Archives of the Commons V

Lucia Bianchi is a visual artist and teacher who studied at the Universidad Nacional de las Artes (UNA) in Buenos Aires, Argentina. She incorporates diverse contemporary poetics, particularly graphic art, into her practices, and carries out transdisciplinary work and is part of different art collectives. Since 2018, she has been part of the Southern Conceptualisms Network, where she coordinates the publications node of the pasafronteras publisher.

Alejandra R. Bolaños is an artist and archivist whose work sets out from the idea of moisture in archives from drawings, texts, performances and installations. She contributes as a researcher and cataloguer to different contemporary art collections, for instance Nudo, M68, Museo Tamayo and IAGO, and she is also a member of Despatriarcalizar el archive (De-patriarching the Archive), the co-founder of Bruma Laboratoria and the coordinator of CENDOC from the Museo Tamayo (2018).

Sara Buraya Boned is in charge of the Museo Reina Sofía’s Tentacular Museum area. responsable del área de Museo Tentacular del Museo Reina Sofía.

Damián Cabrera is a writer, art critic, researcher, cultural manager and curator. Since 2014, he has been a member of the Ediciones de la Ura collective and the Southern Conceptualisms Network and is also a member of the research group Estudos Culturais: Identidades e Cultura Política da Escola de Artes, Ciências e Humanidades from the University of São Paulo and the International Association of Art Critics in Paraguay. His work primarily centres on the fields of language, borders, literature, art, politics and culture.

CANDELA is a collective which carries out parasitic critical actions through the format of sound. It is made up of Iria Gámez, a researcher and architect, art historian and researcher Mónica Monmeneu, and África Ruiz, an artist and cultural manager. CANDELA’s practice is defined through the neologism “comensariado”, a parasitic typology that feeds off the host without causing it any type of detectable benefit or damage. They make public proposals developed in the spaces of other institutions, given the “comensaria” considers that public space is finite and its apparent omnipresence is, in reality, a thin and unstable porous surface, in the cavities of which habitable, emancipatory devices reside.

Mariela Cantú is a researcher, curator and producer who works in the arts and audiovisual media. She is also a creator in the Arca Video Argentino Project, a non-profit archive which preserves, researches and disseminates Argentinean experimental video work, with a physical space in La Plata and an online database. Since 2008, the archive’s main objective has been to facilitate, through its website, public, remote and free access to works and linked information. More recently, through the initiative, there has been a commitment to building a collaborative archive, where any user on the platform can incorporate works and information from the ARCA Video website..

Fernanda Carvajal is a lecturer at the Universidad de Buenos Aires who has run post-graduate courses at the Universidad Tres de Febrero and Universidad del Salvador. Since 2009, she has been a member of the Southern Conceptualisms Network and a researcher with Argentina’s National Scientific and Technical Research Council (CONICET). Her work intersects art, sexuality and politics and her interests revolve around queer and trans* intersectional and epistemological approaches situated from Latin America. Moreover, she has been part of curatorial groups for the following exhibitions in the Museo Reina Sofía: Losing the Human Form. A Seismic Image of the 1980s in Latin America (Museo Reina Sofía, 2012–2013) and The Kind Cruelty. León Ferrari, 100 Years (Museo Reina Sofía, 2020–2021). With Alejandro de la Fuente, she has worked on putting together the Archivo Yeguas del Apocalipsis and making it publicly accessible.

María Belén Correa is an artist, researcher and activist who works for the rights of sexual minorities, LGBTIQ+ people and, specifically, transexual people. With Claudia Pía Baudracco, she is the founder of Archivo de la Memoria Trans (The Archive of Trans Memory, AMT) from Argentina, a space which conserves a collection of over fifteen thousand documents spanning from the beginning of the twentieth century to the late 1990s, including photographic, film, sound, journalistic memories and ID cards, passports, letters, notes, police files, magazine articles and personal diaries, as well as being a meeting point for surviving comrades and their memories and images.

