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Thursday, 28 June - Nouvel Building, Protocol Room, (Floor 3, enter through terrace)
Session 1
6pm
Situated Unwellness or How Mental Diseases Have Been Privatized
Round table discussion. Participants: Manuel Desviat, Flipas GAM, Hierbabuena y La Revolución Delirante.Many of our regrets and suffering, that move from the physical to the psychological, have their beginnings in the social realm, free from the influence of biology. This is an intuition that the anti-psychiatric movement put into practice during the 60s and 70s, turning the fight against involuntary commitment and violence of the clinic into a battlefield. From the activism of mutual support groups to the care of new professional collectives that reject medicalization as the lone answer to the illnesses we suffer, this round table seeks to situate a series of reflections on a concrete form of governance that represses the right to be different.
8pm
Fake Therapy
A practice proposed by Valentina Desideri with Ainhoa Hernández y Andrea Rodrigo. -
Sunday, 1 July - Sabatini Building, Auditorium
Session 2
7pm
San Clemente, Raymond Depardon and Sophie Ristelhueber, France, 1981, B / W, VOSE, 100 '
Presented by Alfredo AracilThe year 1980, in which this film was filmed, marks the end of a decade of anti-asylum struggles and the beginning of what has been called control societies, with their surveillance and molecular regulation spaces. Raymond Depardon and Sophie Ristelhueber film corridors and common spaces of the last days of a psychiatric hospital on the island of San Clemente, near Venice. This hospital appears as the emblem of an era where therapy inevitably involves confinement, violence and marginalization. The documentary, shot during the carnival period, portrays the daily environment of patients and relatives, as well as its links with medical personnel in the labyrinth of the Venetian hospital.
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Monday 2 July - Sabatini Building, Auditorium
Session 3
7pm
Screening and debate on the unedited documentary in progress Estado de malestar (Unwellness State) by María Ruido and the InsPiradas collective.María Ruido defends film as a space to reflect on the intersection between neo-liberal capitalism and mental health. Her new film, Estado de malestar ((In)adaptación, sintomatología social y enfermedad en tiempos del realismo capitalista), still in progress, uses texts by Franco Berardi Bifo, Mark Fisher, Santiago López Petit, and Marta Plaza, among others, as its foundation, as well as conversations with people diagnosed and undiagnosed with mental illnesses and psychological suffering, to which the artist includes her own experience. In this session, Ruido will share with the audience some of the images from her project, to be finished in November 2018. The feminist collective InsPiradas, which works with mutual support and care as focal points, will participate in the debate.
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Wednesday 4 July - Sabatini Building, Auditorium
Session 4
6pm
One Unyielding Force: to Politize Unwellness
Lecture by Santiago López-Petit. Presented by Franco CastignaniWork means, within the framework of neo-liberalism, a form of political control that demands an obligation, sometimes painful, to “have a life” to manage. In a conversation open to debate with the audience, Santiago López-Petit presents his latest book, El gesto absoluto. El caso Pablo Molano: una muerte política (Pepitas de Calabaza, Logroño, 2018), about the intersection between politics and illness, and on the political nature of suicide.
8pm
Our own homeless
Lecture-performance by Liv Schulmann -
Thursday 5 July - Sabatini Building, Auditorium
Session 5
7pm
Film screening Animación en la sala de espera, (Lively Waiting Room) Carlos Rodríguez Sanz and Manuel Coronado. Spain, 1981, color, In Spanish, 78 min.
Presented by Manuel Desviat and Alfredo Aracil.This documentary was filmed in the former mental hospital in Leganés, today the Psychiatric Institute, between 1977 and 1979, during the transformation process of mental health assistance, which, during the first years of democratic transition post-Franco, resulted in a collegiate direction and of assembly. In line with other films that have entered in the daily lives of mental health patients and users of mental health, Animación en la sala de espera installs a camera in the institution's day-to-day life, also going outside its walls in search of forms of affection and bonds found in minimal gestures and repetition.
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Friday 6 July - Nouvel Building, Protocol Room, (Floor 3, enter through terrace)
Session 6
5pm
Round table discussion
With the participation of: to be confirmed, possibly Franco Castignani, Belén Solá (La Rara Troupe), participants of the program’s reading group, Amador Fernández-Savater.6:30pm
How to live by our won – how to live together
Lecture by Peter Pál PelbartBeginning with a meeting with Gilles Deleuze in the early 1980s, Peter Pál Pelbart reflects on how to how to combine the desire to be together when we are not left sufficiently alone, in a crossroads of references and tones that span from Roland Barthes' text this program takes its title from to Jean Oury's experiences, director along with Félix Guattari of La Borde clinic. How does one sustain a collective that maintains a dimension of individuality? How does one create heterogeneous spaces, with its own tonalities and different atmospheres, in which each one is connected in its own way? How does one maintain an availability capable of promoting encounters without imposing them, or attention that permits contact and preserves otherness? How does one make room for chance, without planning for it? How does one sustain a “gentleness” that allows for the emergency of speaking there, where the affective void prospers. These are some of the questions that emerge from this philosopher's research, his conception of health beyond diagnoses and the medical paradigm.
8pm
Schizo pic-nic
Performance, Florencia Rodríguez Giles. Museum tour, beginning at Nouvel Building, Protocol Room
A Possible Strength: Towards a Poietics of Living Together
Round table, performance, conference, and film screening series

