List of selected artworks. Maps for the tour in the museum

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  • Vídeo
    June, 2013
    Exhibitions

    The curator of the Cildo Meireles exhibition, João Fernandes, along with the artist himself, discuss the relationship between this artist's work and the spectator's sensorial experience, the critical use of ideological and economic circulation systems, and the ethical connection with the world. The exhibition comprises works and installations being presented for the first time and also others that are among the artist's lesser known creations.

  • Vídeo
    September, 2013
    Exhibitions

    In this video Manuel Borja-Villel, the director of the Museum, explains the works created by Gabriel Acevedo Velarde, Maria Loboda, Alejandra Riera and Manuel Saiz specifically for the Fisuras program.

    The project Paranormal Citizen, by Gabriel Acevedo Velarde, makes use of televised stories about paranormal experiences to analyse and create narratives about the intermediate space between institutions and individual subjectivity. Maria Loboda, in The Beasts, engages in a kind of contemporary archaeology that starts with the recontextualization of objects containing various strata of meaning, in such a way that what is shown - even though it is inscribed in a place of safety such as a museum - has a potentially threatening dimension. Poétique(s) de l’inachèvement [Poetics of incompleteness] initiated by Alejandra Riera is the title chosen by the artist for a project that lingers in certain experiences so dense that film cannot take them in, although it does accompany them. Finally, One True Art - 16 Responses to the Question What Art is, by Manuel Saiz, is a performative artistic experiment the aim of which is to formulate a definition of art or to reflect on the reasons that such a definition is impossible.

  • Vídeo
    October, 2013
    Exhibitions

    In this video the artist Chris Killip explains his work in the field of photography and talks about his artistic influences. An essential figure in documentary photography, Killip’s work reflects the fascination and respect he feels for ordinary life and people, finding a form of expression that underscores the social and cultural peculiarities that characterised the period.
    The exhibition contains a selection of over a hundred images taken between 1968 and 2004.

  • Vídeo
    October, 2013
    Exhibitions

    In this video, Manuel Borja-Villel, the director of the Museum, explains how this exhibition takes a close look at art produced in Spain and abroad during the 1980s and 1990s. Minimal Resistance centres on the search by artists of new spaces for resistance in a globalised world and it examines a series of dualities that polarized the period covered: from the global economic crisis to financial capitalism, from the potential of the collective to the recovery of the myth of the artist, from actions claiming public space to discourses around memory and the body, from a kind of theatricality emphasising scenography and architecture to performative languages and relational models and from the restoration of traditional genres to the appropriation of images from mass media and mass culture.

  • Vídeo
    November, 2013
    Exhibitions

    Armando Montesinos, curator of the exhibition, explains in this interview the keys of Idea: Painting-Force. The works of Alfonso Albacete, Miguel Ángel Campano, Ferran Garcia Sevilla, Juan Navarro Baldeweg and Manolo Quejido, dating from 1978 to 1984, comprise the proposal put forward in the exhibition in Palacio de Velázquez, Parque del Retiro. They carried out this activity at the height of the crisis affecting the modern movement and the idea of the avant-garde. Plus, they were working in Spain, in a setting that, on the hinge between the 70s and the 80s, was experiencing some newly-arrived democratic liberties and whose artistic scene had derived from the dominant acritical formalism to the emergence of the market and the aesthetics of success.

  • Vídeo
    November, 2013
    Activities Live Arts

    This concert was organised in connection with the exhibition ± I96I. Founding the Expanded Arts. It is a performance of Inuksuit, a 1953 piece by John Luther Adams, conceived to be played by up to 99 musicians-percussionists, that took place on 6 October, 2013 in the patio of the Nouvel Building. The piece has been performed in New York, Melbourne, Canberra, Toronto, Berkeley, Ojai, Lisbon, the Hague and Belo Horizonte. 

  • Vídeo
    December, 2013
    Exhibitions
    In the following video the curator of the exhibition, Jean-François Chevrier, and the Director of the Museum, Manuel J. Borja-Villel, explain the ways in which artists endeavoured to transform the idea of the biographical account and broke with the conventions of biographism to elaborate freely on the basis of certain elements taken from their own life history.
     
    The exhibition Biographical forms. Construction and individual mythology reviews the narrative dimension of art in its relationship with literary manifestations. The selection of works analyses the binomial “life and work” as well as the identity and biography construction mechanisms that operate throughout 20th century artistic activity.
  • Vídeo
    January, 2014
    Exhibitions

    Artist Elly Strik talks in this video about the influence of Goya and Freud in her work, as well as the personal connection between her artistic production, her memories and her body. The exhibition Elly Strik. Ghosts, Brides and other Companions, conceived specifically for the galleries of Museo Reina Sofía explores, through drawings on paper with graphite and oil, the potential of physical metamorphosis processes in parallel with the artistic creation process.

  • Vídeo

    What is the Anthropology of Images?

    Interview with Hans Belting

    October, 2013
    Seminars and conferences

    Author of some key studies in recent years in the field of art theory and visual culture, Hans Belting introduces in this video his influential anthropology of images project. It is defined as a methodology that takes part while distances itself from art history, while opening the discipline into the field of the analysis of images. The video of his interview, that includes related works in the Museo Reina Sofía Collection, was made on with the occasion of the fourth installment of the Master Lectures series.

  • Vídeo
    February, 2014
    Exhibitions

    For Amos Gitai, the documentary is human archaeology, whereas fiction is architecture. In this exhibition, the Middle East, his parents, and his family memories intermingle with his oeuvre, transcending into physical, audiovisual space, as well as dealing with the multilayered reality which conforms the current sociopolitical landscape.

  • Vídeo
    February, 2014
    Exhibitions

    Guy Brett, the curator of the show Wols: Cosmos and Street, talks about this new approach to the work of the German artist, not only about his drawings and paintings, but also about his lesser known photographs.

  • Vídeo
    March, 2014
    Exhibitions

    The year of construction of the Palacio de Cristal, 1887, is also the year of many events such as the construction of the Eiffel Tower, the birth of Le Corbusier, the invention of the gramophone ... a century in which the production conditions change, industrial production starts, and objects, that start losing their specificity because of the mass production, led to the emerge of some ideas like inner monologue, free verse or more open forms of theater.

  • Vídeo
    March, 2014
    Exhibitions

    Hanne Darboven is an artist that has delved into the languages of conceptual art and minimal art, which have opened new formal possibilities for expression in the second half of the century. Her numerical series and series of drawings have filled the rooms of many exhibitions and many museums, but her serialism is very different from the one found in the work of other minimalist artists who have also used numerical progressions, such as Sol LeWitt. In this exhibition we are going to find a set of series related to Darboven's everyday life, at home and at work.

  • Vídeo
    February 2014
    Seminars and conferences

    With the title After the Shipwreck. The Cinema of Aki Kaurismäki (1983-1996), The Museo Reina Sofia proposed in 2014 the first retrospective of the Finnish filmmaker in a museum of modern art. This interview, written as a conversation, reveals some of the keys to his films: the existential desolation mixed with parody and black humour, gritty realism revised by quotes and fable, an ethic but nihilistic gaze to society and above all, unwavering belief in cinema as a space of freedom.

  • Vídeo
    May 2014
    Exhibitions

    With some 300 works, the exhibition recounts a different history of art, from the end of the 19th century to the present day, in which artists and activists play a part in redefining public space by exploring the city as a game board, questioning modern-day carnival and holidays, vindicating the right to laziness, reinventing the square as a place of revolt and discovering the possibilities of a new world through its waste. The exhibit takes the playground model as an ideological interrogation of an alienated and consumerist present.