Nasreen Mohamedi (Karachi, 1937 – Baroda, 1990) was one of the first Indian artists to embrace abstraction, moving away from the more conventional doctrines of Indian modern art in the early decades of the 20th century. She chose non-figuration, an artistic practice marginalised at that time by independent India, which was essentially dominated by an anthropomorphous aesthetic and academic realism determined by art schools from the colonial period.
Her artistic career, defined by the rigours of self-discipline and self-control, leads us towards a personal vision articulated around a frugal aesthetic and the use of simple mediums, where the mathematical, the metaphysical, the mystical were adopted in her search for a subjective and immaterial world.
The exhibition, organised by the Museo Nacional Centro de Arte Reina Sofía and The Metropolitan Museum of Art, New York, in collaboration with the Kiran Nadar Museum of Art, New Delhi, displays her work – combining thought and action – in the intersections between her life and her art. The show features drawings, photographs, paintings and collages, with a focus on Mohamedi’s work throughout the 1970s.
The Metropolitan Museum of Art, New York (March 18 - June 5, 2016)
Reina Sofia Museum's Publications
22 April – 29 August 2021
Madrid Meridian: Dream and Lie
7 April – 16 August 2021
Take Me to Another World
31 March – 27 September 2021
1 April - 17 May 2021
From North to South, Rhythms
7 October, 2020 - 26 April, 2021
Niño de Elche
Invisible Auto Sacramental: A Sonic Representation from Val del Omar
12 March – 11 June 2021
The Weight of Form
The Graphic Design of Carlos Cruz-DiezMuestras documentales, Biblioteca y Centro de Documentación