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Thursday, 28 June - Nouvel Building, Protocol Room, (Floor 3, enter through terrace)
Session 1
6pm
Situated Unwellness or How Mental Diseases Have Been Privatized
Round table discussion. Participants: Manuel Desviat, Flipas GAM, Hierbabuena y La Revolución Delirante.Many of our regrets and suffering, that move from the physical to the psychological, have their beginnings in the social realm, free from the influence of biology. This is an intuition that the anti-psychiatric movement put into practice during the 60s and 70s, turning the fight against involuntary commitment and violence of the clinic into a battlefield. From the activism of mutual support groups to the care of new professional collectives that reject medicalization as the lone answer to the illnesses we suffer, this round table seeks to situate a series of reflections on a concrete form of governance that represses the right to be different.
8pm
Fake Therapy
A practice proposed by Valentina Desideri with Ainhoa Hernández y Andrea Rodrigo. -
Sunday, 1 July - Sabatini Building, Auditorium
Session 2
7pm
San Clemente, Raymond Depardon and Sophie Ristelhueber, France, 1981, B / W, VOSE, 100 '
Presented by Alfredo AracilThe year 1980, in which this film was filmed, marks the end of a decade of anti-asylum struggles and the beginning of what has been called control societies, with their surveillance and molecular regulation spaces. Raymond Depardon and Sophie Ristelhueber film corridors and common spaces of the last days of a psychiatric hospital on the island of San Clemente, near Venice. This hospital appears as the emblem of an era where therapy inevitably involves confinement, violence and marginalization. The documentary, shot during the carnival period, portrays the daily environment of patients and relatives, as well as its links with medical personnel in the labyrinth of the Venetian hospital.
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Monday 2 July - Sabatini Building, Auditorium
Session 3
7pm
Screening and debate on the unedited documentary in progress Estado de malestar (Unwellness State) by María Ruido and the InsPiradas collective.María Ruido defends film as a space to reflect on the intersection between neo-liberal capitalism and mental health. Her new film, Estado de malestar ((In)adaptación, sintomatología social y enfermedad en tiempos del realismo capitalista), still in progress, uses texts by Franco Berardi Bifo, Mark Fisher, Santiago López Petit, and Marta Plaza, among others, as its foundation, as well as conversations with people diagnosed and undiagnosed with mental illnesses and psychological suffering, to which the artist includes her own experience. In this session, Ruido will share with the audience some of the images from her project, to be finished in November 2018. The feminist collective InsPiradas, which works with mutual support and care as focal points, will participate in the debate.
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Wednesday 4 July - Sabatini Building, Auditorium
Session 4
6pm
One Unyielding Force: to Politize Unwellness
Lecture by Santiago López-Petit. Presented by Franco CastignaniWork means, within the framework of neo-liberalism, a form of political control that demands an obligation, sometimes painful, to “have a life” to manage. In a conversation open to debate with the audience, Santiago López-Petit presents his latest book, El gesto absoluto. El caso Pablo Molano: una muerte política (Pepitas de Calabaza, Logroño, 2018), about the intersection between politics and illness, and on the political nature of suicide.
8pm
Our own homeless
Lecture-performance by Liv Schulmann -
Thursday 5 July - Sabatini Building, Auditorium
Session 5
7pm
Film screening Animación en la sala de espera, (Lively Waiting Room) Carlos Rodríguez Sanz and Manuel Coronado. Spain, 1981, color, In Spanish, 78 min.
Presented by Manuel Desviat and Alfredo Aracil.This documentary was filmed in the former mental hospital in Leganés, today the Psychiatric Institute, between 1977 and 1979, during the transformation process of mental health assistance, which, during the first years of democratic transition post-Franco, resulted in a collegiate direction and of assembly. In line with other films that have entered in the daily lives of mental health patients and users of mental health, Animación en la sala de espera installs a camera in the institution's day-to-day life, also going outside its walls in search of forms of affection and bonds found in minimal gestures and repetition.
