Feminist Urbanism: Care and Conflicts
A Conversation between Izaskun Chinchilla and Elke Krasny

Hackney Flashers Collective, Who's Holding the Baby?, 1978. Museo Reina Sofía
Held on Monday, 18 November 2024 - 6pm
- Location
- Nouvel Building, Auditorium 200
- Capacity
- 200 people
How to transform our cities from feminism? Feminist urbanism critically analyses how power dynamics and gender roles influence the design and management of cities and urban spaces — an approach that challenges and transforms the spatial hierarchies which have historically privileged the needs of men and have excluded women and other marginalised groups.
This encounter sees theorist and curator Elke Krasny converse with architect Izaskun Chinchilla on feminist ways of reimagining the present and future of the city.
Elke Krasny has developed an interdisciplinary approach which encompasses architecture, urbanism, feminism, curatorial practices and ecology. She studies how feminism can transform urban and architectural spaces, the “ecologies of care”, a term she employs to refer to forms of making the city based on the support of community networks and proximity, and the relationship between social and spatial justice.
Izaskun Chinchilla, for her part, has reflected from theory and professional practice on the need to build a more human, inclusive and sustainable city, placing care and well-being at the centre of urban planning. Both authors maintain that any possible future of the city must depend on the feminisation of the design and life in urban space.
Organised by
Museo Reina Sofía
Participants
Izaskun Chinchilla (Madrid, 1975) is an architect, researcher and professor of architecture. She is the founder and director of the Izaskun Chinchilla Architects studio, where she explores recyclable materials, organic structures and the integration of nature in built environments. She is a Professor of Architectural Practice at The Bartlett School of Architecture, University College London, and the CEU San Pablo University (Madrid), and has published the works La ciudad de los cuidados (Catarata, 2020), Cosmowomen: places and constellations (Silvana Editoriale, 2021) and The Caring City: Health, Economy, and Environment (Actar, 2022).
Elke Krasny (Vienna, 1969) is a cultural theorist, curator and professor at the Academy of Fine Arts in Vienna. She has written theoretical contributions on care in the context of cities, art and curatorial practices in different publications, for instance Curating as Caring (Sternberg Press, 2020) and Feminist Futures of Spatial Practice: Materialisms, Activisms, Dialogues, Pedagogies, Projections (AADR – Art Architecture Design Research, 2017). With Angelika Fitz, she also curated the exhibitions Critical Care: Architecture and Urbanism for a Broken Planet (2019) and Hands-On Urbanism 1850–2012. The Right to Green (2012) at Architekturzentrum, Vienna.
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Dear Felix:
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The immediately recognisable art of Felix Gonzalez-Torres, which is on display, from May to October 2026, in the show Sweet Revenge, moves beyond the transmission of messages laden with poetic evocation, vital or biographical reflection, or even a clear political or ethical positioning. Rather, it seeks an active response by visitors to the exhibition. His work invites engagement with these messages so that, whether delighting, moving or challenging, it still prompts viewers to participate in the dialogue and complete the artistic undertaking with their own actions.
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1926–2026: One Hundred Years of the Lyceum Club Femenino
Thursday, 2 July 2026
The Lyceum Club Femenino (Lyceum Women’s Club) was established in Madrid in 1926, constituting a space which opened new pathways for women to participate in Spain’s intellectual, artistic and political life in the first third of the twentieth century, and for figures such as designer Victorina Durán, pedagogue María de Maeztu, lawyer and politician Victoria Kent and artist Ángeles Santos, to name but a few. To mark the Madrid Club’s one hundredth anniversary, this research symposium examines its role as a key place for studying women’s and feminist culture in Spain’s Silver Age by analysing and vindicating the different agencies, trajectories and cultural projects that structured the space.
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The Museo Reina Sofia joins the Ministry of Culture’s cultural programme focused on the centenary of the Lyceum Club Femenino via these sessions, co-organised with the Spanish National Research Council (CSIC).

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This international encounter centred on the figure of Robert Capa (Budapest, 1913 — Thai Binh, Vietnam, 1954), one of photojournalism’s pre-eminent figures, is held within the framework of the government initiative Spain and Freedom. Fifty Years and in conjunction with a cluster of three locations — the building on number 10 Calle Peironcely, the Plaza del Fotógrafo Robert Capa and the San Carlos Borromeo Parish in Vallecas — declared as a Place of Democratic Memory.
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equipoMotor
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El programa equipoMotor regresa en su edición 25-26 con un aire espectral y mutante para lanzar la pregunta: ¿y si el Museo fuera «un poco más Frankenstein»? Inspirándose en dicho monstruo y en todas aquellas criaturas que desafían la norma desde los márgenes, el proyecto de mediación cultural Galaxxia diseña y acompaña una edición incisiva, intergeneracional y descentralizadora, donde saberes invisibilizados, cuerpos raros y deseos molestos se entrelazan para generar nuevas formas de imaginación crítica y radical. En los sótanos y corredores del Museo —un particular laboratorio— las dudas no se esconden: son materia prima.
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