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December 11, 2015 Nouvel Building, Protocol Room
Presentation of the archive participants
Moderator: Marisa Pérez Colina (Fundación de los Comunes)
Those interested in attending must register beforehand at: centrodeestudios@museoreinasofia.es
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December 11, 2015 Nouvel Building, Auditorium 200
Conferences
Nancy Kranich. Reclaiming the Commons: Countering Enclosure of our Archival Heritage [30 min]
Digital technologies offer unprecedented possibilities for human creativity, global communication, innovation, and access to information and knowledge. Yet these same technologies also provide new opportunities to control—or enclose— intellectual products, threatening to erode political discourse, scientific inquiry, free speech, and the creativity needed for healthy democratic discourse. To counter such enclosure, scholars, technologists, and research institutions are working together to develop information commons that promise new models for stimulating innovation, fostering creativity, and building a movement that embodies knowledge as a shared resource.
Librarians and archivists have spearheaded this movement to counter enclosure of information commons by not only opposing access controls but also developing and adopting new, exciting approaches to sharing information and advancing knowledge. They are developing new structures that promote more open access to information resources across collections, platforms and repositories. Through these efforts, they are harnessing the power and potential of technology to democratize access, thereby realizing both the metaphor and reality of information commons. To move forward, a multidisciplinary collaborative effort is needed to advance information commons that adopt open standards and collaborative governance structures in order to enable sustainable global resource sharing in the 21st century.
Ariella Azoulay. Procedurally Speaking: No Archives of the Common Without Trans-Border Restitution [30 min]
With the creation of state archives, we have been made foreign, often untrusted guests to the archives. Performing our right to these archives is one way to demonstrate that archives are not about the past but about the common. Under five centuries old imperial condition, this right can practically be performed mainly by citizens or residents of sovereign states. It can hardly be practiced by people living in formerly colonized countries in which, during centuries of imperial rule, cultural treasures were looted and expropriated, and much of this plunder was transferred and continued to be stored and displayed in archives and museums of the former imperial powers. Under the imperial condition, the dispossession of those people from their art objects and cultural infrastructures and from archival documents they have right to use, has been followed by system of borders and fences that deprive former colonized subjects from access to the sites where these treasures are stored. Under this condition, a claim to have archives of the commons, should be inseparable from the claim to restitute portions of these archives to the countries where the looting, plunder, and expropriation took place.
Break
Jorge Reina Schement. Meeting the Challenge of Meaningful Access: Connectivity, Capability, Content, and Context [30 min]
Digital technologies offer unprecedented opportunities to share information in new and expanded ways. But making information available in any given format will not, by itself, guarantee meaningful access, especially for those groups lacking or not familiar with the technologies of access necessary to retrieve the information. A community must marshal resources to make the most of the potential offered by access. For communities to exploit the benefits of access, they must mobilize connectivity, capability, content, and context—the 4C's of access.
By conceptualizing the Internet as a pluralistic domain that includes the broader context in which technical components are embedded, we explicitly connect social with technical to conceptualize the Internet as an interdependent, socio-technical network. In so doing, we emphasize the importance of context in determining community-level interventions, as well as recognize the inherent difficulty in developing “best practices” that can be applied validly across diverse settings. Thus, the goal of connectivity, which is at the heart of most policies aimed at increasing access and, represents but a small first step toward functional access and empowerment. Capability, content, and context must be woven into any strategy seeking to achieve a better informational future for all.
William Gambetta. Archives of movement: between cultural reflection and social unrest [30 min]
If memory is a way of building social domination in the field of the imaginary and the symbolic, then the archive of movements, which has played a vital role in history but has also been defeated as a political actor capable of organising the prevalent institutionalism in production and its conservation, must operate with diverse constructed logics. These are defined and implemented in the specific conditions in which this dispute is disentangled by a sense of past and present. In these times of marked social unrest, of vast technological innovations and intense mutations in social actors’ political subjectivity, the archive of movements becomes a greater problem in inventing the future in terms of collective action and the activation of social energy. Therefore, this memory of movements is paramount to debating the possible lines of action aimed at inventing other forms of institutional, social and political organisation and other models of co-existence and human relationality.
The task of archives of movements is to keep spaces for reflection and social constitution open - these have been historically opened in order to use the repository of experience in the debate on the possible directions of social transformation in the present. The activation of these repositories of experience has ties to cartography, commitment and the accessibility of the materials, narratives and micro-histories belonging to those involved in their existence. The fragmentary nature and dispersion of movements have not historically implied either a lack of coherence or intelligibility in contributions to social transformation; thus the archive of movements represents a basic mechanism of social constitution today.
Question and answer session
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December 12, 2015 Nouvel Building, Protocol Room
Workshop Sessions
Archive policies and forms of institution
10:00 - 12:00 a.m.
Moderator: Mela Dávila (Museo Reina Sofía)
The archives of the commons must be imagined beyond the principles of exclusive and identity heritage, simultaneously combining the reality of being founded in local and politically positioned experience and the chance to be appropriated, activated and distributed in different modes, without its value being spuriously perverted. Accordingly, it must redefine its institutional structure and conceptual architecture, adapting to this collective, conceivable, open and variable nature.
Archive economies
12:30 - 2:30 p.m.
Moderator: Mabel Tapia (Red Conceptualismos del Sur)
The State has traditionally been the guarantor of material continuity and the archive economy, with this presence one of its defining characteristics. The archives of the commons is based on the withdrawal of this guarantee, yet it also has to search for logics of continuity and dissemination in a context of institutional instability, economic insecurity and the discontinuity of the specific agents it is founded upon.
Techno-political mechanisms of the common archive
4:30 - 6:30 p.m.
Moderator: Roxu Álvarez (Fundación de los Comunes)
Technological forms of archive cannot be separated from their political dimension; the Internet has become an archive in one of the central battlefields in contemporary societies. The generation of technological devices enabling exposure, hybrid and changeable taxonomies, and their collective production, as well as universal access, is a condition of possibility for the archives of the commons.
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December 12, 2015 Nouvel Building, Auditorium 200
Round-table Discussion. The future of memory and the expropriation of the political sense of the present
Participants: Nancy Kranich, Ariella Azoulay, Jorge Reina Schement, William Gambetta and representants of the archives participants
Moderator: Carlos Prieto del Campo (Museo Reina Sofía)
Archives of the commons

