List of selected artworks. Maps for the tour in the museum

Preview

Search

Cildo Meireles

May 24 – September 29, 2013
/
Palacio de Velázquez, Parque del Retiro

Since the end of the 1960s Cildo Meireles (Rio de Janeiro, 1948) has been developing new possibilities for the redefinition of conceptual art, based on a relationship with the viewer's sensorial experience, the critical use of ideological and economic circulation systems, and also an ethical connection with the world, which are the foundations of the artist's ongoing critical interpretation.

The exhibition includes some works and installations never before presented, and others that are among the artist's lesser-known creations. As seen in installations such as Abajur, Olvido and Amerikkka, many of the pieces on display put forward a critical commentary on the concept of territory, questioning history, which is understood to be a narrative of colonial domination of the world. The exhibition also has some of Cildo Meireles' historical series that examine the ideas of value, the art object and - again - territory, such as Physical Art and Insertions into Ideological Circuits.

The work of Meireles invites visitors to enter atmospheres that are particularly rich in their conditions regarding the perception of time and space, and they bring visitors face to face with the dematerialization of the art object and with a semantic reinvention of linguistic categories and of the categories of perceptual realities. The well-known series Corners: Virtual Spaces and Virtual Volumes are examples of a very personal redefinition of the languages of abstraction. Synesthesia is another one of the constructive devices found in the artist's universe; different sensorial perceptions associate and coincide with one another in numerous works, from the association of the sound plane with the visual plane, or the association of vision with thermal or taste perceptions, as in Entrevendo. Meireles thus expands the possibilities of art as a human experience of the world.

Exhibition´s details

Organized by: 
Museo Reina Sofía, Fundação Serralves, Porto and HangarBicocca, Milan
Curatorship: 
João Fernandes
Exhibition Tour: 

Museu de Arte Contemporânea de Serralves, Oporto (November 14, 2013 – January 26, 2014), HangarBicocca, Milan (March 26 – July 13, 2014)

Share

Current exhibitions

  • Bruce Conner. SPIDER LADY HOUSE, 1959. Wood, nylon, ice skate, doll parts, rope, jewelry, feathers, animal hair, corks, wallpaper and paper on wood. Oakland Museum of California Collection. Donation from the Collectors Gallery and the National Endowment for the Arts ©Bruce Conner, VEGAP, Madrid, 2016
    February 22 - May 22, 2017

    Bruce Conner

    It’s All True

  • Ramses Younan. Untitled, 1939. Oil on canvas
    February 14 - May 28, 2017

    Art et Liberté

    Rupture, War and Surrealism in Egypt (1938–1948)

  • Lothar Baumgarten. Photography. The ship is going under, the ice is breaking through, 2001
    November 3, 2016 - April 16, 2017

    Lothar Baumgarten

    The ship is going under, the ice is breaking through

  • Daniel Buren, Les Écrits (1965-1990), Bourdeaux: CAPC musée d’art contemporain, 1991. Museo Nacional Centro de Arte Reina Sofía. Photo: Centre for Artists’ Publications, Weserburg, Bremen. © DB – VEGAP, Madrid, 2016
    September 21, 2016 – May 22, 2017
    Program: Biblioteca y Centro de Documentación
    Biblioteca y Centro de Documentación