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Friday 6 July - Nouvel Building, Protocol Room, (Floor 3, enter through terrace)
Session 6
5pm
Round table discussion
With the participation of: to be confirmed, possibly Franco Castignani, Belén Solá (La Rara Troupe), participants of the program’s reading group, Amador Fernández-Savater.6:30pm
How to live by our won – how to live together
Lecture by Peter Pál PelbartBeginning with a meeting with Gilles Deleuze in the early 1980s, Peter Pál Pelbart reflects on how to how to combine the desire to be together when we are not left sufficiently alone, in a crossroads of references and tones that span from Roland Barthes' text this program takes its title from to Jean Oury's experiences, director along with Félix Guattari of La Borde clinic. How does one sustain a collective that maintains a dimension of individuality? How does one create heterogeneous spaces, with its own tonalities and different atmospheres, in which each one is connected in its own way? How does one maintain an availability capable of promoting encounters without imposing them, or attention that permits contact and preserves otherness? How does one make room for chance, without planning for it? How does one sustain a “gentleness” that allows for the emergency of speaking there, where the affective void prospers. These are some of the questions that emerge from this philosopher's research, his conception of health beyond diagnoses and the medical paradigm.
8pm
Schizo pic-nic
Performance, Florencia Rodríguez Giles. Museum tour, beginning at Nouvel Building, Protocol Room
A Possible Strength: Towards a Poietics of Living Together
Round table, performance, conference, and film screening series
Held on 28 Jun 2018
This program emerges out of the need to bring together ideas on the illnesses we suffer from, at a time when the welfare state has given way to a type of governance centered on the proliferation of new disorders, diseases, and medications. A possible strength: towards a “poietics” of living together brings together artists, theorists, and activists, in order to share experiences on a number of care networks, non-governmental and communal forms of organization, situated knowledge and ways of life that, after the anti-psychiatric movements of the 1970s, operate as an alternative to medical devices against unwellness, inasmuch as techniques for the repression of subjectivity, desires, and pleasures that do not adhere to what is considered normal. The known conditions of anxiety, stress, depression, panic, or attention deficit disorder, as well as the emergence of new illnesses such as fibromyalgia, or other forms of chronic exhaustion, are related, without a doubt, to phenomena such as the precariousness or absence of salaried work, in both psychological and physical aspects. As such, the success of drug treatments is measured by its coercive efficacy and by the empiric skill with which they transform the smallest somatization into a stable diagnosis table.
The growing critical attitude and a new way of understanding clinical practice make up two complementary forces that allow us to envision a therapeutic outlook from which to work on fears and challenges that stem from the need to live together, and that does not end at the medical model, nor at rehabilitating behavior, nor at integrating those who are different into the mode of existence that neo-liberalism considers desirable. It is not about breaking down personal suffering into mere biology, as part of neuroscience does, but rather about investigating political and social conditions that make torture, seclusion, and emotional isolation possible, more secret and commonplace everyday, almost trivial, and justified by medical reasons. In that sense, A possible strength: towards a “poietics” of living together seeks to free unwellness from being appropriated by medical science, and at the same time releasing the power of language and knowledge of the living body. In other words, it is so unwellness to not be the heartbreaking individual experience of the alienated, eccentric, and marginalized. Beginning with activities of varied formats (round table discussions, conferences, screenings, performances, and reading sessions), the program also wants the truth from every damaged body, its suffering, and the vulnerability it causes, to become visible to the public eye, as a personal and collective euphoria, to affect the largest number of people possible, until it becomes an experience that imagines new ways of living and negotiating, where every emotional crisis or catastrophe is always met with the creation of a new possible world, as suggested by Peter Pál Pelbart, with conditions conducive to subjective change.
This program is complemented by the A Possible Strength Reading group, that during June and July will work with texts related to the group’s principal theses.
Program organizer
Alfredo Aracil
Organised by
Museo Reina Sofía as part of the Midstream. New ways of audience development in contemporary art project
Participants
Alfredo Aracil. Curator, arts manager, and researcher. He has collaborated with magazines such as Experimenta, LUMIÈRE and Nosotros. His research concentrates on the transformation of psychiatry in Spain at the end of the 1970s (doctoral thesis).
Franco Castignani.Political expert and independent researcher. His principal areas of interest analyze mutations in contemporary labor, new sensibilities, and the politicization of illness.
Valentina DesideriArtist, researcher, and writer residing in Amsterdam, where she has launched the performative practices Fake Therapy and Political Therapy, as well as co-organizing the Performing Arts Forum.
Manuel Desviat. Mental health professional, he has worked in clinics, organization and services management, teaching, and research. Author of books such as Cohabitar la diferencia: de la reforma psiquiátrica a la salud mental colectiva (Traficantes de sueños, Madrid, 2016).
