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Room 001.12 Iván Zulueta. Rapture, 1979

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Zulueta’s idea in this film is to show the process of producing and consuming cinema as a vampire-like experience that ends up devouring its protagonists. This argument can perhaps be interpreted as a metaphor for the Spanish transition to democracy, a time when cultural and political activity was defined by a rampant vitality of post-modern overtones, and at the same time was headed, like the main character of this film, towards its own inevitable transfiguration.