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Friday, 18 November 2022 Museo Reina Sofía, Nouvel Building, Auditorium 200 and Online platform
Eco-social Crisis. Transition, Decline, Rupture or Collapse?
Encounter with Laia Forné, Erika González, Isidro López Hernández, Emilio Santiago Muíño and the Feministas por el Clima, Extinction Rebellion and Fridays for Future collectives
Living in a phase of transition, collapse, decline or mutation means to breathe and do politics in different worlds. While we act to propel desirable horizons, we need an in-depth exploration of the origins and eco-social dimensions of the current crisis. This session presents different frameworks of interpretation of this crisis and, as a result, different political forms to deal with it.
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Saturday, 19 November 2022 Ateneo La Maliciosa (Calle de las Peñuelas, 12, Madrid)
Organising Ourselves in the Eco-social Crisis. Joint Strategies
Encounter-assembly with Arterra Bizimodu, Ecologistas en Acción, Plataforma para la Defensa de la Cordillera Cantábrica, Rojava Azadi and Tabadol
Despite feeling the impact of the eco-social crisis more keenly in our lives, we continue to think of the world in terms of growth, State demands or norms of consumerism in accordance with a society of middle classes from the global centre. It is time to analyse, therefore, how the eco-social crosses through and transforms our struggles, and whether these inescapable changes open new ways of understanding them and their relationship to other movements.
The session takes the form of an open assembly to imagine and debate possible joint strategies opposite the eco-social crisis.
Capitalocene Utopias
Eco-social Crisis: Definitions, Strategies and Strategic Proposals
- Encounter

Held on 18, 19 nov 2022
A framework that encompasses successive crises which shape the present sociopolitical context and consequences that start to become embedded — constant price hikes, high temperature warnings, a dearth of resources, new and ever-closer military interventions — raises questions over the exact crisis we are facing. And if the current model is exhausted, what is our future?
It would be advantageous for present and future emancipatory movements to interpret our era’s global set of problems both rigorously and appropriately. To utter “environmental crisis” or “climate emergency” often places an unsettling question at the centre: And what if we are not facing a new stumbling block in the development of capitalism but an epoch-defining crisis?
The current ecology-world configuration is at risk and the limits we face are, as well as being biophysical, social and political, which means that the environmental crisis is not simply a partial problem considered and resolved exclusively from environmental sectors. It concerns a systemic crisis that affects the entire social and organisational order, including a capitalist system that does not provide us with a viable response but displaces it in time and space through unpaid work, debt and the colonisation of territories.
Museo Reina Sofía and Ateneo La Maliciosa welcome this open encounter, which unfolds a collective evaluation of forms of organisation and the political strategies practiced to date in order to tackle these problems. It also concludes the course organised by Fundación de los Comunes (the Commons Foundation) entitled The Future is Unwritten. Organising the Capitalocene Crisis.
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Arterra Bizimodu is a community that was created in 2014 in the town of Artieda, Navarra. With the slogan “Another world is not only possible, but necessary”, its aim is to make activities aligned towards self-sufficiency more dynamic and to look for other economies that reflect a new equilibrium between the personal and the collective, developing the creativity and different talents of each person that joins the project.
Ecologistas en Acción is a confederation of more than 300 environmentalists organised territorially into federations and groups. Its practices are approached from social environmentalism, which understands that the origin of environmental problems comes increasingly from a globalised model of production and consumption, which also gives rise to other social problems.
Feministas por el Clima is a Madrid-based ecofeminist initiative that assembles over one hundred women from different feminist and environmental collectives. Its main challenges, the fight against climate change and gender equality, are closely linked in confronting a profoundly unequal system.
Laia Forné is an urban sociologist specialised in urban planning, democracy and common property. The co-founder of La Hidra Cooperativa, she participates in different urban movements in Barcelona and is an advisor to different public administrations. Between 2015 and 2019, she was the chief of staff in the Citizen Participation Department of Barcelona City Council. Among other publications, she has collaborated in the collective book Ciudades democráticas (Icaria editorial, 2019).
