List of selected artworks. Maps for the tour in the museum

Preview

Search

Buscar

Results

  • Prensa
    Museo Reina Sofía. Sabatini building. Facade

    The Museum

    The Museum

    The Museo Reina Sofía opened its doors in 1990 to show the contemporary Spanish art in relation to the international context. Its collection consists of more than 20,000 works from the late nineteenth century to the present, five percent of which is exhibited at the Museum and includes works by artists such as Pablo Picasso, Joan Miró, Salvador Dalí, Juan Gris, Robert Delaunay, Georges Braque, Yves Klein, Robert Motherwell, Francis Bacon, Richard Serra, Alexander Calder, René Magritte, Gerhard Richter, Antoni Muntadas, Michelangelo Pistoletto, Sol LeWitt or Marcel Broodthaers, among many more. The centerpiece is Guernica (1937), by Pablo Picasso.

  • Prensa
    Collection 1. The Irruption of the 20th Century: Utopias and Conflicts (1900-1945)

    Collection 1. The Irruption of the 20th Century: Utopias and Conflicts (1900-1945)

    Sabatini Building, Floor 2
    The Collection

    The Collection of Museo Reina Sofía starts with the end of the 19th Century, addressing the conflicts between a dominant Modernity, understood as progress, and its multiple discontents, as an ideology under constant challenge both in the social and the political fronts, and the cultural and artistic ones. The avant-garde, in its reinvention of the subject, of the public and of the art world, becomes the symptom of the new 20th Century. While Cubism defines the modern, ephemeral and multiple gaze, Dada and Surrealism free the subject from the moral and social repression, giving free reign to desire and to the social and individual unconscious.

  • Prensa
    Collection 2. Is the War Over? Art in a Divided World (1945-1968)

    Collection 2. Is the War Over? Art in a Divided World (1945-1968)

    Sabatini Building, Floor 4
    The Collection

    On the fourth floor, the Collection covers the artistic transformations occurring in the post-war period, during the development of the tension-ridden international geopolitical scenario involving two different worlds and two antagonistic systems, the United States and the Soviet Union.

  • Obra
  • Publicación
    The Order of Time and Things. The Home-Studio of Hanne Darboven

    The Order of Time and Things. The Home-Studio of Hanne Darboven

    Authors Miriam Schoofs, Joâo Fernandes, Sven Spieker, Matt Mullican, Harald Falckenberg

    Year: 2014
  • Vídeo
    June, 2013
    Exhibitions

    The curator of the Cildo Meireles exhibition, João Fernandes, along with the artist himself, discuss the relationship between this artist's work and the spectator's sensorial experience, the critical use of ideological and economic circulation systems, and the ethical connection with the world. The exhibition comprises works and installations being presented for the first time and also others that are among the artist's lesser known creations.

  • Vídeo
    September, 2013
    Exhibitions

    In this video Manuel Borja-Villel, the director of the Museum, explains the works created by Gabriel Acevedo Velarde, Maria Loboda, Alejandra Riera and Manuel Saiz specifically for the Fisuras program.

    The project Paranormal Citizen, by Gabriel Acevedo Velarde, makes use of televised stories about paranormal experiences to analyse and create narratives about the intermediate space between institutions and individual subjectivity. Maria Loboda, in The Beasts, engages in a kind of contemporary archaeology that starts with the recontextualization of objects containing various strata of meaning, in such a way that what is shown - even though it is inscribed in a place of safety such as a museum - has a potentially threatening dimension. Poétique(s) de l’inachèvement [Poetics of incompleteness] initiated by Alejandra Riera is the title chosen by the artist for a project that lingers in certain experiences so dense that film cannot take them in, although it does accompany them. Finally, One True Art - 16 Responses to the Question What Art is, by Manuel Saiz, is a performative artistic experiment the aim of which is to formulate a definition of art or to reflect on the reasons that such a definition is impossible.

