Choreographer Eszter Salamon explores in depth the creative process of the piece MONUMENT 0.7: M/OTHERS (2019), made with Erzsébet Gyarmati, surveying the mother-daughter binomial from a commitment to producing intersubjective temporalities.
Delphine Seyrig and the Feminist Video Collectives in France in the 1970s and 1980s
Delphine Seyrig (1932-1990) is best known for the roles she played in French auteur cinema, most notably in Alain Resnais’ Last Year at Marienbad, directed by Alain Resnais. However, during the 1970s, she became indeed an activist working collaboratively within the framework of the feminist movement. Around 1975, together with activist video maker Carole Roussopoulos and translator Ioana Wieder, she produced a series of videos under the collective name “Les Insoumuses” (Defiant Muses). This exhibition explores the intersection between the histories of cinema, video and feminism in France.
Focusing on the emergence of video collectives in the 1970s, the exhibition proposes to reconsider the history of the feminist movement in France through a set of media practices and looks at a network of creative alliances that emerged in a time of political turmoil.