Held on 28 jun 2018
This program emerges out of the need to bring together ideas on the illnesses we suffer from, at a time when the welfare state has given way to a type of governance centered on the proliferation of new disorders, diseases, and medications. A possible strength: towards a “poietics” of living together brings together artists, theorists, and activists, in order to share experiences on a number of care networks, non-governmental and communal forms of organization, situated knowledge and ways of life that, after the anti-psychiatric movements of the 1970s, operate as an alternative to medical devices against unwellness, inasmuch as techniques for the repression of subjectivity, desires, and pleasures that do not adhere to what is considered normal. The known conditions of anxiety, stress, depression, panic, or attention deficit disorder, as well as the emergence of new illnesses such as fibromyalgia, or other forms of chronic exhaustion, are related, without a doubt, to phenomena such as the precariousness or absence of salaried work, in both psychological and physical aspects. As such, the success of drug treatments is measured by its coercive efficacy and by the empiric skill with which they transform the smallest somatization into a stable diagnosis table.
The growing critical attitude and a new way of understanding clinical practice make up two complementary forces that allow us to envision a therapeutic outlook from which to work on fears and challenges that stem from the need to live together, and that does not end at the medical model, nor at rehabilitating behavior, nor at integrating those who are different into the mode of existence that neo-liberalism considers desirable. It is not about breaking down personal suffering into mere biology, as part of neuroscience does, but rather about investigating political and social conditions that make torture, seclusion, and emotional isolation possible, more secret and commonplace everyday, almost trivial, and justified by medical reasons. In that sense, A possible strength: towards a “poietics” of living together seeks to free unwellness from being appropriated by medical science, and at the same time releasing the power of language and knowledge of the living body. In other words, it is so unwellness to not be the heartbreaking individual experience of the alienated, eccentric, and marginalized. Beginning with activities of varied formats (round table discussions, conferences, screenings, performances, and reading sessions), the program also wants the truth from every damaged body, its suffering, and the vulnerability it causes, to become visible to the public eye, as a personal and collective euphoria, to affect the largest number of people possible, until it becomes an experience that imagines new ways of living and negotiating, where every emotional crisis or catastrophe is always met with the creation of a new possible world, as suggested by Peter Pál Pelbart, with conditions conducive to subjective change.
This program is complemented by the A Possible Strength Reading group, that during June and July will work with texts related to the group’s principal theses.
Program organizer
Alfredo Aracil
Organised by
Museo Reina Sofía as part of the Midstream. New ways of audience development in contemporary art project

