André Kertész Nageur sous l'eau, Esztergom, Hongrie (Underwater Swimmer, Esztergom, Hungary) 1917 (August 31st) / Vintage print Room 205.16
Helen Levitt New York, 1940 (Kids Playing in Fire Hydrant, New York) 1940 / Later print, circa 1960 Room 409
Dora Maar (Henriette Theodora Markovitch) Sculpture en pierre, place Saint-Ferdinand (Stone Sculpture, Saint Ferdinand Square) 1931-1935 (circa) / Vintage print Room 206.02
Dora Maar (Henriette Theodora Markovitch) Mendiant aveugle (Blind Beggar) 1934 / Vintage print Room 205.16
Dora Maar (Henriette Theodora Markovitch) Reportage sur l'évolution de «Guernica» (Photo Report of the Evolution of “Guernica”) 1937 (May-June, Paris) Room 205.10
Dora Maar (Henriette Theodora Markovitch) Reportage sur l'évolution de «Guernica» (Photo Report of the Evolution of “Guernica”) 1937 (May-June, Paris) Room 205.10
Dora Maar (Henriette Theodora Markovitch) Reportage sur l'évolution de «Guernica» (Photo Report of the Evolution of “Guernica”) 1937 (May-June, Paris) Room 205.10
Dora Maar (Henriette Theodora Markovitch) Reportage sur l'évolution de «Guernica» (Photo Report of the Evolution of “Guernica”) 1937 (May-June, Paris) Room 205.10
Dora Maar (Henriette Theodora Markovitch) Reportage sur l'évolution de «Guernica» (Photo Report of the Evolution of “Guernica”) 1937 (May-June, Paris) Room 205.10
Dora Maar (Henriette Theodora Markovitch) Reportage sur l'évolution de «Guernica» (Photo Report of the Evolution of “Guernica”) 1937 (May-June, Paris) / Later print Room 205.10
Winy Maas, Jacob Van Rijs, De Vries Costa ibérica: hacia una ciudad del ocio (Costa Iberica: Upbeat to the Leisure City) 1998 Room 103.03
Man Ray (Emmanuel Radnitzky) Composition surréaliste (Surrealist Composition) 1920-1934 (circa) / Posthumous print, 1982 Room 205.02
Man Ray (Emmanuel Radnitzky) Trans Atlantique (Trans Atlantic) 1920 / Posthumous print, 1982 Room 206.02
Man Ray (Emmanuel Radnitzky) Retour à la raison (Return to Reason) 1923 / Posthumous print, 1982 Room 205.16