Documentary Genealogies Photography 1848–1917 This exhibition closes a series that began in 2011 in the Museo Reina Sofía and presents a cartography of practices related to the appearance and evolution of representations of subaltern identities between 1848 and 1917. Exhibitions
An Act of Seeing that Unfolds The Susana and Ricardo Steinbruch Collection This exhibition puts forward an approach to the Susana and Ricardo Steinbruch Collection, a major repertory of different temporalities and geographies. Exhibitions
Manolo Quejido Immeasurable Distance Immeasurable Distance serves as an introduction to the multi-faceted oeuvre Manolo Quejido has been building across his extensive career, and in retrospectively examining his work the show allows not only for a greater awareness of the lucidity and rigour of his plastic investigations, but also his radically critical approach, leading to a redefinition of the parameters from which we think about and view painting. Exhibitions
Francesc Tosquelles Like a Sewing Machine in a Wheat Field This exhibition surveys the biographical arc and political, cultural and professional context of psychiatrist Francesc Tosquelles (Reus, 1912 – Granges-sur-Lot, 1994) by way of documents, photographs and recording. Exhibitions
Leonor Serrano Rivas Natural magic Artist Leonor Serrano Rivas (Málaga, 1986) presents Natural Magic, an exhibition framed inside the Museo Reina Sofía’s Fissures programme which takes as its starting point a time in which scientific methods, magic and philosophy shared myriad terms. Exhibitions
Néstor Sanmiguel Diest The Vicissitudes of the Automaton This exhibition project devoted to artist Néstor Sanmiguel Diest (Zaragoza, 1949) offers the chance to examine his art-making from the late 1980s to the present day. Exhibitions
Graphic Turn Like the Ivy on the Wall This exhibition puts forward a survey of graphic art initiatives which have, from the 1960s to the present day, confronted urgent, politically oppressive contexts in Latin America, articulating strategies of transformation and resistance. Exhibitions
Carlos Bunga Against the Extravagance of Desire Carlos Bunga's (Oporto, 1976) project for the Palacio de Cristal is the continuation of the previous investigations, but he introduces new layers of reading into a location that is already connoted in its own right. Exhibitions
From Posada to Isotype, from Kollwitz to Catlett Exchanges of Political Print Culture. Germany - Mexico 1900-1968 This exhibition centres its research on the development and exchange between different purportedly obsolete and anti-technology print media and its role and means of distribution in divergent geopolitical and social contexts: Mexico and Germany. Exhibitions
Actions Speak Louder Than Words Interview with Charlotte Johannesson The present video contains an interview with the Swedish artist, zooming in on her beginnings with the vertical loom and her artistic influences and development towards creating images with the first computers with screens. Exhibitions
Pedro G. Romero Versifying Machines This anthological exhibition in the Museo surveys Pedro G. Romero’s career, from his beginnings in the 1980s to his more recent investigations. Exhibitions
Collection. Episode 4 Avant-garde Territories. City, Exhibitions, Magazines The Museo presents a new chapter in the rehang of the Collection with the opening of rooms which explore the birth of artistic avant-garde movement The Collection Exhibitions
Collection. Episode 3 Lost Thought: Autarchy and Exile The Museo Reina Sofía presents the third episode in the rehang of its Collection The Collection Exhibitions
Collection. Episode 2 Enemies of Poetry: Resistance in Latin America This second episode inside the rehang of the Museo Reina Sofía Collection, termed Enemies of Poetry: Resistance in Latin America, focuses on art made from 1964 to 1987 in that geographical area and the relation it bears to Spain. The Collection Exhibitions
Ida Applebroog Marginalias The exhibition the Museo Reina Sofía devotes to Ida Applebroog (New York, 1929) is the largest and most exhaustive retrospective of her work to date. Exhibitions
