- David Lamelas Buenos Aires, Argentina, 1946
- Dimensions:Variable dimensions
- Edition/serial number:1/3 + 1 A.P.
- Media description:16 mm film (colour, sound, 7'35") and eight photographs in an only set (235 x 26 cm)
- Category: Installation, Cinema
- Entry date:2006
- Register number:AD04465
In this installation Lamelas proposes a dialogue between a series of eight still photographs, framed and following a sequence, and the projection of a 16mm film that develops these images in movement. A simple gesture, introduced in the very title of the work, is repeated with slight variations – the glass is half filled, the content overflows, the glass breaks, the milk spills on the table – and constitutes the film’s only action. Lamelas rejects any type of narration or human presence, and the filmic code – reduced and dissected – comprises the only argument. In the words of the artist: “I wanted to find a symbol for 'container' and its 'content,' to reflect how the camera frames and what is shown on the screen.” In the work there is also an underlying intention on the part of the Argentinean artist to encourage the spectator to reflect on the medium and the message, the mechanisms involved in the production of meaning, and also the transmission and reception of information.
Glusberg, Jorge (1932-)Buenos Aires : Center of Art and Communication (CAYC) , 1978
Lamelas, David (1946-)Rotterdam : Witte de With, 1997
Milano : Francoise Lambert , 1974
Reconsidering the object of art : 1965-1975 / Ann Goldstein and Anne Rorimer ; with essays by Lucy R. Lippard, Stephen Melville, Jeff WallGoldstein, AnnLos Angeles : Museum of Contemporary Art ; Cambridge, Mass. : MIT Press , 1995
Uchronies et autres fictions : [11 février-7 mai 2006 / rédaction, Guillaume Mansart, François Piron]Metz : FRAC Fonds régional d'art contemporain de Lorraine ,