List of selected artworks. Maps for the tour in the museum

Preview

Search

Cristina Iglesias: Metonymy

February 6 – May 13, 2013
/
Sabatini Building, Floor 1

Cristina Iglesias has been very interested in redefining sculpture as an expanded field that leads to a questioning of the object in its relationship with space and architecture. Her sculptures integrate with the architecture of the places they occupy, and thus play with the interweaving of reality and appearances.

The exhibition organised by the Museo Reina Sofía, which includes over fifty pieces, is the largest retrospective of this artist that has been held to date, and it covers her earliest work up through her most recent creations. Her artworks generate suggestive fictional worlds and set aside all utilitarian purposes, to become settings conducive to reflective observation. Intersections between the natural world and the cultural world are frequently seen in her work, with shadows, cascades, whirlpools and foliage, in which the idea of refuge is a recurring metaphor.

The artist has displayed unceasing interest in a wide range of materials, such as alabaster, tapestry, glass, resin, aluminium, bronze, iron, cement, wood, concrete… Even water makes an appearance as yet another sculptural element, playing a leading role in some of her public projects, which are discussed in the series of videos entitled Guided Tours. The exhibition is completed by a review of her serigraphs on copper and cloth.

Exhibition´s details

Organized by: 
Museo Reina Sofía
Curatorship: 
Lynne Cooke

Share

Current exhibitions

  • Vista de sala de la exposición. Federico Guzmán. Tuiza. Las culturas de la jaima, 2015
    April 16 – August 30, 2015

    Federico Guzmán

    Tuiza. The Cultures of the Bedouin Tent

  • Pablo Picasso. Buveuse d’absinthe (The Absinthe Drinker), 1901. Oil on canvas, 81 x 60 cm. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel. Photography: Mark Gisler, Müllheim
    March 18 - September 14, 2015

    Collectionism and Modernity

    Two Case Studies: The Im Obersteg and Rudolf Staechelin Collections

  • Paul Klee. Baldgreis, 1922. Oil on cardboard, 40.3 x 37.4 cm. Kunstmuseum Basel © Kunstmuseum Basel
    March 18 - September 14, 2015

    White Fire

    The Kunstmuseum Basel Modern Collection

  • Exhibition view. Not Yet. On the Reinvention of Documentary and the Critique of Modernism, 2015
    February 11 - July 13, 2015

    Not Yet

    On the Reinvention of Documentary and the Critique of Modernism