Pedro G. Romero

This anthological exhibition in the Museo surveys Pedro G. Romero’s (Aracena, Huelva, 1964) career, from his beginnings in the 1980s to his more recent investigations, with a selection of his most salient projects and the account they render of a multidisciplinary practice. Pedro G. Romero’s work analyses, among others, events in history, life and the circulation of images, sacramental iconography, the iconoclastic expression of avant-garde art movements in the 20th century and modern art, flamenco, etc. Since the late 1990s, his practice has centred on two vital instruments: Archivo F. X. and Máquina P.H., through which he propels the Independent Platform of Modern and Contemporary Flamenco Studies (PIE.FMC).