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Thursday, 29 June 2023
Documents 26. Queer Before Queer
Documentary Archaeologies in Archivo Arkhé
TicketsThis latest edition of Documents includes a conversation on the experience of Archivo Arkhé in recovering the historical memory of LGBT prior to 1969 and a visit to its new premises in Madrid. Founded in 2016 in Bogotá by Halim Badawi and Pedro Felipe Inestrosa, the space compiles publications and documents related chiefly to Latin American art and queer subject matter. Thus, Archivo Arkhé looks to establish itself as a documentation centre which is accessible to researchers interested in one or more of its strands, as well as granting visibility to its holdings via temporary exhibitions.
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Friday, 30 June 2023 Nouvel Building, Protocol Room
I Declare Myself a Transvestite on Four Stages
Multimedia Performance by Frau Diamanda
In this multimedia stage piece, straddling monologue, confession and the activation of body and music, artist Frau Diamanda looks to explore the mutation of transvestite identity, punctuated by questions of class and race and affected by (neo)colonisation and hyperbolic exaltation. The staging serves to execute multimedia, spoken word and live music to approach the concept of transvestiteness in a way that is immersive and expansive, moving the spectator closer to that which is considered strange or far from their day-to-day.
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Friday, 7 July 2023 Nouvel Building, Protocol Room
Reasons and Hate. Phobic Logics in and towards LGBTIAQ+ Collectives
Round-table Discussion
Hate and fear run through our bodies, minds, actions and discourses in different ways and from different angles as a symptom and consequence of violence which is inherited and reactivated in the present. Today, we are witness to spiralling phobia which tends to flood social space, driving out difference and stopping other types of affects from germinating. This round-table discussion features the participation of Ballet Djédje, Demetrio Gómez, Elena Prous, Tatiana Romero Reina and Iki Yos Piña, the voices of different agents hit hard by these logics of hate and fear and who refuse to assume the role of victim that pushes them aside and threatens to absorb the energy and capacity to evolve and build other ways of relating.
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28 October – 16 December 2023 Nouvel Building, Workshops, Protocol Room, and Floor 5, Study Centre
Bodies that Are Not One. Fat Practices on the Border
Study Group
RegistrationThe eight sessions in this study group coordinated by Lucrecia Masón and Tatiana Romero seek a place of knowledge in the body to, from the border — as materiality and not metaphor — set in motion a series of provocations where “fat practices” (artistic, theoretical, political) look to interrupt that which is imposed upon us as universal.
Phobia: Politics of Hate and Fear in and towards LGBTIAQ+ Collectives
LGBTIAQ+ Programme 2023
Held on 29 Jun 2023
This fresh edition of the LGBTIAQ+ programme looks to explore the possibility of imaginatively and politically turning around the logics of hate and fear that run through us, socially raising questions around who personifies a non-normative sex-gender or body position. Thus, the programme endeavours to steer clear at once of victimisation which non-critically takes on a “phobic” logic determining it and any attempt at naïve “solutionism” ignoring the deep-seated roots of violence.
The activities here examine different cases of phobic violence, primarily the struggles that are structured despite and opposite them. They are carried out from contemporary debate, assembling agents which lead these debates in the present: from archive, ranging across and reactivating traces and documents with a decades-long scream for freedom in contexts of repression and extreme persecution; from the performance of the body, a living archive of these forms of violence and resistance; and from the collective exploration of new artistic and political imaginaries by convening a study group.
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The suffix -phobia pervades many of the terms that designate modes of social discrimination in non-normative sex-gender bodies and identities: lesbophobia, transphobia, homophobia, sissyphobia, fatphobia, and so on, terms that also align with others, such as xenophobia or aporophobia, and share the same semantic structure.
Although the literal meaning of phobia is “fear”, its meaning has shifted to become associated with a compulsive and irrational aversion to the “other”, whereby we perceive a threat to our integrity as individuals and as a community. Opposite that which we have a phobia towards we simultaneously flee and respond, deploying mechanisms of expulsion and destruction.
It has been forever present in the beginnings of every community, yet a culture of phobia is gaining ground in the organisation of social space for reasons stemming from the biopolitical and necropolitical matrix of contemporary populations.
Phobia feeds into discourse, shapes imaginaries and governs attitudes and behaviours which spread like wildfire through the media and on social media. Members of LGBTIAQ+ collectives are not averse to such phobias and often reproduce them with such hostility that it exposes an inner fear and hatred towards themselves.
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Curator
Jesús Carrillo
Más actividades
International Museum Day 2026 with Radio 3
22 MAY 2026
On Friday, 22 May 2026 the Museo Reina Sofía celebrates International Museum Day by way of a vibrant music programme conducted by Radio 3.
From 9am to 11pm, the Museo’s Nouvel Courtyard will host the live broadcast of Radio 3’s day-long programme —also available on a video streaming on the Radio3 website and app, on RTVEPlay and on the Museo’s social media accounts. The programme comprises more than twenty live acts, including artists such as Carlangas, Shego, Soleá Morente, Kokoshca, La Tania, La Pegatina, Pipiolas, Ángel Stanich, Triángulo de Amor Bizarro and Zahara, and many others.