FLIPAS/GAM. Mutual support group from Madrid that works for the understanding of mental health from a socio-political activism standpoint. They fight against label, social discrimination, manipulation, and violence.
Ainhoa Hernández Escudero and Andrea Rodrigo. Together they think about complicity devices and ways to produce knowledge and sensibility, taking an interest in artistic investigation, curation, and contemporary choreography. They are involved in contexts such as Performing Arts Forum (St. Erme, France). They have collaborated with Valentina Desideri on a piece undertaken along with Corazón del Sol for the exhibition Cale, cale, cale! Caale!!!, curated by Juan Canela in Tabakalera (Donostia).
Hierbabuena. Organization from Asturias made up of and for people who understand mental suffering. Since 2000 it works to spread and improve knowledge society has about these types of problems and experiences, free from discrimination and prejudice.
InsPiradas. Collective from Madrid with a relationship to exclusively feminist mental health. Based on first-person experiences to denounce a hetero-patriarchal capitalist system that harms mental health.
La Rara Troupe. Thought, reflection, and creation collective on mental health that emerged in 2012 out of the Department for Education and Cultural Action at the Museum of Contemporary Art in León (MUSAC). Composed of people diagnosed and undiagnosed, its action is based on using audiovisual creation from self-representation to first-person narration.
La Revolución Delirante. Critical movement made up of mental health professionals started in 2011 in Valladolid. It is principally directed at the new generations of professionals with three objectives: promote a broad, independent, and rigorous education of these professionals; understand the aid and position of these professionals in the context of the abandonment of the position of power and social control with which the “psi” disciplines were born; take these ideas to society to neutralize the social stigma associated with so-called mental illness. Communicate that mental illness is a way of being in the world that should be respected and as such, give the mentally ill back their status of citizen.
Santiago López-Petit. Chemist and philosopher, he is a follower of Foucault and Deleuze's French post-structuralism, and Toni Negri's Italian Marxism, among others. He has spurred on collective initiatives such as Dinero gratis and Espai en blanc, that bring together radical criticism with experimentaion. He has recently published Acaba de publicar El gesto absoluto. El caso pablo Molano. Una muerte política (Pepitas de Calabaza, Logroño, 2018).
Peter Pál Pelbart. Philosopher, essayist, and professor at the PUC-SP (Pontifícia Universidade Católica de São Paulo). He is the author of Filosofía de la deserción (Tinta Limón, 2009), the notebook “Carta aberta aos secundaristas” in Caixa Pandemia de Cordéis (n-1 Edicões, São Paulo, 2016), and Cartography of Exhaustion: Nihilism inside out (Univocal, Minneapolis, 2015).
Florencia Rodríguez Giles. Artist specializing in painting and performance. Her research has for many years examined the different states of matter and of the psyche. María Ruido. Visual artist, researcher, and cultural producer. She develops interdisciplinary projects on stereotypes in labor in post-Fordist capitalism and on the construction of memory and its relation with narrative forms of history.
Liv Schulman. Artist and writer. She has coordinated and directed performative practice series related to writing, such as Triple Frontera, and the publication of the art and poetry fanzine Pobre, Feo, and Elegant. She writes in different platforms such as Emargé, Allotrope, and Artists talking.
Más actividades
Cinema, for the First Time
7 and 14 June 2026 – 12:00 pm
The final session in this Moon Projector season contemplates the feeling around the first experience of cinema — cinema as revelation, magic, fantasy and mystery from the first gaze, from the first contact with the medium, and imagery etched on the retina of childhood. The programme shows Émile Cohl’s landmark Fantasmagorie (1908), the first ever hand-drawn animation, and Ignacio Agüero’s Cien niños esperando un tren (One Hundred Children Waiting for a Train, 1988), a feature-length film on play and the origins of cinema.
Fantasmagorie (1908)by Émile Cohl (Paris, 1857– Villejuif, 1938) is the first expression in the history of animated drawing. Émile Cohl was an illustrator who belonged to the Parisian art group Arts incohérents (1882–1895), who was bestowed with an absurdist and pre-Surrealist talent. Whereas the Lumière brothers were able get audiences out of their seats as they witnessed a train moving towards them in 1895, Fantasmagorie is a supernatural experience, akin to an apparition yet also innocuous and entertaining — the inanimate comes to life out of nothing and figures seemingly move with little sense. From the outset, animation was related to caricature, fabulation and the comical, a sweet spot for the dreams of the youngest audience.
