Results
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May 30 - June 1, 2016
The Workforce, Precariousness and Super-Exploitation in Global Capital Circuits
Jan Breman
Sociologist Jan Breman, whose research focuses on labour conditions in different international contexts, will hold the upcoming session of the programme Constituent Machines: Constituent Power, Biopolitics, Democracy, organised by the Museo Reina Sofía Study Centre.
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May 30 and June 10, 2016 - 7:30 p.m.
For Expanded Poetics. Readings and talks with Raúl Zurita and Cecilia Vicuña
Within the framework of the exhibition Colectivo Acciones de Arte (C.A.D.A.), 1979-1985, on display in the Museo’s Library and Documentation Centre, two readings and talks are organised with poets who were either part of or collaborated with C.A.D.A. Since it was founded, this Chilean collective set forth productive dialogue between visual art, literature and sociology, whereby poetics were conceived in both expanded and expansive terms.
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May 10 - June 14, 2016 - 7 p.m
Fiercely Human. Cultural Studies about the 40's
The period of autocracy in Spain presents itself as an abominable decade characterised by the triumphant Francoist aesthetic and ideology on all fronts. This series of lectures, in conjunction with the exhibition Campo Cerrado. Spanish Art 1939–1953, debates and calls into question this acknowledgement through the views of six historians and theorists hailing from different fields of study and different generations.
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September 30, 2015 - 7:00 p.m.
Presentation of Tres Aguas (Three Waters)
Cristina Iglesias in conversation with James Lingwood and Manuel Borja-Villel
The presentation of Cristina Iglesias’ book and project could be seen as an epilogue to the exhibition Metonymy, a 2013 retrospective on the artist held in the Museo. Tres Aguas (Three Waters) is a sculptural intervention in the city of Toledo that joins nature, history and landscape.
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Seminar: April 8 - 9, 2015 - 6:00 p.m.
Mathias Goeritz. Activating Space. An Art of Commotion
This seminar is the culmination of the exhibition The Return of the Snake. Mathias Goeritz and the Invention of Emotional Architecture and looks to generate a debate centred on the artist Mathias Goertiz as a unique case study with which to understand the phenomena of the translation, reinterpretation and survival of modernity in a new time in history, straight after the war.
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