Fridays For Future is a global climate strike movement directed and organised by young people which was established in August 2018. Its demands include maintaining the global temperature increase below 1.5°C with respect to pre-industrial levels and to guarantee justice and climate equality.
Erika González is a researcher in the Observatory of Multi-Nationals in Latin America – Paz con Dignidad. Her research work focuses on power and the impact and violation of human rights committed by transnational companies, particularly Spanish companies in Latin America. She has tackled this issue, with Pedro Ramiro, in the publications Smurfit Kappa en Colombia: impactos socioecológicos y violaciones de derechos humanos (SumOfUs, OMAL and LASC, 2022) and A dónde va el capitalismo español (Traficantes de Sueños, 2019).
Isidro López Hernández is a sociologist and anthropologist and a representative in the tenth legislature of the Assembly of Madrid. He is also the co-author, with Emmanuel Rodríguez, of Fin de ciclo: financiarización, territorio y sociedad de propietarios en la onda larga del capitalismo hispano (1959-2010) (Traficantes de Sueños, 2010).
Plataforma para la Defensa de la Cordillera Cantábrica is an association which came into being in 2004 with the aim of defending the landscape and environmental unity of the Cordillera Cantábrica mountain range in the face of potential environmental attacks. Its sphere of action is on a national level, chiefly in the territories that make up this mountainous system: Asturias/Asturies; Cantabria; Zamora, León/Llión, Palencia and Burgos; Lugo and Orense/Ourense; Álava/Araba; and La Rioja.
Rojava Azadi is a Madrid-based collective of people with an interest in granting visibility to and supporting emancipatory struggles being carried out in Kurdistan, particularly in the social process of the Rojava Revolution and the model of democratic self-government put forward. Its aim is to spark debate and collective reflection, and to bolster communication and international solidarity, interweaving support networks to facilitate fraternity between people and social mobilisation.
Emilio Santiago Muíño holds a PhD in Social Anthropology from the Autonomous University of Madrid and is a researcher and eco-social activist. He is the author of books that include ¿Qué hacer en caso de incendio? Manifiesto por el Green New Deal (Capitán Swing, 2019), Opción Cero: el reverdecimiento forzoso de la Revolución cubana (Los Libros de la Catarata-FUHEM, 2017) and No es una estafa, es una crisis (de civilización) (Enclave, 2015), and is currently a senior scientist with the Spanish National Research Council (CSIC) in the Department of Anthropology.
Tabadol is a cultural association that defends the rights of residents in Cañada Real. Its objectives include improving social cohesion and community revitalisation in order to prevent situations that hinder co-existence and community development
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Aesthetics of Peace and Desertion Tactics
8, 22 OCT, 5, 19 NOV, 3, 17, 31 DIC 2025,14, 28 ENE, 11, 25 FEB, 11, 25 MAR, 8, 22 ABR, 6, 20 MAY, 3, 17 JUN 2026
The study group Aesthetics of Peace and Tactics of Desertion: Prefiguring New Pacifisms and Forms of Transitional Justice proposes a rethinking—through both a theoretical-critical and historical-artistic lens—of the intricate network of concepts and practices operating under the notion of pacifism. A term not without contestation and critical tension, pacifism gathers under its name a multiplicity of practices—from anti-militarism and anti-war movements to non-violence activism—while simultaneously opening urgent debates around violence, justice, reparation, and desertion. Here, pacifism is not conceived as a moral doctrine, but as an active form of ethical and political resistance capable of generating aesthetic languages and new positions of social imagination.
Through collective study, the group seeks to update critical debates surrounding the use of violence and non-violence, as well as to explore the conflict of their representation at the core of visual cultures. In a present marked by rearmament, war, genocide, and the collapse of the social contract, this group aims to equip itself with tools to, on one hand, map genealogies and aesthetics of peace—within and beyond the Spanish context—and, on the other, analyze strategies of pacification that have served to neutralize the critical power of peace struggles. Transitional and anti-punitive justice proposals will also be addressed, alongside their intersections with artistic, visual, and cinematic practices. This includes examining historical examples of tribunals and paralegal activisms initiated by artists, and projects where gestures, imaginaries, and vocabularies tied to justice, reparation, memory, and mourning are developed.
