
Held on 20 sep 2021
The health crisis affecting the world and the ensuing economic and social disarray has left indelible marks on daily lives, on the bodies of those precariously inhabiting them and on neoliberal capitalism’s circuits of economic and commercial exchanges, which have been abruptly halted and interrupted. The pandemic, precipitating lockdowns leaving individuals isolated and emptying cities, has created a favourable setting for disciplining entire populations and placing them under surveillance, while the most vulnerable side of different existences surviving in total defencelessness owing to a lack of resources and rights has been brought to light during it. The pandemic has also sparked violence which the cruelty of the system of capitalist domination metes out to those subjects deemed useless or surplus. Furthermore, it has spread dread and occasioned elemental fears which, in the global context of frail and flawed democracies, are used by the Right and Far Right to lead their neo-fascist campaigns against those fighting for the emancipation of bodies and minds.
We already know that neoliberalism is not solely an economic doctrine or a series of governance methods, but rather a regime of signs that captures subjectivities in a framework of professional competencies and advertising gratuities promoting the individualism of efficiency and consumerism, breaking all community links in the process. Feminist power and its women’s organisations has imparted knowledge on how to recreate micropolitical ties that range from collective struggles protesting sexual violence to the defence of an ethical solidarity of care.
This international seminar prompts passage from violence and fear to the community of affection (“to be affected by” and “to affect”), drawing on social activism, artistic creation and critical thought to range across sensibility, language, bodies, imagination and politics.
Education programme developed with the sponsorship of the
Monday, 20 September 2021
Opening of the Chair
How can subjectivity be liberated from colonial-racialising-capitalistic captivity? Opening lecture by Suely Rolnik (Brazil)
Opposite capitalism’s global seizure of power, in its monetised fold (at once economically neoliberal and culturally neoconservative), movements have been bursting forth, particularly in Latin America, materialising among racialised populations (black, indigenous, women’s, LGBTQI+, casual worker populations, etc.) and in entire cities. These movements extend beyond the history of left-wing resistance, restricting the macropolitical sphere and its target of unequal rights and intervening in the micropolitical sphere, the sphere of the unconscious regime that structures subjectivities and their formation in the social field, which in turn is dependent upon the existential consistency of the dominant system and its production and reproduction. There is no possibility of real change without micropolitical resistance. Within this realm, the margins between activism and artistic and therapeutic practices become indiscernible.
Presentation and conversation: Nelly Richard (Chile/Spain)
Tuesday, 21 September 2021
Table 1. Reshaping Aspects of Sensitivity
The experience of the pandemic laid bare at once the insecurity and fragility of our existence and the need to turn to affection as the key to reciprocity in constructing non-violent subjectivities. “Sensitive” aspects (matter, body, experience) take on relevance when it comes to correcting mean-spirited neoliberal structuring and the value it places solely on utility and profitable data. In which ways can the aesthetic, the political and the ethical be reconjugated in new grammars of desire and imagination, as well as responsibility?
Participan: Gabriel Gatti (Uruguay/Spain), Marina Garcés (Spain) and Luis Ignacio García (Argentina)
Moderated by: Janaina Carrer (Brazil)
Wednesday, 22 September 2021
Table 2. Political Violence and Conflicts of Memory
The management of neoliberal consensus and the levelling of a present cultivated by technocratic rationality both repress exercises of critical memory. However, there are several traumatic entanglements that continue to be projected as ghosts of the present, from a yesterday marked by dictatorial fractures. How can there be a continued exploration of the conflictive magnitude of social historicity that ties together memory but without ceasing, at the same time, to fight against the threat of new violence — economic, social, ethnic, gender-sexual — intersecting today’s political cycles?
Participants: Ileana Diéguez (Cuba/Mexico), Juan Gutiérrez (Spain) and Teresa Villarós (Spain)
Moderated by: José Miguel Neira (Chile)
Thursday, 23 September 2021
Table 3. Trans/feminisms Today: Conquests and Challenges
Feminist power (theory and practice) has been key to deciphering the knots that tether, socio-structurally, capitalism and the patriarchy, vindicating gender as an analytical category. It has also unfurled its collective force, engendering changing forms of intervention: marches, protests, strikes, assemblies, social networks, performances, etc. What are the new challenges the feminist project faces today to expand upon and transversally consolidate its conquests?
Participants: Verónica Gago (Argentina), Clara Serra (Spain) and Elisa Fuenzalida (Peru)
Moderated by: Ybelice Briceño (Venezuela/Ecuador)
Friday, 24 September 2021
Conclusion of the Chair
Baroque Signs. Closing Lecture by Diamela Eltit (Chile)
This lecture examines the expressive turbulence of certain signs stemming from social settings. It centres on the excess (or excesses, in plural) of the representation of the void, and considers the grammar of bodies as mobile forms able to promote local narratives (with a particular focus on Chile). From edges where brightness and opaqueness co-exist, the talk delves into the present time of a world that has become one big hospital, and where the virtual and the material entwine.
Presentation and conversation: Ana Longoni (Argentina)
Curator
Nelly Richard
Programme:
The Politics and Aesthetics of Memory Chair
Organised by
Museo Reina Sofía
Educational program developed with the sponsorship of

Más actividades

Francisco López and Barbara Ellison
Thursday, 11 December - 8pm
The third session in the series brings together two international reference points in sound art in one evening — two independent performances which converse through their proximity here. Barbara Ellison opens proceedings with a piece centred on the perceptively ambiguous and the ghostly, where voices, sounds and materials become spectral manifestations.
This is followed by Francisco López, an internationally renowned Spanish sound artist, who presents one of his radical immersions in deep listening, with his work an invitation to submerge oneself in sound matter as a transformative experience.
This double session sets forth an encounter between two artists who, from different perspectives, share the same search: to open ears to territories where sound becomes a poetic force and space of resistance.

