The exhibition The Kind Cruelty takes its title from the book of poems and collages published by León Ferrari (Buenos Aires, 1920–2013), where he warned of a “cruelty so intimately blended with kindness that it hides it.” He also devoted a few lines to his written visual art, which he defined as an “ecological art” made only of words, the most renewable of resources, allowing the image to pass through the wall to the eyes of the viewer, thus firing their imagination.
An engineer by profession, León Ferrari began practicing as a self-taught artist in the 1950s in Rome, where he made his first terracotta sculptures. From then on, his work developed in a process of continuous metamorphosis. He explored various materials, from the plaster and cement, wood and wire, in his sculptures, to the diverse pigments and inks in his drawings. He introduced conceptual strategies to his work by linking drawing with writing, and he experimented with thinking in images through the use of collage.
Through his visual and object montages and his literary collages, Ferrari experiments with forms to readjust the gaze, stir up emotions, and, at the same time, challenge the viewer to adopt a position. Moreover, his aesthetic-political investigations explore the communicative fault lines in language, blindness, error, illegible writings, or humor as ways to tense the literality of the word and the image, exploring other forms of beauty in order to extend the limits of the possible and the expressible.
The Kind Cruelty: León Ferrari, 100 Years, is a collective and polyphonic curatorial project that proposes a nonlinear journey through the work of León Ferrari. In an attempt to dissolve the binary distinction between an abstract phase and a totally differentiated political phase, a distinction that in the past has led to aestheticized and distant readings of Ferrari’s work, this exhibition instead seeks to interpret his modes of action, intervention, and creation on the basis of the frictions and continuities between formal experimentation and politicization as two poles that are resignified at different moments of his career.
Fundación Augusto y León Ferrari Arte y Acervo (FALFAA, Buenos Aires)
Fernanda Carvajal, Javier del Olmo, Andrea Wain and the FALFAA team
Van Abbemuseum, Eindhoven: 8 May – 26 September 2021
Centre Pompidou, Paris: April – August 2022
17 November 2021 – 18 April 2022
3 November 2021 – 28 March 2022
Pedro G. Romero
28 October 2021 – 6 March 2022
Magellan, Marilyn, Mickey & Fr. Dámaso. 500 Years of Conquistador RockStars
22 September 2021 – 28 February 2022
25 June 2021 – 2 May 2022
29 October 2021 – 28 January 2022
With a Lower-case hMuestras documentales, Biblioteca y Centro de Documentación