Gabriel Pérez-Barreiro, director of the Patricia Phelps de Cisneros Collection and curator of the exhibition Concrete Invention, provides an explanation of this show about the development of concrete abstraction in Latin America from the 1930s to the 1970s.

Revolving around 4 countries –Argentina, Uruguay, Brazil and Venezuela– and five guiding concepts– Geometry, Dialogue, Ilusion, Universalism and Vibracion– the exhibition includes works such as “Book of Creation” by Lygia Pape or “Physichromie500” by Carlos Cruz-Díez, as well as some conceptual pieces like the iconic “Fio” by Cildo Meireles.