- Sanja Ivekovic Zagreb, Croatia (ancient Yugoslavia), 1949
- Technique:Gelatin silver print on paper
- Descriptive technique:Polyptych consisting of four photographs and a text
- Dimensions:Overall: 160 x 126 cm
- Edition/serial number:4/5
- Category: Photography, Performance
- Entry date:2010
- Register number:DE02004
This group of four photographs and one text documents Sanja Ivekovic’s performance in Zagreb on the 10th of May 1979, the day of President Tito’s visit to the city. The artist describes the interaction that took place between her (on the balcony of her apartment), a person who could see her from a rooftop and a policeman supposedly communicating by walkie-talkie with the observer. According to the text accompanying the photographs: “The action begins when I walk out onto the balcony and sit on a chair, I sip whiskey, read a book, and make gestures as if I perform masturbation. After a period of time, the policeman rings my doorbell and orders the ‘persons and objects are to be removed from the balcony’.”
Trokut (Triangle) is representative of Sanja Ivekovic’s work in the 1970s, in that it sets up a confrontation between public and private spaces, exemplifying both her political activism from a critical perspective and her interest in dealing with gender-related issues. It is unsurprising that Ivekovic was seen as a pioneer in the world of feminist art in Yugoslavia in the early 1970s.
Concha Calvo Salanova
Noack, Ruth.London : Afterall Books, 2013.
Dokumenti o post-objektnim pojavama u jugoslovenskoj umetnosti : 1968-1973 = Documents of post-objects trends In Yugoslav art : 1968-1973.Belgrado : Muzej Savremene Umetnosti Art, 1973.
Sanja Ivekovic : "urgent matters" / samengesteld door Maria Hlavajova = curated by Maria Hlavajova ; [concept en redactie, Maria Hlavajova ; teksten, Maria Hlavajova].Ivekovic, Sanja ( 1949 -)Utrecht : BAK, Basis voor Actuele Kunst, 
Ritratti : Greenaway, Martinis, Pirri, Viola / Rassegna Internazionale del Video D'Autore (1987. Taormina).Taormina (Sicilia) : De Luca Editore, 1987.