With this programme the Museo Reina Sofía concludes its celebration of International Museum Day, which takes place on Monday, 18 May. Both on 18 May, from 10am to 9pm, and 22 May admission to the Museo will be free of charge.
Institutional Decentralisation
Thursday, 21 May 2026 – 5:30pm
This series is organised by equipoMotor, a group of teenagers, young people and older people who have participated in the Museo Reina Sofía’s previous community education projects, and is structured around four themed blocks that pivot on the monstrous.
This fourth and final session centres on films that take the museum away from its axis and make it gaze from the edges. Pieces that work with that which is normally left out: peripheral territories, unpolished aesthetics, clumsy gestures full of intent. Instead of possessing an institutional lustre, here they are rough, precarious and strange in appearance, legitimate forms of making and showing culture. The idea is to think about what happens when central authority is displaced, when the ugly and the uncomfortable are not hidden, when they are recognised as part of the commons. Film that does not seek to be to one’s liking, but to open space and allow other ways of seeing and inhabiting the museum to enter stage.
Gerardo Mosquera: Island Thinker, Global Curator
19 MAY 2026
This encounter pays homage to Gerardo Mosquera (Havana, 1945), a pre-eminent curator, an essayist who has been part of key debates on decolonisation and the drifts of globalisation, a communicator and, primarily, an art critic who has managed to radically situate discourses and practices, while still taking on risks and perpetually upholding committed ethical positions.
Mosquera is one of the foremost curators internationally and was involved with the Havana Biennial from its foundation in 1984 to 1989, as well as curating pivotal shows in museums and art centres around the globe. Notable among his curatorial work is as adjunct curator at the New Museum in New York (1995–2009), the Liverpool Biennial (2006) and the exhibition It’s Not Just What You See. Perverting Minimalism (Museo Reina Sofía, 2000).
This round-table discussion, which features the participation of Gerardo Mosquerahimself and an ensemble of art critics, thinkers and artists, for instance Fernando Castro Flórez, Diana Cuéllar, Lillebit Fadraga and René Francisco Rodríguez, will approach the multifaceted and extremely fertile work of Mosquera as a renowned master curator.
Miguel Falomir, Director of the Museo Nacional del Prado, in Conversation with Museo Reina Sofía Director Manuel Segade
18 MAY 2026
Museo del Prado and Museo Reina Sofía directors, Miguel Falomir and Manuel Segade, respectively,engage in conversation on Monday, 18 May in the Museo Reina Sofía’s Auditorium 400, in conjunction with International Museum Day 2026, the theme of which is “Museums Uniting a Dividing World”. The discussion, moderated by journalist and poet Antonio Lucas, will see the two heads of these major cultural institutions share their reflections on the role they play in today’s society.
In addition to addressing the management of art, the conversation seeks to explore in greater depth museums’ potential as meeting points to face today’s social tensions, thereby fulfilling the international mandate of this year’s edition.
The activity will be live-streamed and is available at this link.
Collection. Contemporary Art: 1975–Present
Miércoles 13 de mayo, 2026 - 19:00 h
In this lecture, Museo Reina Sofía director Manuel Segade outlines the key readings of the new presentation of the Collection on Floor 4 of the Sabatini Building. This new arrangement is framed inside an ambitious rehang that harnesses the uses of the Museo’s architecture, in a plan that will continue in 2027 with the opening of Floor 3 in the same building, culminating with Floor 2 in 2028.
The new rehang of the Collections, unveiled on 16 February 2026, sets forth a journey through contemporary art history over the past fifty years in Spain. Rather than an unambiguous narrative, the floor recounts the same period — from the Transition to democracy in Spain to the present — in three different ways, starting back at the 1970s time and again.
The exhibition route gets under way with a prologue that travels through the affections, material culture and institutionalism of the Spanish Transition, serving as a starting point for the three routes that follow. The first, A History of Affect in Contemporary Art, advances from affective systems in artmaking linked to the second wave of feminism, arriving at grief as a tool to interpret new realities. The second route, The Powers of Fiction: Sculpture, New Materialisms, and Relational Aesthetics, is conceived as a sculpture gallery in which the artworks engage with the public, focusing on the performance side of the discipline. This route shows, among other aspects, how Spanish sculpture has gained significant international visibility since the 1980s, with women artists playing a key role in this display. The third route, A New Framework. The Institution, the Market, and the Art that Transcends Both, zooms in on the origins of the Museo and its role in the process of art’s institutionalisation in Spain. In May 1986 the Centro de Arte Reina Sofía opened, occupying the first and second floors of the former hospital: the forty years that have elapsed since then enable a re-evaluation of the effects of the Museo on Spanish art and art on the institution.
This talk strengthens the goal of socially integrating the narratives produced by the Museo at a time when the Collections are under permanent review.