Participants
Alfredo Aracil. Curator, arts manager, and researcher. He has collaborated with magazines such as Experimenta, LUMIÈRE and Nosotros. His research concentrates on the transformation of psychiatry in Spain at the end of the 1970s (doctoral thesis).
Franco Castignani.Political expert and independent researcher. His principal areas of interest analyze mutations in contemporary labor, new sensibilities, and the politicization of illness.
Valentina DesideriArtist, researcher, and writer residing in Amsterdam, where she has launched the performative practices Fake Therapy and Political Therapy, as well as co-organizing the Performing Arts Forum.
Manuel Desviat. Mental health professional, he has worked in clinics, organization and services management, teaching, and research. Author of books such as Cohabitar la diferencia: de la reforma psiquiátrica a la salud mental colectiva (Traficantes de sueños, Madrid, 2016).
FLIPAS/GAM. Mutual support group from Madrid that works for the understanding of mental health from a socio-political activism standpoint. They fight against label, social discrimination, manipulation, and violence.
Ainhoa Hernández Escudero and Andrea Rodrigo. Together they think about complicity devices and ways to produce knowledge and sensibility, taking an interest in artistic investigation, curation, and contemporary choreography. They are involved in contexts such as Performing Arts Forum (St. Erme, France). They have collaborated with Valentina Desideri on a piece undertaken along with Corazón del Sol for the exhibition Cale, cale, cale! Caale!!!, curated by Juan Canela in Tabakalera (Donostia).
Hierbabuena. Organization from Asturias made up of and for people who understand mental suffering. Since 2000 it works to spread and improve knowledge society has about these types of problems and experiences, free from discrimination and prejudice.
InsPiradas. Collective from Madrid with a relationship to exclusively feminist mental health. Based on first-person experiences to denounce a hetero-patriarchal capitalist system that harms mental health.
La Rara Troupe. Thought, reflection, and creation collective on mental health that emerged in 2012 out of the Department for Education and Cultural Action at the Museum of Contemporary Art in León (MUSAC). Composed of people diagnosed and undiagnosed, its action is based on using audiovisual creation from self-representation to first-person narration.
La Revolución Delirante. Critical movement made up of mental health professionals started in 2011 in Valladolid. It is principally directed at the new generations of professionals with three objectives: promote a broad, independent, and rigorous education of these professionals; understand the aid and position of these professionals in the context of the abandonment of the position of power and social control with which the “psi” disciplines were born; take these ideas to society to neutralize the social stigma associated with so-called mental illness. Communicate that mental illness is a way of being in the world that should be respected and as such, give the mentally ill back their status of citizen.
Santiago López-Petit. Chemist and philosopher, he is a follower of Foucault and Deleuze's French post-structuralism, and Toni Negri's Italian Marxism, among others. He has spurred on collective initiatives such as Dinero gratis and Espai en blanc, that bring together radical criticism with experimentaion. He has recently published Acaba de publicar El gesto absoluto. El caso pablo Molano. Una muerte política (Pepitas de Calabaza, Logroño, 2018).
Peter Pál Pelbart. Philosopher, essayist, and professor at the PUC-SP (Pontifícia Universidade Católica de São Paulo). He is the author of Filosofía de la deserción (Tinta Limón, 2009), the notebook “Carta aberta aos secundaristas” in Caixa Pandemia de Cordéis (n-1 Edicões, São Paulo, 2016), and Cartography of Exhaustion: Nihilism inside out (Univocal, Minneapolis, 2015).
Florencia Rodríguez Giles. Artist specializing in painting and performance. Her research has for many years examined the different states of matter and of the psyche. María Ruido. Visual artist, researcher, and cultural producer. She develops interdisciplinary projects on stereotypes in labor in post-Fordist capitalism and on the construction of memory and its relation with narrative forms of history.
Liv Schulman. Artist and writer. She has coordinated and directed performative practice series related to writing, such as Triple Frontera, and the publication of the art and poetry fanzine Pobre, Feo, and Elegant. She writes in different platforms such as Emargé, Allotrope, and Artists talking.
Más actividades
![Metahaven, The Sprawl: Propaganda about Propaganda [La diseminación: propaganda sobre propaganda], 2015, película](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/interfaz_emotiva_0.jpeg.webp)
EMOTIVE INTERFACE. The Films of Metahaven
Thursday, 27, Friday, 28, and Saturday, 29 November 2025 – check times
The Museo Reina Sofía and the Márgenes International Film Festival in Madrid, here in its fifteenth edition, present this series devoted to the artist collective Metahaven. The programme is framed inside the working strand both institutions started in 2024, focusing on an exploration of contemporary audiovisual narratives, a hybridisation of languages and the moving image as a tool for practising critical gazes on the present. Emotive Interface. The Films of Metahaven comprises two sessions of screenings and a masterclass delivered by the collective, centring on the relationship between the internet, technology, time and the moving image. All sessions will be presented by the artists.
The work of Metahaven — Dutch artist duo Vinca Kruk and Daniel Van der Velden — encompasses graphic art, video, installations, writing and design around urgent issues related to governance, identity, power and transparency in the digital age. Thus, their practice stands at the crossroads of art, film and critical thought, as they employ visual language as a tool to explore the tensions between technology, politics and perception, their practice combining the rigour of the visual essay and a strong poetic component, where graphic design, digital animation and documentary material fuse into dense, emotionally ambiguous compositions that speak of post-digital romanticism through an allegorical formulation. The spotlight of this series shines brightly on some of Metahaven’s recent works, for instance The Feeling Sonnets (Transitional Object) (2024), in which they examine language, poetry and digital time, and on The Sprawl (Propaganda About Propaganda) (2015), an essay which explores how the internet and social media have radically altered the relationship between truth, power and perception. Finally, the duo’s masterclass is set forth here as a survey of the main themes explored by both artists.