Mela Dávila Freire combines her professional career with research, writing, curation and translation, habitually in the sphere of art archives, artists’ publications, bibliographical collections and other related fields. She has worked with the archives of documenta (Kassel), the Deutsche Historische Museum (Berlin), the Lafuente Archive, Museo Reina Sofía, the Instituto Valenciano de Arte Moderno (IVAM), Biblioteca de las Artes (Guayaquil), Instituto Cervantes and other institutions and public and private collections. She was director of the Museo Reina Sofía’s Public Activities Department from 2015 to 2017 and was part of the steering group for Archives of the Commons II.

Maddalena Fragnito is a militant feminist researcher who works at the intersection of art, care policies and social movements. She is the creator of projects that include Radio Gabinetto, a sound history which interweaves the archive of the struggles of female workers at the Lebole textile factory in the early 1970s with the experiences of current workers — an investigation into toxicity at work, between physical and emotional exhaustion, and between the body and production technology.

Jardín de las Mixturas the Garden of Mixtures, is a testing-place and open and shifting collective initiated with the artist Alejandra Riera and made up of people involved with the Museo Reina Sofía and other spheres, as well as the beings that inhabit it. It is located in the Museo’s Sabatini Garden and aims to test forms of attention and co-existence among types of human and non-human presence which have a place there, posing questions such as: What relationships are interwoven in ensembles that undo the arranged and artificial separation between the so-called “human” and that which is considered “non-human”? How do we speak and support? What can be learned by paying attention to the place we are in? How is this place transformed and how does it transform us at the same time?

María Landeta executes performances, artistic actions and fermentation, investigating from the edges of art around a possible contamination between processes of fermentative decay and ways of life in discord with the hetero-norm. She is part of the collective ORGIE (the Group Organisation of Stage Research) and is currently finishing an MA in Contemporary Artistic Practices at the Universidad Nacional San Martín in Buenos Aires.

María Mallol is in charge of the Museo Reina Sofía’s Tentacular Museum area.

Manuela Pedrón Nicolau works in contemporary art curating and education, more specifically in areas related to artistic research and forms of narration which, from this sphere, explore the social and the political. She is part of the Catenaria collective and, with Jaime González Cela, has curated exhibitions and directed programmes in an array of institutions. She has also held residencies at Spain’s Royal Academy in Rome, Hangar Barcelona, Centro Huarte in Pamplona and DAAD Berlin.

Elva Peniche Montfort is a researcher, teacher, archivist and curator. Her interests centre around the crossovers of artistic and archival practices, and she holds a degree in History and is a teacher and candidate on the PhD in Art History at the Universidad Nacional Autónoma de México (UNAM). From 2015 to 2021, she worked in the Arkheia Documentation Centre at UNAM’s Museo Universitario de Arte Contemporáneo de México (MUAC) and currently collaborates with the National Centre of Research, Documentation and Information in the Plastic Arts from the National Institute of Fine Arts and Literature in Mexico City. She is also a member of the Southern Conceptualisms Network and the seminar De-patriarching the Archive.

Magdalena Pérez Balbi is a lecturer in the Arts Department at the Universidad Nacional de La Plata, a teacher-researcher at the Institute of Argentinian and American Art History (IHAAA/FDA/UNLP) and a member of the Study Group on Art, Culture and Politics in Recent Argentina from the Gino Germani Research Institute (FSOC/UBA). She was also a contributor to the Vigo Experimental Art Centre (archive of the artist E. A. Vigo) from 2005 to 2013. In her work, she investigates the crossovers between art and politics in Argentina, specifically in artistic activism in the city of La Plata. Furthermore, she has been a member of the Southern Conceptualisms Network since 2014, coordinating the Archives node in the 2022–23 academic year. She is the mother of Camilo and Lucio.

Marina Planas Antich is an artist and the director of Casa Planas, a centre of contemporary research and creation in which she has set up, with Alelí Mirelman, the Art Investigation Programme, which analyses and creates the contemporary image via Planas Archive residencies. This archive is one of the foremost photographic archives on tourism, with a collection in excess of three million images produced between the 1940s and 1990s, in addition to containing a major collection of turn-of-the-century photographic and film techniques linked to landscape, tourism and photography.