  • Vídeo
    October, 2013
    Exhibitions

    In this video the artist Chris Killip explains his work in the field of photography and talks about his artistic influences. An essential figure in documentary photography, Killip’s work reflects the fascination and respect he feels for ordinary life and people, finding a form of expression that underscores the social and cultural peculiarities that characterised the period.
    The exhibition contains a selection of over a hundred images taken between 1968 and 2004.

  • Vídeo
    October, 2013
    Exhibitions

    In this video, Manuel Borja-Villel, the director of the Museum, explains how this exhibition takes a close look at art produced in Spain and abroad during the 1980s and 1990s. Minimal Resistance centres on the search by artists of new spaces for resistance in a globalised world and it examines a series of dualities that polarized the period covered: from the global economic crisis to financial capitalism, from the potential of the collective to the recovery of the myth of the artist, from actions claiming public space to discourses around memory and the body, from a kind of theatricality emphasising scenography and architecture to performative languages and relational models and from the restoration of traditional genres to the appropriation of images from mass media and mass culture.

  • Vídeo
    November, 2013
    Exhibitions

    Armando Montesinos, curator of the exhibition, explains in this interview the keys of Idea: Painting-Force. The works of Alfonso Albacete, Miguel Ángel Campano, Ferran Garcia Sevilla, Juan Navarro Baldeweg and Manolo Quejido, dating from 1978 to 1984, comprise the proposal put forward in the exhibition in Palacio de Velázquez, Parque del Retiro. They carried out this activity at the height of the crisis affecting the modern movement and the idea of the avant-garde. Plus, they were working in Spain, in a setting that, on the hinge between the 70s and the 80s, was experiencing some newly-arrived democratic liberties and whose artistic scene had derived from the dominant acritical formalism to the emergence of the market and the aesthetics of success.

  • Vídeo
    November, 2013
    Activities Live Arts

    This concert was organised in connection with the exhibition ± I96I. Founding the Expanded Arts. It is a performance of Inuksuit, a 1953 piece by John Luther Adams, conceived to be played by up to 99 musicians-percussionists, that took place on 6 October, 2013 in the patio of the Nouvel Building. The piece has been performed in New York, Melbourne, Canberra, Toronto, Berkeley, Ojai, Lisbon, the Hague and Belo Horizonte. 

  • Vídeo
    December, 2013
    Exhibitions
    In the following video the curator of the exhibition, Jean-François Chevrier, and the Director of the Museum, Manuel J. Borja-Villel, explain the ways in which artists endeavoured to transform the idea of the biographical account and broke with the conventions of biographism to elaborate freely on the basis of certain elements taken from their own life history.
     
    The exhibition Biographical forms. Construction and individual mythology reviews the narrative dimension of art in its relationship with literary manifestations. The selection of works analyses the binomial “life and work” as well as the identity and biography construction mechanisms that operate throughout 20th century artistic activity.
  • Vídeo
    January, 2014
    Exhibitions

    Artist Elly Strik talks in this video about the influence of Goya and Freud in her work, as well as the personal connection between her artistic production, her memories and her body. The exhibition Elly Strik. Ghosts, Brides and other Companions, conceived specifically for the galleries of Museo Reina Sofía explores, through drawings on paper with graphite and oil, the potential of physical metamorphosis processes in parallel with the artistic creation process.

  • Vídeo

    What is the Anthropology of Images?

    Interview with Hans Belting

    October, 2013
    Seminars and conferences

    Author of some key studies in recent years in the field of art theory and visual culture, Hans Belting introduces in this video his influential anthropology of images project. It is defined as a methodology that takes part while distances itself from art history, while opening the discipline into the field of the analysis of images. The video of his interview, that includes related works in the Museo Reina Sofía Collection, was made on with the occasion of the fourth installment of the Master Lectures series.

  • Vídeo
    February, 2014
    Exhibitions

    For Amos Gitai, the documentary is human archaeology, whereas fiction is architecture. In this exhibition, the Middle East, his parents, and his family memories intermingle with his oeuvre, transcending into physical, audiovisual space, as well as dealing with the multilayered reality which conforms the current sociopolitical landscape.