Dominique Gonzalez-Foerster employs literature to explore the relationship between fiction and reality, and theatre to juxtapose an imaginary narrative of the present. This Intervalos session sees three of her films screened, including Otello 1887, a cinematic opera filmed in the Palacio de Cristal and co-produced by the Museo.
The catalogue-boxes of the Museum Abteiberg-Mönchengladbach (1967-1978)
By virtue of the renewed conceptions of art which developed in the 1960s and 1970s, museums were forced to renovate their way of presenting art works, and also their idea of what art publications could be.
Danh Vō’s (Bà Ria, Vietnam, 1975) art work subverts and plays with classic appropriation and opportunistic strategies of Western art in its approach to other cultures. His installations, sculptures, photographs and works on paper, particularly his early work, often calls on his origins and experiences, interspersing them with cultural, social, and historical references. Danh Vō utilises 19th-century industrial exhibition typology to portray the unique architecture in the Palacio de Cristal, encapsulating the nostalgia of a nineteenth-century palaeontology and archaeology museum inside a large display cabinet.