You will see a sea of stones. About Raúl Zurita

Held on 03 may 2012
In 1979 the poet Raúl Zurita (1950) founded, along with artists Lotty Rosenfeld and Juan Castillo, the sociologist Fernando Balcells and the writer Diamela Eltit, the Colectivo de Acciones de Arte - CADA (Art Actions Collective). The actions of this collective fall within the realm of artistic activism that took hold in Latin America in the 1960s and 70s as a political reaction to the dictatorial regimes. Six years after the military coup led by Pinochet, CADA performed actions of artistic and political resistance against the dictatorship, thus giving shape to an artistic gesture that was politically-engaged, collective and public. The actions carried out by CADA determined the poetic and political character of conceptualism in Latin America. As of 2012, the CADA archive is part of the Museo Reina Sofía Collection.
This event looks at the career of Raúl Zurita in a debate and then a poetry reading, both of which will take place in the Collection room dedicated to artistic activism in Latin America. With an oeuvre in which the frontiers between text, body and landscape become blurred, from the radical experience of self-inflicted harm (the photo of his burned cheek on the cover of the bookPurgatorio), to skywriting in smoke letters over New York City in 1982 and making his verse "ni pena ni miedo" a permanent part of Atacama desert in 1993, Zurita's poetry opens itself to multiple layers of meaning, including literary, political and social meaning, and reconsiders the relationship between art and life.
This activity is also a presentation of the book Zurita (Editorial Delirio, 2012). Divided into three parts which have as a backdrop the afternoon of September 10th, 1973, the night that followed and the dawn of September 11th, the day of the military coup in Chile, the book's 750 pages create a fresco in which multiple voices, dreams and images converge, where poetry becomes a novel and a novel becomes history.
Participants
Sonia Betancort. She has a PhD in Spanish and Latin American Literature and is an educator and cultural manager.
Fernando Castro Flórez. He is a professor of Art History at Universidad Autónoma de Madrid and is the curator of Ni pena ni miedo. Artistas chilenos contemporáneos (MEIAC, 2012)
Fabio de la Flor. Editor-in-chief of the publishing company Editorial Delirio, he also directs the Seminario de la Universidad de Salamanca (SDLM), the PAN Festival and is a member of the burying committee of the Museum-Mausoleum of Morille.
Raúl Zurita. Poet. Winner of Chile's National Literature Prize (2000) and of the José Lezama Lima de Cuba award (2009). His books include: Purgatorio (1979), Anteparaíso (1982), Canto a su amor desaparecido (1985), El amor de Chile (1987), Canto de los ríos que se aman (1993) El día más blanco (2000), Poemas militantes (2010), Las ciudades de agua (2006) and Cuadernos de guerra (2012).
Más actividades
Christian Nyampeta and the École du soir
13, 14, 15 NOV, 11, 12, 13 DIC 2025
Christian Nyampeta is a Rwandan artist, musician and film-maker whose work encompasses pedagogies and community forms of knowledge production and transmission. His Ècole du soir (Evening School) is an art project conceived as a mobile space of collective learning and is named in homage to Ousmane Sembène (1923–2007), a pioneer of African cinema who defined his films as “evening classes” for the people, a medium of education and emancipation through culture.
This block is made up of three double sessions: the video work of Christian Nyampeta, the films of École du soir and one of Ousmane Sèmbene’s feature-length films. Nyampeta will introduce all three first sessions.
Long Live L’Abo! Celluloid and Activism
4, 5, 6 DIC 2025
L’Abominable is a collective film laboratory founded in La Courneuve (Paris, France) in 1996. It came into being in response to the disappearing infrastructures in artisan film-making and to provide artists and film-makers with a self-managed space from which to produce, develop and screen films in analogue formats such as Super 8, 16mm and 35mm. Anchored in this premise, the community promotes aesthetic and political experimentation in analogue film opposite digital hegemony. Over the years, L’Abominable, better known as L’Abo, has accompanied different generations of film-makers, upholding an international movement of independent film practices.
