List of selected artworks. Maps for the tour in the museum

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  • Exposición
    Adelita Husni-Bey, Postcards from the Desert Island, 2010-2011. Kaddist Art Foundation Collection
    29 October 2014 - 9 February 2015

    The exhibition endeavours to position the notion of critical pedagogy as a crucial element in collective struggles, and explore the tension between individual and social emancipation through education with examples that are both historical and current.

  • Exposición
    Mathias Goeritz, La serpiente de El Eco, variant, 2010-2011. Assembled cardboard and polychrome, 11.5 x 32 x 9.5 cm. Courtesy of La Caja Negra
    12 November 2014 - 13 April 2015

    This exhibition represents an approach to the work of Mathias Goeritz (Danzig, 1915 – Mexico City, 1990), produced after he settled in Mexico in 1949.

  • Exposición
    Collection Palabra e Imagen, published by the Lumen publishing house between 1961 and 1975
    28 May, 2014 – 5 January, 2015

    The Exhibition photobooks. Spain 1905-1977 presents a journey through the history of the photobook in Spain, setting off at the beginning of the 20th century and ending in the mid seventies, via a selection from the Museo Reina Sofía Collection, contextualised and accompanied by an assortment of complementary material.

  • Exposición
    Exhibition view. Time and Things. The Home Studio of Hanne Darboven, 2014
    March 26 – September 1, 2014

    Hanne Darboven’s home studio forms the starting and arrival point of her work, both materially and conceptually; a key part of her legacy and essential to her oeuvre.

  • Exposición
    Richard Hamilton. Just what is it that makes today’s homes so different, so appealing?, 1956/1992. Collage. 26 x 25 cm. Private Collection. © R. Hamilton. All Rights Reserved, VEGAP, Madrid, 2014
    June 27 - October 13, 2014

    By virtue of more than 250 works produced between 1949 and 2011, this exhibition offers a comprehensive retrospective look at the work of Richard Hamilton (London, 1922 – 2011), a key figure in Pop Art and one of the most influential British artists of the 20th century.

  • Exposición
    “Exterminate all the Brutes”, a scene from La Nave Madre, 2013 © Tracey Rose, courtesy Dan Gunn, Berlin and Goodman Gallery, Johannesburg. Photograph by Christopher Wessels. Pictured: Tracey Rose and Javier Montero
    January 29 - May 26, 2014
    Program: Fisuras

    For her first solo exhibition in Spain, the artist Tracey Rose (Durban, South Africa, 1974) presents her new project entitled (x). It consists of a video-installation and an energy space created from two pieces that feature light, acoustic and chromatic elements.

  • Exposición
    Books that are photos, photos that are books
    17 diciembre, 2013 – septiembre, 2014
    Program: Biblioteca y Centro de Documentación

    Books that are photos is the first of two shows programmed by Museo Reina Sofía on photobooks. This show features a selection of about 150 photobooks published in Spain from the year 2000 onwards, especially in the last four years.

    Biblioteca y centro de documentación
  • Exposición
    Palle Nielsen, A group of activists from different organisations in Denmark cleared a backyard in Stengade 52 in the area Nørrebro in Copenhagen the 31 of March 1968 and build a playground for the children instead. This was done to create attention of the lack of playgrounds as well as an overall redevelopment of the area. © VEGAP, Madrid, 2014 © PETERSEN ERIK / Polfoto
    April 30 – September 22, 2014

    Playgrounds

    Reinventing the Square

    The exhibition uses the term playground to propose a historical-artistic look at play areas and their socializing, transgressive and political potential, from the beginning of modernity to our day.

  • Exposición
    March 13 – October 19, 2014
  • Exposición
    Elly Strik. Hijgende Kraai (Panting Crow), 1992. Oil, lacquer on paper. 201 x 319 cm. Collection Van AbbeMuseum, Eindhoven
    January 22 - May 26, 2014

    Elly Strik

    Ghosts, Brides and other Companions

    Throughout her career Elly Strik (the Hague, Netherlands, 1961) has been particularly interested in those visionary artists that have probed the limits of human nature, such as James Ensor and Francisco de Goya.

  • Exposición
    Kerry Jame Marshall. Lost boys AKA Black Johnny, 1993. Courtesy of the artist. Jack Shainman Gallery, NY, and Koplin Del Rio, CA
    June 13 - October 26, 2014

    Kerry James Marshall: painting and other stuff is the first major presentation in Europe of the work of this American artist (Birmingham, Alabama, 1955).

  • Exposición
    Amos Gitai. Photographies of the set for the film Esther. 1984-1985
    February 5 – May 19, 2014

    The exhibition proposes a journey through the places and characters that have shaped the films and the biography of Amos Gitai. Fragments of his films and documents drawn from his personal archive, examine the way in which the filmmaker has interpreted his own genealogy.

  • Exposición
    Wols. Composition, 1941-1942. Pen, ink with color on paper. 20 x 12,8 cm. The Menil Collection, Houston. Photographer: Paul Hester
    February 13 - May 26, 2014

    The exhibition focuses on the “abstract” ouvre by Wols produced since the Second World War and in the photographs taken shortly before the war. “The street” and “the cosmos” are an original key reading of Wols’ work, whose contribution to twentieth-century art is yet to be fully recognized.

  • Exposición
    Fischli y Weiss. Minimal Resistance, 1980-1981. DVD. Museo Nacional Centro de Arte Reina Sofía. © Peter Fischli David Weiss, Zürich 2013
    October 16, 2013 - January 5, 2014

    Minimal Resistance

    Between late modernism and globalisation: artistic practices during the 80s and 90s

    With this selection of works form the Collection, the Museo Reina Sofía takes a close look at art produced in Spain and abroad during the 1980s and 1990s.

  • Exposición
    Roman Ondák.Escena, Palacio de Cristal, Madrid, 2013
    September 19, 2013 - February 23, 2014

    With his works Roman Ondák (Žilina, Slovakia, 1966) creates temporary situations in which the presence of objects and persons, as well as modifications made to the exhibition space, may go unnoticed by viewers in their initial approach.