Networks and Links of Latin American Art is an online platform which gathers different experiences of exhibiting, disseminating and accessing artistic materials — content from collections, archives, repositories, documentation centres and Latin American institutions — with the aim of generating simultaneous connections between each of these entry points and thereby delving deeper into the potential of digital media to share Latin American works and documents. Its members include María Fernanda Pizarro, a graphic and multimedia designer and cultural manager, and currently the director of the D21 Art Projects (Providencia, Chile), and Alejandro de la Fuente, a researcher who works on digitising, processing and disseminating artists’ archives such as Yeguas del Apocalipsis Víctor Hugo Codocedo and Hernán Parada and Juan Castillo.

Adriana Reyes Rosón is an anthropologist and creator in the sphere of live arts. She holds an MA in feminist studies, and has specialised in sexualities and diversity and trained with different female creatives between Spain, Brazil and Portugal. Notable are her interests in the social sciences, live arts, transfeminist studies, spirituality and forms of plant life, diverse spheres which also entail fields of pleasure and action in her daily practice.

Alejandra Riera writes and weaves images and texts, moments devoted to the presence of plants and collectiveness, and other more solitary times of poetic writing. Starting from lived experience, her writings, films and gestures are a place-undertaking which opens pathways to worlds with fragile plant trajectories found in a there-where to express themselves and thus uplift and encourage possible transformations in the damaged environment in which we live. She is a researcher-artist and teacher of film and documentary practices at the Bourges Advanced National School of Art, and currently teaches transversal and documentary practices and poetics at the Paris-Cergy National School of Art in France.

Hermenegildo Rojas Ramírez is a documentary film director and producer with a career spanning more than twenty years in Indigenous communities in the Ayuuk (Mixe) region in the State of Oaxaca (Mexico). He has participated in the community organisation Tv Tamix, a project under the principles of Exta'n and with symbolisms, media and spaces of encounter, which safeguards the memory of the Ayuujk (Mixe) people. With over five hundred video cassettes in VHS, Hi8, MiniDV and Betacam formats, the project in its entirety reflects the most significant cultural manifestations in the community since 1989, such as patronal celebrations, tequios (collective tasks or work), traditional music and sporting events.

África Ruiz Pino is an artist and cultural manager who explores the crossovers between both disciplines. Her interests focus on research methodologies of art-making, transfeminist practices and backing and advocating militancy as a social and political act. She is the co-founder of the Candela Collective and since 2021 has been the beneficiary of a training grant to coordinate Museo en Red activities, within the Museo Reina Sofía’s Public Activities Department.

Marga Sequeira is a researcher and teacher. She works to construct “anarchive” archives linked to LGTBIQ+ memory in Central America and to spaces of artistic training, such as the Mirar al Centro (Looking into the Centre) Archive, which gathers histories, methodologies and memories of three artistic training spaces in Central America: the Experimental Art School in Honduras, the Creative Centre of Artistic Teaching in Guatemala and the EspIRA project (Space for Artistic Research and Reflection) in Nicaragua. Artístico Pedagógico en Guatemala y el proyecto EspIRA (Espacio para la Investigación y Reflexión Artística) en Nicaragua.

Cynthia Shuffer is a researcher, teacher and photographer who holds a PhD in American Studies from the Institute of Advanced Studies at the Universidad de Santiago de Chile (IDEA-USACH). She is the co-founder of Rufián Revista, a coordinator of the Southern Conceptualisms Network and a coordinator of the Laura Rodig Brigade from the 8M Feminist Coordinator of Chile.

Mabel Tapia is a contemporary art researcher. Between 2020 and 2023 she was the Museo Reina Sofía’s deputy artistic director, working previously from the Museo as coordinator of the L’Internationale museum confederation. In France, she co-directed, over a three-year period, the post-graduate programme of artistic research Document et art contemporain, carried out at the École européenne supérieure de l'image (ÉESI) and École nationale supérieure d'art (ENSA) in Bourges. She has also been a coordinator of the Southern Conceptualisms Network, a platform of which she is also a member.