The ideas of Affirmation, Contacts, Letter, Signs, Unknowable, Unbearable and Waiting act as structural axes for each of the seven sessions that make up the series, a look at some of the essential figures (to use an expression from Barthes) in the discourse of love. Music is the common denominator of the first light and festive programme, which includes pieces by Zbigniew Rybczyński (Lódz, 1949), Chris Cunningham (Reading, 1970) and Pipilotti Rist (Grabs, 1962), among others. The sessions dedicated to Letter and Contacts use pieces by VALIE EXPORT (Linz, 1940), Rui Calçada Bastos (Lisbon, 1971) and Sadie Benning (Madison, 1973) to reveal the joyous beginnings of relationships when feelings of falling in love take command.
Waiting introduces the “tumult of anxiety provoked by waiting for the loved being, subject to trivial delays, letters, telephone calls, returns”. In this fourth programme, the Internet (virtual communication) and the telephone play leading roles, for example in works by Christian Jankowski (Göttingen, 1968) and Lorna Simpson (New York, 1960). The last three sessions look more deeply at the discourse of love, where the abstraction inherent in concepts like ‘unknowable’ and ‘signs’ introduce the darker aspects of love affairs.
The variety of playful, ironic, poetic, critical and committed approaches in the works included in Describing Love (in 7 Fragments) contribute to a multi-faceted definition of the idea of love, and freedom from the prejudices that trivialise or deny the political importance of topics so close to what is individual and personal.