sung. But what is sung? Some of these songs are heard and voices are shared in this presentation.
The Joaquim Jordà Residences programme for film-makers and artists was set in motion by the Museo Reina Sofía in 2022. The initiative comprises a grant for writing a film project rooted in experimentation and essay, as well as two subsequent residencies in FIDMarseille and Doclisboa, international film festivals devoted to exploring non-fictional film and new forms of audiovisual expression.

Ylia and Marta Pang
Thursday, 6 November - 8pm
The encounter between Spanish DJ and producer Ylia and visual artist Marta Pang is presented in the form of a premiere in the Museo Reina Sofía. Both artists converge from divergent trajectories to give form to a new project conceived specifically for this series, which aims to create new stage projects by setting out from the friction between artists and dialogue between disciplines.
![Carol Mansour y Muna Khalidi, A State of Passion [Estado de pasión], 2024, película](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/palestine%20cinema%20day%202.jpg.webp)
Palestine Cinema Days
Sábado 1 de noviembre, 2025 – 19:00 h
The Museo Reina Sofia joins the global action in support of Palestine with the screening of A State of Passion (2024), a documentary by Carol Mansour and Muna Khalidi. The film features in Palestine Cinema Days Around the World, an annual festival, held globally every November, which aims to show films made in Palestine to an international audience. The initiative was conceived as a form of cultural resistance which seeks to give a voice to artists from Palestine, question dominant narratives and create networks of solidarity with the Palestinian people.
Palestine Cinema Days Around the World originates from Palestine Cinema Days, a festival organised in Palestine since 2014 with the aim of granting visibility to Palestinian cinema and to support the local film community. In 2023 the festival was postponed because of the war in Gaza, and has since become borderless in scope, holding close to 400 international screenings in almost sixty countries in 2024. This global effort is a show of solidarity with Palestine and broadens the voices and support networks of the Palestinian people around the world.
A State of Passion exposes the atrocities committed against the Gaza population via the testimony of Dr Ghassan Abu Sittah, a Palestinian-British plastic surgeon living in London who decides to return to Gaza and save lives in the city’s hospitals amid the Israeli army’s indiscriminate bombing of the population. A necessary film exposé of the experience of unrelentingly working twenty-four hours a day for forty-three days in the Al Shifa and Al Ahli Hospitals in the city of Gaza.



![Miguel Brieva, ilustración de la novela infantil Manuela y los Cakirukos (Reservoir Books, 2022) [izquierda] y Cibeles no conduzcas, 2023 [derecha]. Cortesía del artista](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/ecologias_del_deseo_utopico.jpg.webp)
![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)