This third segment is structured in three sessions: a lecture on L’Abo given by Pilar Monsell and Camilo Restrepo; a session of short films in 16mm produced in L’Abo; and the feature-length film Une isle, une nuit, made by the Les Pirates des Lentillères collective.
UP/ROOTING
11, 12, 13, 14, 15, 16 NOV 2025
Museo Reina Sofía and MACBA Museu d'Art Contemporani de Barcelona (MACBA) invite applications for the 2025 iteration of the School of Common Knowledge, which will take place from November 11th to 16th in Madrid and Barcelona.
The School of Common Knowledge (SCK) draws on the network, knowledge and experience of L’Internationale, a confederation of museums, art organizations and universities that strives to reimagine and practice internationalism, solidarity and communality within the cultural field. This year, the SCK program focuses on the contested and dynamic notions of rooting and uprooting in the framework of present —colonial, migrant, situated, and ecological— complexities.
Building on the legacy of the Glossary of Common Knowledge and the current European program Museum of the Commons, the SCK invites participants to reflect on the power of language to shape our understanding of art and society through a co-learning methodology. Its ambition is to be both nomadic and situated, looking at specific cultural and geopolitical situations while exploring their relations and interdependencies with the rest of the world.
In the current context fraught with war and genocide, the criminalization of migration and hyper-identitarianism, concepts such as un/belonging become unstable and in need of collective rethinking:
How can we reframe the sense and practice of belonging away from reductive nationalist paradigms or the violence of displacement? How to critically hold the entanglement of the colonial routes and the cultural roots we are part of? What do we do with the toxic legacies we inherit? And with the emancipatory genealogies and practices that we choose to align with? Can a renewed practice of belonging and coalition-making through affinity be part of a process of dis/identification? What geographies —cultural, artistic, political— do these practices of de/centering, up/rooting, un/belonging and dis/alignment designate?
Departing from these questions, the program consists of a series of visits to situated initiatives (including Museo Situado, Paisanaje and MACBA's Kitchen, to name a few), engagements with the exhibitions and projects on view (Project a Black Planet: The Art and Culture from Panafrica), a keynote lecture by Stefano Harney and Fred Moten, as well as daily reading and discussion gatherings, editorial harvest sessions, and conviviality moments.
Ylia and Marta Pang
Thursday, 6 November - 8pm
The encounter between Spanish DJ and producer Ylia and visual artist Marta Pang is presented in the form of a premiere in the Museo Reina Sofía. Both artists converge from divergent trajectories to give form to a new project conceived specifically for this series, which aims to create new stage projects by setting out from the friction between artists and dialogue between disciplines.
Palestine Cinema Days
Sábado 1 de noviembre, 2025 – 19:00 h
The Museo Reina Sofia joins the global action in support of Palestine with the screening of A State of Passion (2024), a documentary by Carol Mansour and Muna Khalidi. The film features in Palestine Cinema Days Around the World, an annual festival, held globally every November, which aims to show films made in Palestine to an international audience. The initiative was conceived as a form of cultural resistance which seeks to give a voice to artists from Palestine, question dominant narratives and create networks of solidarity with the Palestinian people.
Palestine Cinema Days Around the World originates from Palestine Cinema Days, a festival organised in Palestine since 2014 with the aim of granting visibility to Palestinian cinema and to support the local film community. In 2023 the festival was postponed because of the war in Gaza, and has since become borderless in scope, holding close to 400 international screenings in almost sixty countries in 2024. This global effort is a show of solidarity with Palestine and broadens the voices and support networks of the Palestinian people around the world.
A State of Passion exposes the atrocities committed against the Gaza population via the testimony of Dr Ghassan Abu Sittah, a Palestinian-British plastic surgeon living in London who decides to return to Gaza and save lives in the city’s hospitals amid the Israeli army’s indiscriminate bombing of the population. A necessary film exposé of the experience of unrelentingly working twenty-four hours a day for forty-three days in the Al Shifa and Al Ahli Hospitals in the city of Gaza.