The Joaquim Jordà Residencies 2025
Film screening by María Aparicio and Andrés Jurado
Andrés Jurado, Tonada, 2025, film project
Held on 07 nov 2025
In this activity, the recipients of the 2024–2025 Joaquim Jordà Residencies call, María Aparicio (Argentina, 1992) and Andrés Jurado (Colombia, 1980), present respective projects related to their body of work in an open session in which to discover the creative interests of two of the most up-and-coming independent film-makers in Latin America today.
María Aparicio presents the working process behind her film De sol a sol (From Sun to Sun), along with a brief journey through the films prior to this project and her filmic searches in recent years. Aparicio synthesises the storyline of De sol a sol from the silhouettes of a group of men who appear between the stalks of a reedbed. Their knives glisten as the sun hits them, flashing and disappearing with their hand movements. Apprentices split the canes using no method; seasoned workers cut with skill. They are workers from a sugar mill in northern Argentina and are watched by Juan Bialet Massé, accompanied by Rosich, assistant and photographer. It is Argentina in 1904 and he is carrying out a mission assigned to him by his country’s government: to travel the Argentinian provinces, reporting on the state of the working classes.
Andrés Jurado, for his part, will look over his own work and the work of the La Vulcanizadora lab in this session. He will also open the archive stemming from the research process in the project Tonada, a journey through the succession of peace agreement betrayals in the history of Colombia. From the colonial era, understood in tumultuous terms, as a hurricane that keeps swirling, to the present day he traces the stories of people like Tacurrumbí, Benkos Biohó, Bateman and the many women and men who were betrayed by governments and oppressors. Tonada seeks to build a sound and film dialogue between the guerrilla disarmament of 1953 and the period following the peace agreement of 2016, invoking these and other events and confronting traumas of betrayal through a film composition devised to be sung. But what is sung? Some of these songs are heard and voices are shared in this presentation.
The Joaquim Jordà Residences programme for film-makers and artists was set in motion by the Museo Reina Sofía in 2022. The initiative comprises a grant for writing a film project rooted in experimentation and essay, as well as two subsequent residencies in FIDMarseille and Doclisboa, international film festivals devoted to exploring non-fictional film and new forms of audiovisual expression.
Organised by
Museo Reina Sofía
Accessible activity
This activity has two spaces reserved for people with reduced mobility
Participants
María Aparicio
(Argentina, 1992) is a film-maker and teacher. She is the director of three feature-length films: Las Calles (2016), Sobre las nubes (2022) and Las cosas indefinidas (2023), which have been shown at numerous festivals and art centres, such as Mar del Plata and BAFICI in Argentina; FICUNAM and Black Canvas in Mexico; FIC Valdivia in Chile; Márgenes, FICX Gijón, Festival Internacional de Las Palmas, Círculo de Bellas Artes and the Museo Reina Sofía in Spain; FIDMarseille in France; and Doclisboa and IndieLisboa in Portugal. Resident of the 2024-2025 Joaquim Jordà residency programme, third edition, organised by the Museo Reina Sofía, DocLisboa and FIDMarseille.
Andrés Jurado
(Colombia, 1980) is an artist, filmmaker, and researcher whose work connects experimental cinema, archives, counter-archives, contemporary art, propaganda and the politics of imagination. He co-founded and co-directs La Vulcanizadora – Laboratorio de Cine Experimental y Teatro Expandido. His films include El Renacer del Carare (2020) — FIDMarseille 2020 Special Mention, Yarokamena (2022) — Berlinale Forum Expanded and Honorable Mention at DocLisboa 2022, and Bienvenidos Conquistadores Interplanetarios y del Espacio Sideral (2024) — FIDMarseille 2024. He was part of the Forensic Architecture team in the research and exhibition Traces of Disappearance (2021), which examined land dispossession, enforced disappearances and deforestation in Colombia, in collaboration with the Colombian Truth Commission. Resident of the 2024-2025 Joaquim Jordà residency programme, third edition, organised by the Museo Reina Sofía, DocLisboa and FIDMarseille.
![Miguel Brieva, ilustración de la novela infantil Manuela y los Cakirukos (Reservoir Books, 2022) [izquierda] y Cibeles no conduzcas, 2023 [derecha]. Cortesía del artista](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/ecologias_del_deseo_utopico.jpg.webp)
![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)
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These inaugural conversations, part of the main working strands of the Museo’s Public Programmes Area, aim to explore in greater depth the exhibition narratives of the shows organised by the Museo from the perspective of artists, curators and specialists.