It is also crucial to note that the study programme is grounded in ongoing reflection around tactics and concepts drawn, among others, from contemporary and radical Black thought—such as flight, exodus, abolitionism, desertion, and refusal. In other words, strategies and ideas that articulate ways of withdrawing from the mandates of institutions or violent paradigms that must be abandoned or dismantled. From feminist, internationalist, and decolonial perspectives, these concepts have nourished cultural coalitions and positions whose recovery today is urgent in order to prefigure a new pacifism: generative, transformative, and radical.
Aesthetics of Peace and Tactics of Desertion, developed and led by the Museo Reina Sofía’s Studies Management, unfolds through biweekly sessions from October to June. These sessions alternate between theoretical discussions, screenings, work with artworks and archival materials from the Museo’s Collection, reading workshops, and public sessions. The group is structured around sustained methodologies of study, close reading, and collective discussion of thinkers such as Judith Butler, Elsa Dorlin, Juan Albarrán, Rita Segato, Sven Lütticken, Ruth Wilson Gilmore, and Franco “Bifo” Berardi; historical episodes such as the anti-nuclear and anti-arms race movement in Spain; and the work of artists and activists including Rojava Film Commune, Manuel Correa and the Oficina de Investigación Documental (Office for Documentary Investigation), and Jonas Staal, among other initial cases that will expand as the group progresses.
UP/ROOTING
11, 12, 13, 14, 15, 16 NOV 2025
Museo Reina Sofía and MACBA Museu d'Art Contemporani de Barcelona (MACBA) invite applications for the 2025 iteration of the School of Common Knowledge, which will take place from November 11th to 16th in Madrid and Barcelona.
The School of Common Knowledge (SCK) draws on the network, knowledge and experience of L ’Internationale, a confederation of museums, art organizations and universities that strives to reimagine and practice internationalism, solidarity and communality within the cultural field. This year, the SCK program focuses on the contested and dynamic notions of rooting and uprooting in the framework of present —colonial, migrant, situated, and ecological— complexities.
Building on the legacy of the Glossary of Common Knowledge and the current European program Museum of the Commons, the SCK invites participants to reflect on the power of language to shape our understanding of art and society through a co-learning methodology. Its ambition is to be both nomadic and situated, looking at specific cultural and geopolitical situations while exploring their relations and interdependencies with the rest of the world.
In the current context fraught with war and genocide, the criminalization of migration and hyper-identitarianism, concepts such as un/belonging become unstable and in need of collective rethinking:
How can we reframe the sense and practice of belonging away from reductive nationalist paradigms or the violence of displacement? How to critically hold the entanglement of the colonial routes and the cultural roots we are part of? What do we do with the toxic legacies we inherit? And with the emancipatory genealogies and practices that we choose to align with? Can a renewed practice of belonging and coalition-making through affinity be part of a process of dis/identification? What geographies —cultural, artistic, political— do these practices of de/centering, up/rooting, un/belonging and dis/alignment designate?
Departing from these questions, the program consists of a series of visits to situated initiatives (including Museo Situado, Paisanaje and MACBA's Kitchen, to name a few), engagements with the exhibitions and projects on view (Project a Black Planet: The Art and Culture from Panafrica), a keynote lecture by Stefano Harney and Fred Moten, as well as daily reading and discussion gatherings, editorial harvest sessions, and conviviality moments.