Held on 11, 12 dic 2015
In this seminar, Fundación de los Comunes, Red de Conceptualismos del Sur and Museo Reina Sofía put forward a reflection on issues of social, cultural and political memory through the work of archives that guard, transmit and produce public memory generated by the current forms of social action conservation, which also shuts out major parts of collective experience from dominant discourse. This line of research into the archive and memory of subordinate and dominant groups sets forth a powerful line of reflection on new political rights and the new characteristics of a genuinely democratic sphere that is currently traversed by a multifactorial sense of crisis with far-reaching effects on the types of collective behaviour in our societies.
Archives of the commons shines a spotlight on these debates and lines of work in an international seminar organised into tables for discussion and public presentations. It is structured around three core principles of reflection: the archive models and institutional forms that make it possible, laying out a broad cartography of repository initiatives created between the 1970s and the present day; the economies of archive and the methods and protocols that ensure its dissemination and sustainability; the possible techno-political tools for undertaking its organisation, conceived as instruments that guarantee exposure, dynamic taxonomies and universal access, an indispensable condition of common archives. Therefore, the seminar will address institutional, technological and economic models that promote the different archives brought together, transversally debating these divergent records of experience and thought via the synthesis of the local and international, the individual and the collective.
With support from the Foundation for Arts Initiatives (FfAI)
Related links
Organised by
Museo Reina Sofía, Fundación de los Comunes and Red Conceptualismos del Sur
With the support of

Más actividades
![Metahaven, The Sprawl: Propaganda about Propaganda [La diseminación: propaganda sobre propaganda], 2015, película](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/interfaz_emotiva_0.jpeg.webp)
EMOTIVE INTERFACE. The Films of Metahaven
Thursday, 27, Friday, 28, and Saturday, 29 November 2025 – check times
The Museo Reina Sofía and the Márgenes International Film Festival in Madrid, here in its fifteenth edition, present this series devoted to the artist collective Metahaven. The programme is framed inside the working strand both institutions started in 2024, focusing on an exploration of contemporary audiovisual narratives, a hybridisation of languages and the moving image as a tool for practising critical gazes on the present. Emotive Interface. The Films of Metahaven comprises two sessions of screenings and a masterclass delivered by the collective, centring on the relationship between the internet, technology, time and the moving image. All sessions will be presented by the artists.
The work of Metahaven — Dutch artist duo Vinca Kruk and Daniel Van der Velden — encompasses graphic art, video, installations, writing and design around urgent issues related to governance, identity, power and transparency in the digital age. Thus, their practice stands at the crossroads of art, film and critical thought, as they employ visual language as a tool to explore the tensions between technology, politics and perception, their practice combining the rigour of the visual essay and a strong poetic component, where graphic design, digital animation and documentary material fuse into dense, emotionally ambiguous compositions that speak of post-digital romanticism through an allegorical formulation. The spotlight of this series shines brightly on some of Metahaven’s recent works, for instance The Feeling Sonnets (Transitional Object) (2024), in which they examine language, poetry and digital time, and on The Sprawl (Propaganda About Propaganda) (2015), an essay which explores how the internet and social media have radically altered the relationship between truth, power and perception. Finally, the duo’s masterclass is set forth here as a survey of the main themes explored by both artists.

