- Hannah Wilke New York, USA, 1940 - Houston, Texas, USA, 1993
- Edition/serial number:Unique work
- Media description:Video ("Philly"; Digital Betacam and DVD; b/w, sound, 32'), eight framed photographs, photograph with "Le grand verre" and a note, hand written by the artist, announcing the performance "Hannah Wilke Through the Large Glass"
- Category: Installation, Video, Photography
- Entry date:2006
- Register number:AD04494
Wilke begins dressed in a white suit, the same one that appears in the eight photos. This style of suit is associated with the sexual icons of the 1970s, as represented by Helmut Newton photographs and Yves Saint Laurent models, which show an apparently independent woman with a life beyond the home environment. By putting these referents onstage, Wilke set out a feminist critique of Duchamp’s patriarchal and dominating role, and of the way that avant-garde art demarcated female identity.
Cristina Cámara Bello
Wilke, Hannah (1940-1993)Berlin : Neue Gesellschaft für bildende Kunst , 2000.
Haberl, Horst GerhardGraz : Pool der Poolerie , 1974
New York : Bronx Council on the Arts , 1987
Sexual politics : Judy Chicago's Dinner party in feminist art history / Amelia Jones, editor ; with essays by Laura Cottingham ... [et al.].[Los Angeles, CA] : UCLA at the Armand Hammer Museum of Art and Cultural Center in association with University of California Press, Berkeley , 1996
University Park (Pennsylvania) : Pennsylvania State University Press , 2011