Rethinking Guernica
21, 23, 28, 30, 20, 26, 27 SEP, 5, 7, 12, 14, 19, 21, 26, 28, 3, 4, 10, 11, 17, 18, 24, 25, 31 OCT, 2, 4, 9, 11, 16, 18, 23, 25, 30, 1, 7, 8, 14, 15, 21, 22, 28, 29 NOV, 2, 7, 9, 14, 16, 21, 23, 28, 30, 5, 6, 12, 13, 19, 20, 26, 27 DIC 2024,4, 6, 11, 13, 18, 20, 25, 27, 2, 3, 9, 10, 16, 17, 23, 24, 30, 31 ENE, 1, 3, 8, 10, 15, 17, 22, 24, 6, 7, 13, 14, 20, 21, 27, 28 FEB, 1, 3, 8, 10, 15, 17, 22, 24, 29, 31, 6, 7, 13, 14, 20, 21, 27, 28 MAR, 5, 7, 12, 14, 19, 21, 26, 28, 3, 4, 10, 11, 17, 18, 24, 25 ABR, 3, 5, 10, 12, 17, 19, 24, 26, 31, 1, 2, 8, 9, 15, 16, 22, 23, 29, 30 MAY, 2, 7, 9, 14, 16, 21, 23, 28, 30, 5, 6, 12, 13, 19, 20, 26, 27 JUN, 5, 7, 12, 14, 19, 21, 26, 28, 3, 4, 10, 11, 17, 18, 24, 25, 31 JUL, 2, 4, 9, 11, 16, 18, 23, 25, 30, 1, 7, 8, 14, 15, 21, 22, 28, 29 AGO, 1, 6, 8, 13, 15, 20, 22, 27, 29, 4, 5, 11, 12, 18, 19, 25, 26 SEP, 4, 6, 11, 13, 18, 20, 25, 27, 2, 3, 9, 10, 16, 17, 23, 24, 30 OCT 2025
This guided tour activates the microsite Rethinking Guernica, a research project developed by the Museo Reina Sofía’s Collections Area, Conservation and Restoration Department and the Digital Projects Area of the Editorial Activities Department, assembling around 2,000 documents, interviews and counter-archives related to Pablo Picasso’s painting Guernica (1937).
The visit sets out an in-situ dialogue between the works hung around the painting and a selection of key documents, selected by the Museo’s Education Team and essential to gaining an idea of the picture’s historical background. Therefore, the tour looks to contribute to activating critical thought around this iconic and perpetually represented work and seeks to foster an approach which refreshes our gaze before the painting, thereby establishing a link with the present. Essentially revisiting to rethink Guernica.
The (legal) person and the legal form. Chapter I
29 SEP, 2, 6, 9 OCT 2025
As part of the Studies Constellation, the Study Directoship’s annual fellowship, art historian and theorist Sven Lütticken leads the seminar The (Legal) Person and the Legal Form: Theoretical, Artistic, and Activist Commitments to foster dialogue and deepen the hypotheses and questions driving his research project.
This project, titled Unacting Personhood, Deforming Legal Abstraction, explores the dominance of real abstractions—such as exchange value and legal form—over our processes of subjectivation, and asks how artistic practices can open up alternative ways of representing or performing the subject and their legal condition in the contemporary world.
The seminar consists of eight two-hour sessions, divided into three chapters throughout the academic year. While conceived as non-public spaces for discussion and collective work, these sessions complement, nourish, and amplify the public program of the Studies Constellation.
This first chapter of the seminar, composed of four sessions, serves as an introduction to the fundamental issues of the research concerning theoretical, artistic, and activist engagements with the legal form. It includes four sessions dedicated respectively to: the legal form, through the work of French jurist, philosopher, and lawyer Bernard Edelman, with particular attention to his Marxist theory of photography (translated into German by Harun Farocki); the (legal) person, via contributions from Italian philosopher Roberto Esposito, academic, social justice activist, and writer Radha D’Souza, and visual artist Jonas Staal; land, through the work of researcher Brenna Bhandar—specialist in the colonial foundations of modern law and the notion of property—and artist, filmmaker, and researcher Marwa Arsanios; and international law, through the work of British writer China Miéville.
Through these and other readings, case study analyses, and collective discussions, the seminar aims to open a space for critical reflection on the ways in which the law—both juridical form and legal form—is performed and exceeded by artistic and activist practices, as well as by theoretical and political approaches that challenge its foundations and contemporary projections.