Marisa González

This anthological exhibition on Marisa González (Bilbao, 1943) surveys the artist’s career after she was awarded the Velázquez Prize in 2023. Further, the exhibition spans the constant variety of media in González’s practice, including hybridisations such as Grafías musicales (Musical Spellings, 1989–1990), which, via painting and photocopies, translate contemporary scores into visual language. She also centres her work on the task of installing some of her pieces, for instance in Ensueño. Escenas de la vida cotidiana (Daydream. Scenes of Daily Life, 1998) or the Luminarias (Luminaires) from the project La fábrica (The Factory, 2000).