Results
-
-
-
-
Thursday, 16 and Saturday, 18 March 2023 - 7pm
Interval 36. Charlotte Wells
Tuesday and Aftersun
The Museo Reina Sofía’s ongoing programme of film premieres, Intervals, shows recent works made either during the year in progress or the previous one. This fresh edition is devoted to Charlotte Wells (Scotland, 1987), 2022’s standout film-maker for her debut feature Aftersun (2022), a beautiful and melancholy reflection on family relationships, the real and imaginary dimension of memories and the passing of time.
Activity of: TIZ 8. Feminist Power
-
Thursday, 30 March and Saturday, 1 April 2023 - 7pm
Interval 37. Elena López Riera
Water and Entrails
This fresh edition of Interval presents El agua (Water, 2022), a feature film by Elena López Riera (Spain, 1982), accompanied by Las vísceras (Entrails, 2016), a short film on the ritual and attraction of daily rural life. López Riera, with a filmography straddling gruesome realism and magical thinking, has established herself as one of the most original voices in new Spanish cinema.
Activity of: TIZ 8. Feminist Power
-
Thursday, 2 and Saturday, 4 March 2023 - 7pm
Interval 35. Paz Encina
Eami
This latest edition of Interval presents Eami (2022), a film by Paz Encina (Paraguay, 1971) which, through magic realism, narrates the Indigenous conception of the world and the massacre of nature at the hands of financial exploitation. The film won the Tiger Award for Best Feature Film at the 51st International Film Festival Rotterdam.
Activity of: TIZ 8. Feminist Power
-
-
-
-
-
-
-
-
-
-
-
1 and 3 September 2018 - 7pm
Interval 16. Dora García
Second Time Around
Inside the Intervals series, which screens films without commercial distribution, and coinciding with the conclusion of the solo exhibition on Dora García (18 April – 3 September), the artist’s latest film Segunda Vez (Second Time Around) will be screened in the Sabatini Auditorium. The film explores the relationship between fiction and history and the ways of approaching reality through staging; that is to say, the mechanisms of representation.
-
-
-
-
-
-
-
-
-
-
-
-
-
-