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The exhibition Campo Cerrado takes its name from the homonymous novel by Max Aub and looks to examine Spanish art in the complex and controversial 1940s, a decade that has received little attention and one that exists in a critical and historiographical vacuum, despite its importance in structuring modern sensibility in Spain.

Campo cerrado

Spanish Art 1939–1953. Interview with Mª Dolores Jiménez-Blanco

April, 2016
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