
Israel Galván, Pedro G. Romero, Filiep Tacq, Una tirada de dados... [A Throw of the Dice… ] at Library and Documentation Centre of Museo Reina Sofía, 2019. Photo: Joaquín Cortés/Román Lores © Museo Reina Sofía
Held on 06 abr 2019
The Cunning Romans
Threw the Dice
For the Lord’s Tunic.
They left us women,
Latin, Roman; laws and roads
The Roman soldiers.
Saeta Cuartelera de Puente Genil
Inside its Library and Documentation Centre, the Museo Reina Sofía presents A Throw of the Dice… a three-way conversation in two parts between dancer Israel Galván, artist Pedro G. Romero and graphic designer Filiep Tacq.
A Throw of the Dice… is a response to an invitation by Filiep Tacq and Pedro G. Romero to Israel Galván to “translate into dance” the famous poem by Stéphane Mallarmé (1842–1898) Un coup de dés jamais n’abolira le hasard (A Throw of the Dice will Never Abolish Chance), published in book form by Gallimard in 1914 following the poet’s death. In the book Mallarmé changed the typographical conventions set by the page margins, moving beyond them to imagine new graphic and rhythmic arrangements in an attempt to summon poetry outside textual space. In 1969, Marcel Broodthaers (1924–1976), to a similar end, reinterpreted the poem, translating the words into black blocks of differing thickness on the white of the paper; thus the written word becomes pure image and rhythm. This dialogue between the original impact of the poem and the subsequent intervention of the Belgian artist is the premise for the piece presented here.
The conversation gets under way with Filiep Tacq, who draws attention to how Marcel Broodthaers produced his artist’s books by considering their inside, their formal construction and their articulation when held. Pedro G. Romero establishes a link between the flow beyond the page exercised by Mallarmé and Broodthaers’ subsequent intervention in blotting out the words of the French poet with black marks to generate a series of almost musical rhythms which enter into dialogue with flamenco dance. This exchange is accompanied by Galván’s dance in a rhythmic and corporeal translation, transcending the literal support of the page — in this case the flamenco stage — to expand it inside a library space of study, reading and consultation. The Museo’s Library thus becomes the place where the pages of Mallarmé and Broodthaers come into contact through Galván’s dance.
A Throw of the Dice… gestated in 2017 inside the framework of the project The Book to Come, set in motion by the office of art and knowledge Bulegoa z/b (Bilbao) in 2015, in the context of the performativity of the artist’s book and starting out from Marcel Broodthaers’ five books. To date, this piece has been performed at the Playground Festival in Leuven (Belgium) and the Escenas do Cambio en Cidade da Cultura Festival in Santiago de Compostela (Spain).
Curatorship
Isabel de Naverán
Organised by
Museo Reina Sofía
Participants
Israel Galván (Seville, 1973) is a Spanish flamenco dancer and choreographer. In 2005 he won the National Award for Dance, in the Creation category, from Spain’s Ministry of Culture, “because of his capacity to generate, in an art form such as flamenco, a new creation but without forgetting its true roots, which have underpinned it to the present day and which constitute it as a universal genre”.
Filiep Tacq (Kortrijk, 1959) has worked as an independent graphic designer since 1984, specialising in books, art catalogues, and artists’ books. In 2015, with Bulegoa z/b, Filiep Tacq started the project The Book to Come (2015–2017), with its departure point the study of Marcel Broodthaers’ five books.
Pedro G. Romero (Aracena, 1964) has been an artist since 1985. His work centres on two major projects: Máquina P.H., from which he promotes the Independent Platform of Modern and Contemporary Flamenco Studies, and Archivo F. X., the basis of an array of projects he has developed. He is the artistic director of dancer Israel Galván and works with different artists, from Rocío Márquez and Niño de Elche to Inés Bacán and Tomás de Perrate, to name but a few.
Credits
Choreography: Israel Galván
Lecture: Pedro G. Romero and Filiep Tacq
Inside the framework of: The Book to Come project, curated by Bulegoa z/b for Corpus, a network of performance practices, co-funded by the EU’s Creative Europe Programme (2014–2017).
Distribution: Israel Galván Co






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Thursday, 11 December - 8pm
The third session in the series brings together two international reference points in sound art in one evening — two independent performances which converse through their proximity here. Barbara Ellison opens proceedings with a piece centred on the perceptively ambiguous and the ghostly, where voices, sounds and materials become spectral manifestations.
This is followed by Francisco López, an internationally renowned Spanish sound artist, who presents one of his radical immersions in deep listening, with his work an invitation to submerge oneself in sound matter as a transformative experience.
This double session sets forth an encounter between two artists who, from different perspectives, share the same search: to open ears to territories where sound becomes a poetic force and space of resistance.

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Framed inside the Museo Reina Sofía’s retrospective exhibition devoted to Maruja Mallo, this lecture delivered by Estrella de Diego draws attention to the impact of the artist’s return to Spain after her three-decade exile in Latin America.
Committed to values of progress and renewal in the Second Republic, Mallo was forced into exile to Argentina with the outbreak of the Civil War and would not go back to Spain to settle definitively until 1965 — a return that was, ultimately, a second exile.
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In parallel, her public persona gained traction as she became a popular figure and a key representative of the Generation of ‘27 — the other members of which also started returning to Spain.
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The Crossed Vignettes conference analyses the authorship of comics created by women from an intergenerational perspective and draws from the Museo Reina Sofía Collections. Across different round-table discussions, the programme features the participation of illustrators Marika, Carla Berrocal, Laura Pérez Vernetti and Bea Lema and researchers Viviane Alary, Virginie Giuliana and Elisa McCausland.
The aim of the encounter is twofold: to explore in greater depth the different forms in which women comic book artists have contributed to developing a counterculture; namely, the appearance of ruptures, reformulations and new genres within the ninth art. And to set up a dialogue which ignites an exploration of genealogies linking different generations of artists.
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![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)