April 25 - 26, 2012 - 7:30 p.m.
Rachel Haidu. Notes on the question of theater in the work of James Coleman
Rachel Haidu, professor at the University of Rochester (New York), debates the importance of staging, dramatic narration and the role of the actor in James Coleman’s work and in that of other artists influenced by his slide-tape works. This conference marks the start of the individual exhibition on the artist inside the Museo.
April 23 and 26, May 3, 7, 10, 17, 21, 24, 28, 31 and June 4, 2012
The Turbulent Screen
Histories of cinema. Collection 3 (1962-1982)
The presence of film in the successive re-readings of Museo Reina Sofía Collection alludes to the crisis in the distinction between hierarchies and artistic narrations, but it also points to the idea that a collection involves a network of stories, memories and times that are inseparable from film practice.
March 16 - 17, 2012 - 10:30 a.m.to 20:00 h
Art and Transition
This seminar comprises some of the diverse research projects that have emerged in recent years and are geared towards questioning the hegemonic narratives that envelop the complex process of Spain’s transition to democracy. It is the outcome of a collaboration between the Museo and Brumaria.
15 april, 2012 - 15 april, 2012 - 7:30 p.m.
Hans Haacke, in a conversation with Walter Grasskamp
In this talk, Haacke and the art critic and historian Walter Grasskamp look at several decades of this dialectic of tension between the artist and the museums. The dialogue consists of a diachronic examination of the artist's fifty years of production, by looking at ten works commented in relation to their different institutional models and contexts.
12 april, 2012 - 12 april, 2012 - 7:30 p.m.
Beatriz Preciado. Somatheque. Presentation of the Critical Practices Program
This first session of Somatheque. Biopolitical production, feminisms, queer and trans practices explores the changes in the governmental methods of body production and of sexual difference that took place after World War II, with the transformation of war techniques into techniques of somatic production and communication.
09 april, 2012 - 09 april, 2012 - 7:30 PM
CNDM. Plural Ensemble
Arturo Tamayo, director
Gonzalo de Olavide in memoriam (1934-2005)
The prestigious director Arturo Tamayo is conducting a study and a recovery of the work of the Madrid-born composer Gonzalo de Olavide (1934-2005), and the result will be the recording of the musician's entire body of orchestral music for the label Verso.
March 22, 23 and 24, 2012
Sound situation. Aural drift
Sound situation: Aural Drift is a program of activities focusing on the connection between sound and drift, psychogeography and aurality, including the anthropological level and the analysis and discussion of the influence and repercussions of situationist concepts (drift, construction of situations anddétournement) in the area of sound production.
19 march, 2012 - 19 march, 2012 - 7:30 PM
CNDM. Elena Gragera, mezzo. Antón Cardó, piano
The piano-mezzo soprano duo formed by Antón Cardó and Elena Gragera has a special interest in the Spanish vocal repertoire of the 20th century, as shown by their recordings of a number of Robert Gerhard's songs for voice and piano.
March 13, 15 and 20, 2012 - 5:00 p.m. and 7:30 p.m.
All About Love. Ann Hui, retrospectiva (1982-2009)
All About Love, a title borrowed from the film of the same name made by Ann Hui (Anshan, 1947), sums up the subject matter of this Chinese filmmaker's work, which usually revolves around social and personal relationships and has a great deal of affective and emotional content.
05 march, 2012 - 05 march, 2012 - 8:30 PM
Fátima Miranda, deCantar (1991-2012)
Festival Ellas Crean
For the eighth edition of the Festival Ellas Crean, vocalist Fátima Miranda has designed a specific programme entitled deCantar, which includes the work Albórolas, recently awarded first prize at the National Competition of Video Art by Female Artists from a Gender Perspective.
March 2-3, 2012 - 10:30 a.m.and 16:30 h
Rethinking Latin American modernisms. Flows and overflows
This seminar intends to build a constellation of critical gazes regarding modern art in Latin America. It hopes to serve as the critical substratum that will help shape plans for the exhibition of the Patricia Phelps de Cisneros Collection (CPPC) of modern art that Museo will be organizing in 2013.