The exhibition The Kind Cruelty takes its title from the book of poems and collages published by León Ferrari (Buenos Aires, 1920–2013), where he warned of a “cruelty so intimately blended with kindness that it hides it.” He also devoted a few lines to his written visual art, which he defined as an “ecological art” made only of words, the most renewable of resources, allowing the image to pass through the wall to the eyes of the viewer, thus firing their imagination.
An engineer by profession, León Ferrari began practicing as a self-taught artist in the 1950s in Rome, where he made his first terracotta sculptures. From then on, his work developed in a process of continuous metamorphosis. He explored various materials, from the plaster and cement, wood and wire, in his sculptures, to the diverse pigments and inks in his drawings. He introduced conceptual strategies to his work by linking drawing with writing, and he experimented with thinking in images through the use of collage.
Through his visual and object montages and his literary collages, Ferrari experiments with forms to readjust the gaze, stir up emotions, and, at the same time, challenge the viewer to adopt a position. Moreover, his aesthetic-political investigations explore the communicative fault lines in language, blindness, error, illegible writings, or humor as ways to tense the literality of the word and the image, exploring other forms of beauty in order to extend the limits of the possible and the expressible.
The Kind Cruelty: León Ferrari, 100 Years, is a collective and polyphonic curatorial project that proposes a nonlinear journey through the work of León Ferrari. In an attempt to dissolve the binary distinction between an abstract phase and a totally differentiated political phase, a distinction that in the past has led to aestheticized and distant readings of Ferrari’s work, this exhibition instead seeks to interpret his modes of action, intervention, and creation on the basis of the frictions and continuities between formal experimentation and politicization as two poles that are resignified at different moments of his career.
Fundación Augusto y León Ferrari Arte y Acervo (FALFAA, Buenos Aires)
The Embassy of the Argentine Republic
Fernanda Carvajal, Javier del Olmo, Andrea Wain and the FALFAA team
Van Abbemuseum, Eindhoven: 8 May – 26 September 2021
Centre Pompidou, Paris: April – August 2022
Exhibition information sheet: The Kind Cruelty. León Ferrari, 100 Years
24 November 2022 - 17 April 2023
Margarita Rita Rica Dinamita
10 November 2022 - 2 October 2023
An Act of Seeing that Unfolds
The Susana and Ricardo Steinbruch Collection
21 October 2022 - 16 May 2023
7 October 2022 - 9 April 2023
Pauline Boudry / Renate Lorenz
Glass is my skin
28 September 2022 - 27 March 2023
Like a Sewing Machine in a Wheat Field