Curator Yasmil Raymond and Manuel Borja–Villel talk about this retrospective of Carl Andre, that features around 200 sculptures and works on paper produced over the past 50 year. This selection help us to understand his progressive concept of “sculpture as form, sculpture as structure, sculpture as place” and, in addition the exhibition focuses on the key role of language in Andre’s artistic practices via a large number of visual and concrete poetry series, textual collages and works on paper and, for the first time in 20 years, an exceptional group of works entitled Dada Forgeries, expounding his jocular relationship with Duchamp’s readymades.
Yasmil Raymond and Manuel Borja-Villel about Carl Andre. Sculpture as Place, 1958-2010
May 2015
Museo Reina Sofía Publications
Related authors
Autores relacionados