Not Yet. On the Reinvention of Documentary and the Critique of Modernism approaches the debates that took place in the 1970s and 1980s surrounding the photographic document as a critique of modern art and institutions. A new generation of artists came on the scene at the time, and, in recovering the political origin of worker photography from the 1920s, began the reinvention of documentary practices, understood in parallel to the critique of the forms of modernism inherited from the Cold War.

Interview with Jorge Ribalta about the exhibition Not Yet

February 2015
Video Exhibitions