December 20, 2017 - 7:00 p.m.
Words and Pictures Collide: What the %@&*! Happened to Comics?
Within the framework of the exhibition George Herriman. Krazy Kat is Krazy Kat is Krazy Kat, the Museum organizes a conference with the author of comics Art Spiegelman. The creator of Maus (1986) will explore his vision of the comic understood as a battle zone in postliterary times, in which art and commerce, high culture and popular, adult and child, reality and fantasy and, above all, the words and images collide with each other with special intensity.
26 November, 2017 - 5:00 p.m.
Guided tour of the exhibition NSK from Kapital to Capital. Neue Slowenische Kunst. An Event of the Final Decade of Yugoslavia, with Ivan Novak
In conjunction with the historical re-enactment of the performance We Forge The Future, by the industrial rock band Laibach — a member of the Slovenian collective NSK (Neue Slowenische Kunst) — in the Museo Reina Sofía, one of the band’s members, Ivan Novak, will lead a guided tour of the exhibition NSK from Kapital to Capital. Neue Slowenische Kunst. An Event of the Final Decade of Yugoslavia.
23 November, 2017 - 5 p.m.
Workshop with Peter Kubelka
In conjunction with the film series The Eye in Matter. Dziga Vertov and Early Soviet Cinema, organised by the Museo Reina Sofía in collaboration with Filmoteca Española, the artist and film-maker Peter Kubelka will conduct a workshop on filmic creation, centred on debate and experimentation. The workshop will see Kubelka present and debate his work with the audience.
31 october, 2017 - 7:00 p.m.
William Kentridge. Enough and more than enough
A performative lecture about drawing
On the occasion of the exhibition William Kentridge. Enough and more than enough (November 1, 2017 - March 19, 2018), the artist gives a performative lecture that analyzes his relationship with the drawing and the creative process.
19 y 20 de octubre, 2017 - 19:00 h
Nelly Richard. Master lecture
The Artisticity of Art: Edges, Framing and Context
The Museo Reina Sofía master lectures, which mark the start of the Study Centre’s academic activity every year, set out to explore the different approaches and methodologies which have stretched art history in recent times. These lectures, which came into being in 2010, have been conducted by eminent art historians and theorists such as Linda Nochlin, T. J. Clark, Hans Belting, Simón Marchán and Benjamin Buchloh.
6 October 2017 - 7pm
Encounter with Doris Salcedo
In conversation with Estrella de Diego
In conjunction with Palimpsest, the installation Doris Salcedo (Bogotá, 1958) will display in the Palacio de Cristal from 6 October, the Museo Reina Sofía will hold an encounter between the artist and the historian Estrella de Diego, where both will examine how art confronts the way in which violence perforates each gesture, object and situation in contemporary society.
September 28, 29 and 30, 2017
Archives of the Common II
The Anomic Archive
The role the archive plays in contemporary culture, by virtue of its powerful metaphorical potential and as a tool of knowledge and resistance, has been broadly explored in many exhibitions, publications and encounters over the past two decades.
September 9, 2017 - 12 p.m.
Doing Things with Objects
Encounter centred on Franz Erhard Walther
As a culmination of the exhibition Franz Erhard Walther. A Place for the Body, the Museo Reina Sofía will hold an encounter with the artist Franz Erhard Walther (Fulda, 1939), featuring the participation of Elena Filipovic, Christian Rattemeyer and João Fernandes. The conversation also serves as an accompaniment to a series of activations performed by Walther.
30 June, 2017 - 7:00 p.m.
Slavoj Žižek. Lessons from the ‘Airpocalypse’
Within the context of the exhibition NSK from Kapital to Capital. Neue Slowenische Kunst: An Event of the Final Decade of Yugoslavia, Slavoj Žižek’s intervention will reflect on the deaths and resurrections of the fascist ghost, setting out from an analysis of contemporary fascism. The focus will be placed on the appeal of new forms of authoritarism, at a time in which fascist traces are re-emerging and seem to be on the cusp of shaping a new ideological landscape of Europe post-Brexit and during the refugee crisis.
8 June, 2017 - 7:00 p.m.
Populism. A Dialogue on Art, Representation and Institutions in the Crisis of Democracy
A Conversation between Chantal Mouffe and Didier Eribon
This conversation takes place inside the public programme Dialogues, formulated by the museum confederation L’Internationale, and departs from four core areas, inviting different thinkers, artists and activists to address terms which resonate in the present. The activity sees political theorist Chantal Mouffe and the philosopher Didier Eribon debate the term populism in relation to citizen representation and cultural institutions.
May 16 - June 26, 2017
The Utopia of Form
Abstraction and Construction Between Latin America and Eastern Europe
This seminar, comprised of a series of lectures, addresses the transformations and surveys of modern utopia in post-war abstraction between Latin America and Eastern Europe.
May 13 - December 12, 2017
Readings on War, Exile and Iconoclasm
How to rethink Guernica without reaffirming a canon linked to the universal and ahistorical condition of an icon? Scholars from different fields of knowledge - feminism, political theory, criticism and history of literature, cultural studies and history of art - will examine the work in its 80th anniversary from different concepts and references. Juliet Mitchell and Mignon Nixon, Chantal Mouffe, Lucy Lippard, José-Carlos Mainer, Dario Gamboni and Maurizio Lazzarato and Eric Alliez are part of this series of lectures which seeks to understand and challenge the current influence of the mural.
April 28, 2017 - 6 pm.
Gabriel Pérez-Barreiro and Michelle Sommer
On Mário Pedrosa. On the Affective Nature of Form
This activity introduces the thinking of the Brazilian intellectual inside the space of the retrospective dedicated to his work. The talk seeks to disseminate his main ideas in connection with the artists and works that accompany his reflections. Mário Pedrosa (Pernambuco, 1900 – Rio de Janeiro, 1981) was a tireless critic and historian and the author of a unique concept of modernity, whereby art, as he put it, is the “experimental exercise of freedom”.
April 27, 2017 - 7 p.m.
Congresso Internacional Extraordinário dos Críticos de Arte, 1959
In Brazil, in 1959, the International Congress of Art Critics was held, a symposium where artists, architects, art and architectural historians were brought together to debate the role of modernity in a new world surfacing in the post-war period. This new reading of the minutes sets out to activate the document, understood as a performative exercise of a past utopian episode that still has huge potency and resonates in a present time in which art history and critique have been displaced from their role and public influence.