From the discovery of new imagery arising from the animated line to knowledge of the world through a screen, Cien niños esperando un tren (1988), by Chilean director Ignacio Agüero (Santiago, 1952), narrates a group of young people’s discovery of cinema in a workshop on the origins of the medium in a poverty-stricken town on the outskirts of Santiago de Chile. Play, fun and learning combine with a fascination with images, as viewing Émile Cohl’s Fantasmagorie (1908) in the workshop becomes an act of freedom.
Institutional Decentralisation
Thursday, 21 May 2026 – 5:30pm
This series is organised by equipoMotor, a group of teenagers, young people and older people who have participated in the Museo Reina Sofía’s previous community education projects, and is structured around four themed blocks that pivot on the monstrous.
This fourth and final session centres on films that take the museum away from its axis and make it gaze from the edges. Pieces that work with that which is normally left out: peripheral territories, unpolished aesthetics, clumsy gestures full of intent. Instead of possessing an institutional lustre, here they are rough, precarious and strange in appearance, legitimate forms of making and showing culture. The idea is to think about what happens when central authority is displaced, when the ugly and the uncomfortable are not hidden, when they are recognised as part of the commons. Film that does not seek to be to one’s liking, but to open space and allow other ways of seeing and inhabiting the museum to enter stage.
Ordinary, Common and Public. Common Fixes for Ordinary Communities
Tuesday, 26, and Wednesday, 27 May 2026 – Check programme
Ordinary, Common and Public. Common Fixes for Ordinary Communities is the title of the fourteenth encounter run by Sociología Ordinaria, a transdisciplinary research group that explores daily knowledge deemed ordinary, superficial or frivolous from a traditional academic and intellectual viewpoint.
This latest edition seeks to approach and map connections between concepts of the commons and the public realm — remembering that the ordinary is also the commons — and to ensure affects and moods of discontent are mobilised towards hope.
By way of its multiple declinations — community, community-based practices, the commons, the communal — the encounter seeks to reflect on different ways of creating, (re)configuring, maintaining, fixing, arranging, caring for and defending the public realm and the commons. Furthermore, it explores forms of invocation and experimentation as tools opposite the helplessness of an uncertain present, in addition to resistance against attempts of expropriation, distortion, privatisation and touristification.
International Museum Day 2026 with Radio 3
22 MAY 2026
On Friday, 22 May 2026 the Museo Reina Sofía celebrates International Museum Day by way of a vibrant music programme conducted by Radio 3.
From 9am to 11pm, the Museo’s Nouvel Courtyard will host the live broadcast of Radio 3’s day-long programme —also available on a video streaming on the Radio3 website and app, on RTVEPlay and on the Museo’s social media accounts. The programme comprises more than twenty live acts, including artists such as Carlangas, Shego, Soleá Morente, Kokoshca, La Tania, La Pegatina, Pipiolas, Ángel Stanich, Triángulo de Amor Bizarro and Zahara, and many others.
With this programme the Museo Reina Sofía concludes its celebration of International Museum Day, which takes place on Monday, 18 May. Both on 18 May, from 10am to 9pm, and 22 May admission to the Museo will be free of charge.
Gerardo Mosquera: Island Thinker, Global Curator
19 MAY 2026
This encounter pays homage to Gerardo Mosquera (Havana, 1945), a pre-eminent curator, an essayist who has been part of key debates on decolonisation and the drifts of globalisation, a communicator and, primarily, an art critic who has managed to radically situate discourses and practices, while still taking on risks and perpetually upholding committed ethical positions.
Mosquera is one of the foremost curators internationally and was involved with the Havana Biennial from its foundation in 1984 to 1989, as well as curating pivotal shows in museums and art centres around the globe. Notable among his curatorial work is as adjunct curator at the New Museum in New York (1995–2009), the Liverpool Biennial (2006) and the exhibition It’s Not Just What You See. Perverting Minimalism (Museo Reina Sofía, 2000).
This round-table discussion, which features the participation of Gerardo Mosquerahimself and an ensemble of art critics, thinkers and artists, for instance Fernando Castro Flórez, Diana Cuéllar, Lillebit Fadraga and René Francisco Rodríguez, will approach the multifaceted and extremely fertile work of Mosquera as a renowned master curator.