Nasreen Mohamedi (Karachi, 1937 – Baroda, 1990) was one of the first Indian artists to embrace abstraction, moving away from the more conventional doctrines of Indian modern art in the early decades of the 20th century. She chose non-figuration, an artistic practice marginalised at that time by independent India, which was essentially dominated by an anthropomorphous aesthetic and academic realism determined by art schools from the colonial period.
Her artistic career, defined by the rigours of self-discipline and self-control, leads us towards a personal vision articulated around a frugal aesthetic and the use of simple mediums, where the mathematical, the metaphysical, the mystical were adopted in her search for a subjective and immaterial world.
The exhibition, organised by the Museo Nacional Centro de Arte Reina Sofía and The Metropolitan Museum of Art, New York, in collaboration with the Kiran Nadar Museum of Art, New Delhi, displays her work – combining thought and action – in the intersections between her life and her art. The show features drawings, photographs, paintings and collages, with a focus on Mohamedi’s work throughout the 1970s.
The Metropolitan Museum of Art, New York (March 18 - June 5, 2016)
Reina Sofia Museum's Publications
13 June 2018 – 19 November 2018
An Approach to Afal
The Autric-Tamayo Donation
6 June – 22 October 2018
Russian Dada 1914–1924
23 May - 27 August 2018
Experiences and Situations
May 17, 2018 - October 14, 2018
May 9 - September 17, 2018
April 25 - August 27, 2018
April 18 - September 3, 2018
Second Time Around
March 22 - September 2, 2018
From November 22, 2017
Cubism(s) and Experiences of Modernity
20 June – 1 October 2018
Lost Modernities: Bauhaus and SpainBiblioteca y Centro de Documentación