Mascaró at Silos

Mascaró’s sculptural work is very diverse and difficult to classify. His creation has great visual and conceptual vigour and his work is frequently produced in thematic series, as well as the use of large volumes and the artistic shaping of forms in continuous tension. This is in addition to the presence of a strong symbolic load, as well as a wide range of iconographic elements that populate his sculptures: animals, dragons, fictional saurians, helmets, armour, bull tracks, crossings, hands. All this, along with the versatility of the materials used, the reflection of nature and culture, and a certain narrative and argumentative air which end up acquiring pure scenographic tinges, are some of the features with which the artist creates his very personal and characteristic work.

The exhibition Mascaró at Silos has been almost entirely conceived especially for this unique Benedictine space; there is a total of eleven sculptures of different shapes and materials, as well as four drawings, with predominating iconographies where a mythical and ancestral theme stands out, with traces of history and times forgotten which simultaneously stage the tracks of future, post-industrial archaeologies in an ambivalence of past and collective, and in turn, future and personal times.