Long Live L’Abo! Celluloid and Activism
4, 5, 6 DIC 2025
L’Abominable is a collective film laboratory founded in La Courneuve (Paris, France) in 1996. It came into being in response to the disappearing infrastructures in artisan film-making and to provide artists and film-makers with a self-managed space from which to produce, develop and screen films in analogue formats such as Super 8, 16mm and 35mm. Anchored in this premise, the community promotes aesthetic and political experimentation in analogue film opposite digital hegemony. Over the years, L’Abominable, better known as L’Abo, has accompanied different generations of film-makers, upholding an international movement of independent film practices.
This third segment is structured in three sessions: a lecture on L’Abo given by Pilar Monsell and Camilo Restrepo; a session of short films in 16mm produced in L’Abo; and the feature-length film Une isle, une nuit, made by the Les Pirates des Lentillères collective.

Estrella de Diego Lecture. Holding Your Brain While You Sleep
Wednesday, 3 December 2025 – 7pm
Framed inside the Museo Reina Sofía’s retrospective exhibition devoted to Maruja Mallo, this lecture delivered by Estrella de Diego draws attention to the impact of the artist’s return to Spain after her three-decade exile in Latin America.
Committed to values of progress and renewal in the Second Republic, Mallo was forced into exile to Argentina with the outbreak of the Civil War and would not go back to Spain to settle definitively until 1965 — a return that was, ultimately, a second exile.
Mallo saw out her prolific artistic trajectory with two impactful series: Moradores del vacío (Dwellers of the Void, 1968–1980) and Viajeros del éter (Ether Travelers, 1982), entering her most esoteric period in which she drew inspiration from her “levitational experiences” of crossing the Andes and sailing the Pacific. Her travels, both real and imaginary, became encounters with superhuman dimensions.
In parallel, her public persona gained traction as she became a popular figure and a key representative of the Generation of ‘27 — the other members of which also started returning to Spain.
This lecture is part of the Art and Exile series, which seeks to explore in greater depth one of the defining aspects of Maruja Mallo’s life and work: her experience of exile. An experience which for Mallo was twofold: the time she spent in the Americas and her complex return to Spain.

Juan Uslé. That Ship on the Mountain
Tuesday, 25 November 2025 – 7pm
Ángel Calvo Ulloa, curator of the exhibition Juan Uslé. That Ship on the Mountain, engages in conversation with artist Juan Uslé (Santander, 1954) in the Museo’s Auditorium 400 to explore in greater depth the exhibition discourse of this anthological show spanning four decades of Uslé’s artistic career.
The show casts light on the close relationship Uslé’s work bears to his life experiences, establishing connections between different stages and series which could ostensibly seem distant. Framed in this context, the conversation looks to explore the artist’s personal and professional journey: his memories, experiences of New York, his creative process, conception of painting, and ties with photography and film, and the cohesiveness and versatility that characterise his art. Key aspects for a more in-depth understanding of his artistic sphere.
The conversation, moreover, spotlights the preparatory research process that has given rise to this exhibition to grant a better understanding of the curatorial criteria and decisions that have guided its development.
These inaugural conversations, part of the main working strands of the Museo’s Public Programmes Area, aim to explore in greater depth the exhibition narratives of the shows organised by the Museo from the perspective of artists, curators and specialists.

Crossed Vignettes
Friday, 21 November 2025 – Check programme
The Crossed Vignettes conference analyses the authorship of comics created by women from an intergenerational perspective and draws from the Museo Reina Sofía Collections. Across different round-table discussions, the programme features the participation of illustrators Marika, Carla Berrocal, Laura Pérez Vernetti and Bea Lema and researchers Viviane Alary, Virginie Giuliana and Elisa McCausland.
The aim of the encounter is twofold: to explore in greater depth the different forms in which women comic book artists have contributed to developing a counterculture; namely, the appearance of ruptures, reformulations and new genres within the ninth art. And to set up a dialogue which ignites an exploration of genealogies linking different generations of artists.
Moreover, the activity is put forward as a continuation to the exhibition Young Ladies the World Over, Unite! Women Adult Comic Book Writers (1967–1993) and the First International Conference on Feminist Comic Book Genealogies, held in April 2024 at the Complutense University of Madrid.
In redefining the visual narratives of the comic book and questioning gender stereotypes in a male-dominated world, women comic book writers and artists have impelled greater visibility and a more prominent role for women in this sphere. The study of intergenerational dialogue between female artists past and present enables an analysis of the way in which these voices reinterpret and carry the legacy of their predecessors, contributing new perspectives, forms of artistic expression and a gender-based hybridisation which enhances the world of comics.
The conference, organised jointly by the Museo Reina Sofía and Université Clermont Auvergne/CELIS (UR4280), features the participation of the Casa de Velázquez and is framed inside the context of the CALC programme The Spanish Artistic Canon. Between Critical Literature and Popular Culture: Propaganda, Debates, Advertising (1959–1992), co-directed by Virginie Giuliana. It is also the outcome of the projects Horizon Europa COST Actions iCOn-MICs (Comics and Graphic Novels from the Iberian Cultural Area, CA19119) and COS-MICs (Comics and Sciences, CA24160).



![Miguel Brieva, ilustración de la novela infantil Manuela y los Cakirukos (Reservoir Books, 2022) [izquierda] y Cibeles no conduzcas, 2023 [derecha]. Cortesía del artista](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/ecologias_del_deseo_utopico.jpg.webp)
![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)