Research Residencies

Museum of the Commons is a four-year project (2023 to 2026) implemented by the confederation L’Internationale and financed by the European Union through the Creative Europe Programme (Grant Agreement 101100021). The proyect centres on three main focal points: the climate emergency, decolonial perspectives and situated institutionalism.

As a member of L’Internationale, Museo Reina Sofía calls for, amongst other activities, four research residences, distributed in two calls along the years 2024 and 2025. The first one calls for two residences, whose objective is to foster research through artistic and cultural practices and participation in research networks bound to Museum of the Commons – in particular to its first work line, which focuses on the current planetary climate crisis, the sustainability of institutional, artistic and cultural practices and the urgency to transform our politics, societies, cultures and ways of living towards ecologically sustainable models.

• The research lines proposed for this call are:
• Ecological, social and political sustainability of the cultural ecosystem,
• Food sovereignty and situated institutional practices such as community gardens and kitchens,
• Architecture as a lab for institutional and social sustainability,
• Diaspora and migrant communities, in particular as a result of climate change,
• Communal practices and political imagination.

The Museo Reina Sofía, FIDMarseille and Doclisboa present the second edition of this annual residencies programme aimed at film-makers and artists working in the field of the essay film, experimental cinema, and, essentially, all manifestations that shape non-fictional film. This joint residency, organised by a museum and two international film festivals, affords an opportunity to articulate different phases between the idea and the realisation of audiovisual work. Furthermore, the programme aims to support the conception, development and production of film projects in the sphere of non-fictional film, funding their execution and creating international networks of debate.

The programme pays homage to Joaquim Jordà (1935–2006), a film-maker whose work was both original and emblematic in the realm of non-fiction and with an arc that spanned the three countries of the institutions organising this residency. For instance, Jordà was honoured with Spain’s National Cinematography Award (2006), with his work a part of the Museo Reina Sofía Collection; the last retrospective at the end of his life was at FIDMarseille (2006); and one of his early films, Portogallo, paese tranquilo (1969), centred on resistance against the dictatorship in Portugal. Jordà traced a non-conformist and committed path in creative documentary, characterised by the use of theatre strategies and the mise en scène of profoundly experimental narratives which this open call looks to retrieve and establish as a genealogy in contemporary non-fiction film.

The residency puts forward three stages comprising the research and development of the project and its production and circulation, and will take place in Madrid, Marseille and Lisbon.

The beneficiaries, two per year, will automatically be invited to participate at FIDLab and Doclisboa. FIDLab is a platform of international co-production which is held while FIDMarseille takes place in early July and presents different projects up for funding and distribution. The projects awarded this Residency will be automatically evaluated by a FIDLab independent panel, and even if they are not included among the selected projects, they will still encounter professional opportunities offered by the platform.

Doclisboa, meanwhile, offers artists-in-residence contacts among guests at the festival, held in Lisbon in the second fortnight of October, offering them the chance to build connections with international networks of film-makers, artists and producers.

The Museo Reina Sofía, FIDMarseille and Doclisboa present the second edition of this annual residencies programme aimed at film-makers and artists working in the field of the essay film, experimental cinema, and, essentially, all manifestations that shape non-fictional film. This joint residency, organised by a museum and two international film festivals, affords an opportunity to articulate different phases between the idea and the realisation of audiovisual work. Furthermore, the programme aims to support the conception, development and production of film projects in the sphere of non-fictional film, funding their execution and creating international networks of debate.

The programme pays homage to Joaquim Jordà (1935–2006), a film-maker whose work was both original and emblematic in the realm of non-fiction and with an arc that spanned the three countries of the institutions organising this residency. For instance, Jordà was honoured with Spain’s National Cinematography Award (2006), with his work a part of the Museo Reina Sofía Collection; the last retrospective at the end of his life was at FIDMarseille (2006); and one of his early films, Portogallo, paese tranquilo (1969), centred on resistance against the dictatorship in Portugal. Jordà traced a non-conformist and committed path in creative documentary, characterised by the use of theatre strategies and the mise en scène of profoundly experimental narratives which this open call looks to retrieve and establish as a genealogy in contemporary non-fiction film.

The residency puts forward three stages comprising the research and development of the project and its production and circulation, and will take place in Madrid, Marseille and Lisbon.

The beneficiaries, two per year, will automatically be invited to participate at FIDLab and Doclisboa. FIDLab is a platform of international co-production which is held while FIDMarseille takes place in early July and presents different projects up for funding and distribution. The projects awarded this Residency will be automatically evaluated by a FIDLab independent panel, and even if they are not included among the selected projects, they will still encounter professional opportunities offered by the platform.

Doclisboa, meanwhile, offers artists-in-residence contacts among guests at the festival, held in Lisbon in the second fortnight of October, offering them the chance to build connections with international networks of film-makers, artists and producers.

The Museo Reina Sofía, FIDMarseille and Doclisboa present a new annual residencies programme aimed at film-makers and artists working in the field of the essay film, experimental cinema, and, essentially, all manifestations that shape non-fictional film. This joint residency, organised by a museum and two international film festivals, affords an opportunity to articulate different phases between the idea and the realisation of audiovisual work. Furthermore, the programme aims to support the conception, development and production of film projects in the sphere of non-fictional film, funding their execution and creating international networks of debate.

The programme pays homage to Joaquim Jordà (1935–2006), a film-maker whose work was both original and emblematic in the realm of non-fiction and with an arc that spanned the three countries of the institutions organising this residency. For instance, Jordà was honoured with Spain’s National Cinematography Award (2006), with his work a part of the Museo Reina Sofía Collection; the last retrospective at the end of his life was at FIDMarseille, in France (2006); and one of his early films, Portogallo, paese tranquilo (1969), centred on resistance against the dictatorship in Portugal. Jordà traced a non-conformist and committed path in creative documentary, characterised by the use of theatre strategies and the mise en scène of profoundly experimental narratives which this open call looks to retrieve and establish as a genealogy of contemporary non-fiction film.

The residency puts forward three stages comprising the research and development of the project and its production and circulation, and will take place in Madrid, Marseille and Lisbon.

The beneficiaries, two per year, will automatically be invited to participate at FIDLab and Doclisboa. FIDLab is a platform of international co-production which is held while FIDMarseille takes place in early July and presents different projects up for funding and distribution. The projects awarded this Residency will be automatically evaluated by a FIDLab independent panel, and even if they are not included among the selected projects, they will still encounter professional opportunities offered by the platform.

Doclisboa, meanwhile, offers artists-in-residence contacts among guests at the festival, held in Lisbon in the second fortnight of October, offering them the chance to build connections with international networks of film-makers, artists and producers.