Francisco López and Barbara Ellison
Thursday, 11 December - 8pm
The third session in the series brings together two international reference points in sound art in one evening — two independent performances which converse through their proximity here. Barbara Ellison opens proceedings with a piece centred on the perceptively ambiguous and the ghostly, where voices, sounds and materials become spectral manifestations.
This is followed by Francisco López, an internationally renowned Spanish sound artist, who presents one of his radical immersions in deep listening, with his work an invitation to submerge oneself in sound matter as a transformative experience.
This double session sets forth an encounter between two artists who, from different perspectives, share the same search: to open ears to territories where sound becomes a poetic force and space of resistance.

Long Live L’Abo! Celluloid and Activism
4, 5, 6 DIC 2025
L’Abominable is a collective film laboratory founded in La Courneuve (Paris, France) in 1996. It came into being in response to the disappearing infrastructures in artisan film-making and to provide artists and film-makers with a self-managed space from which to produce, develop and screen films in analogue formats such as Super 8, 16mm and 35mm. Anchored in this premise, the community promotes aesthetic and political experimentation in analogue film opposite digital hegemony. Over the years, L’Abominable, better known as L’Abo, has accompanied different generations of film-makers, upholding an international movement of independent film practices.
This third segment is structured in three sessions: a lecture on L’Abo given by Pilar Monsell and Camilo Restrepo; a session of short films in 16mm produced in L’Abo; and the feature-length film Une isle, une nuit, made by the Les Pirates des Lentillères collective.

Estrella de Diego Lecture. Holding Your Brain While You Sleep
Wednesday, 3 December 2025 – 7pm
Framed inside the Museo Reina Sofía’s retrospective exhibition devoted to Maruja Mallo, this lecture delivered by Estrella de Diego draws attention to the impact of the artist’s return to Spain after her three-decade exile in Latin America.
Committed to values of progress and renewal in the Second Republic, Mallo was forced into exile to Argentina with the outbreak of the Civil War and would not go back to Spain to settle definitively until 1965 — a return that was, ultimately, a second exile.
Mallo saw out her prolific artistic trajectory with two impactful series: Moradores del vacío (Dwellers of the Void, 1968–1980) and Viajeros del éter (Ether Travelers, 1982), entering her most esoteric period in which she drew inspiration from her “levitational experiences” of crossing the Andes and sailing the Pacific. Her travels, both real and imaginary, became encounters with superhuman dimensions.
In parallel, her public persona gained traction as she became a popular figure and a key representative of the Generation of ‘27 — the other members of which also started returning to Spain.
This lecture is part of the Art and Exile series, which seeks to explore in greater depth one of the defining aspects of Maruja Mallo’s life and work: her experience of exile. An experience which for Mallo was twofold: the time she spent in the Americas and her complex return to Spain.

Juan Uslé. That Ship on the Mountain
Tuesday, 25 November 2025 – 7pm
Ángel Calvo Ulloa, curator of the exhibition Juan Uslé. That Ship on the Mountain, engages in conversation with artist Juan Uslé (Santander, 1954) in the Museo’s Auditorium 400 to explore in greater depth the exhibition discourse of this anthological show spanning four decades of Uslé’s artistic career.
The show casts light on the close relationship Uslé’s work bears to his life experiences, establishing connections between different stages and series which could ostensibly seem distant. Framed in this context, the conversation looks to explore the artist’s personal and professional journey: his memories, experiences of New York, his creative process, conception of painting, and ties with photography and film, and the cohesiveness and versatility that characterise his art. Key aspects for a more in-depth understanding of his artistic sphere.
The conversation, moreover, spotlights the preparatory research process that has given rise to this exhibition to grant a better understanding of the curatorial criteria and decisions that have guided its development.
These inaugural conversations, part of the main working strands of the Museo’s Public Programmes Area, aim to explore in greater depth the exhibition narratives of the shows organised by the Museo from the perspective of artists, curators and specialists.



![Miguel Brieva, ilustración de la novela infantil Manuela y los Cakirukos (Reservoir Books, 2022) [izquierda] y Cibeles no conduzcas, 2023 [derecha]. Cortesía del artista](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/ecologias_del_deseo_utopico.jpg.webp)
![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)