Francisco López and Barbara Ellison
Thursday, 11 December - 8pm
The third session in the series brings together two international reference points in sound art in one evening — two independent performances which converse through their proximity here. Barbara Ellison opens proceedings with a piece centred on the perceptively ambiguous and the ghostly, where voices, sounds and materials become spectral manifestations.
This is followed by Francisco López, an internationally renowned Spanish sound artist, who presents one of his radical immersions in deep listening, with his work an invitation to submerge oneself in sound matter as a transformative experience.
This double session sets forth an encounter between two artists who, from different perspectives, share the same search: to open ears to territories where sound becomes a poetic force and space of resistance.

Long Live L’Abo! Celluloid and Activism
4, 5, 6 DIC 2025
L’Abominable is a collective film laboratory founded in La Courneuve (Paris, France) in 1996. It came into being in response to the disappearing infrastructures in artisan film-making and to provide artists and film-makers with a self-managed space from which to produce, develop and screen films in analogue formats such as Super 8, 16mm and 35mm. Anchored in this premise, the community promotes aesthetic and political experimentation in analogue film opposite digital hegemony. Over the years, L’Abominable, better known as L’Abo, has accompanied different generations of film-makers, upholding an international movement of independent film practices.
This third segment is structured in three sessions: a lecture on L’Abo given by Pilar Monsell and Camilo Restrepo; a session of short films in 16mm produced in L’Abo; and the feature-length film Une isle, une nuit, made by the Les Pirates des Lentillères collective.

Estrella de Diego Lecture. Holding Your Brain While You Sleep
Wednesday, 3 December 2025 – 7pm
Framed inside the Museo Reina Sofía’s retrospective exhibition devoted to Maruja Mallo, this lecture delivered by Estrella de Diego draws attention to the impact of the artist’s return to Spain after her three-decade exile in Latin America.
Committed to values of progress and renewal in the Second Republic, Mallo was forced into exile to Argentina with the outbreak of the Civil War and would not go back to Spain to settle definitively until 1965 — a return that was, ultimately, a second exile.
Mallo saw out her prolific artistic trajectory with two impactful series: Moradores del vacío (Dwellers of the Void, 1968–1980) and Viajeros del éter (Ether Travelers, 1982), entering her most esoteric period in which she drew inspiration from her “levitational experiences” of crossing the Andes and sailing the Pacific. Her travels, both real and imaginary, became encounters with superhuman dimensions.
In parallel, her public persona gained traction as she became a popular figure and a key representative of the Generation of ‘27 — the other members of which also started returning to Spain.
This lecture is part of the Art and Exile series, which seeks to explore in greater depth one of the defining aspects of Maruja Mallo’s life and work: her experience of exile. An experience which for Mallo was twofold: the time she spent in the Americas and her complex return to Spain.

Juan Uslé. That Ship on the Mountain
Tuesday, 25 November 2025 – 7pm
Ángel Calvo Ulloa, curator of the exhibition Juan Uslé. That Ship on the Mountain, engages in conversation with artist Juan Uslé (Santander, 1954) in the Museo’s Auditorium 400 to explore in greater depth the exhibition discourse of this anthological show spanning four decades of Uslé’s artistic career.
The show casts light on the close relationship Uslé’s work bears to his life experiences, establishing connections between different stages and series which could ostensibly seem distant. Framed in this context, the conversation looks to explore the artist’s personal and professional journey: his memories, experiences of New York, his creative process, conception of painting, and ties with photography and film, and the cohesiveness and versatility that characterise his art. Key aspects for a more in-depth understanding of his artistic sphere.
The conversation, moreover, spotlights the preparatory research process that has given rise to this exhibition to grant a better understanding of the curatorial criteria and decisions that have guided its development.
These inaugural conversations, part of the main working strands of the Museo’s Public Programmes Area, aim to explore in greater depth the exhibition narratives of the shows organised by the Museo from the perspective of artists, curators and specialists.



![Miguel Brieva, ilustración de la novela infantil Manuela y los Cakirukos (Reservoir Books, 2022) [izquierda] y Cibeles no conduzcas, 2023 [derecha]. Cortesía del artista](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/ecologias_del_deseo_utopico.jpg.webp)
![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)