Activities

Political matter requires a non-dissociation of art and politics with regard to artisan work, and modes of occupying time and the relationship it articulates. 

This presentation will share some of the findings and proposals from the study carried out by researchers José Ariza and Yeison García, inside the framework of the programme of research residencies from the FelipaManuela platform

This drift seeks to retrieve the sounds, attitudes and different forms of experiencing the city that shared time and space with this early bohemia via cuplés. The cuplé was conceived as a music genre with a double form: at once iconoclastic, transgressive and sexual and with empowered and feminist lyrics, as well as a mise en scène linked to the absurdism and nonsensicality of Dadaism and its cabaret scenes.

The encounter Three Painters, Two Writers, One Legacy is held inside the framework of Book Night and features the participation of Marcos Giralt Torrente, Rodrigo Muñoz Avia and Beatriz Nogal.

This spring, different forms of reading, writing practices and literature gain prominence in the Museo with a second Temporary Intensity Zone (TIZ) opening under the title, aligned with the ideas of poet and historian Ángel González, Escribir sin tener ni idea (Writing With No Idea). This programme looks to explore how words, narrative, can expand beyond literature and towards new territories of artistic creation and reflection of thought in the contemporary world.

The Museo Reina Sofía screens There Is Nothing to Understand Here, a documentary on artist Elena Asins (Madrid, 1940 — Azpirotz, Navarra, 2015), along with two of her unreleased short digital animation films. The documentary, made by Javi Álvarez and Olga Sevillano and produced by the Museo, is shown for the first time in Madrid following its international premiere at the Punto de Vista Film Festival in Navarra and a brief online viewing in May and June 2020.

In conjunction with the exhibition Belkis Ayón. Collographs (17 November 2021 – 18 April 2022), the Museo organises a tour through the show and a conversation with its curator Cristina Vives and Cuban artists Alexandre Arrechea and Luis Cabrera, both closely related to the figure of Ayón.

With the collective Red Solidaria de Acogida (the Refuge Solidarity Network) — a member of Museo Situado’s collaboration network — this latest edition of the Situated Voices programme seeks dialogue around this issue, which primarily afflicts undocumented migrant people whose lives are drained in a constant wait that leaves them on their own to face illness.

On this occasion, different specialist voices with an interest in the work of Maruja Mallo engage in conversation about her output following her return from exile and explore a selection of her late works, made from 1975 to 1982, conserved in the Museo Reina Sofía Collection.

Artist Andrea Büttner and Isabella Lenzi, an independent curator and research fellow in the Museo’s Collections Department, engage in conversation about Büttner’s work, which is part of Episode 8. Exodus and Communal Life, the final chapter in the new re-hang of the Collection. This event is organised inside the framework of a series of activations of the Collection throughout the month of March, underscoring feminist artistic practices and the work of women artists.

In this encounter, Benjamin H.D. Buchloh and Michelle Harewood present the key aspects of the exhibition From Posada to Isotype, from Kollwitz to Catlett, curated by both, in a survey on graphic art’s potential during historical avant-garde movements. 

This edition of Situated Voices, convened from RAMA and in collaboration with Museo Situado, seeks to reflect through young migrant and anti-racist activists to collectively imagine multi-faceted, creative, political and disobedient processes allowing anti-racism to be incorporated into the heart of struggles and thereupon to examine this intersection with other issues around education, participation in the political community, heteromormativity, climate justice, etc.   

These sessions set out from the idea that a feminism with the will for transformation must prioritise the most oppressed and violated needs, giving precedence to those who sustain the reproduction of life with their work. A feminism that is truly transformative must place the material conditions of existence at the centre and be able to build syndicalism based on stable networks of mutual support, politicising individual problems and allowing struggles to connect, and at the same time intersecting racial, gender and class oppression.