List of selected artworks. Maps for the tour in the museum

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  • Exhibition view. El arte sucede. Origen de las prácticas conceptuales en España (1965-1980), 2005
    11 october, 2005 - 9 january, 2006

    The exhibition El arte sucede. Origen de las prácticas conceptuales en España (1965-1980) (Art Happens: The Origin of Conceptual Practices in Spain 1965-1980) takes its title from James Whistler's saying “Art happens”. Whistler was an habitué to Stéphane Mallarmé's circle and worked in close proximity to his line of thought, the reflections of which contributed to establishing the basis of the interdisciplinary and supranational conception of art. The exhibition explores the appearance and development of Conceptual Art in Spain, bringing together an anthology of works realised by diverse artists with their own traits, linked by their experiences and interests whilst also sharing approaches with their international counterparts. These traits are defined by the multifarious relationship with popular culture, the social, the political, the subjective and the body itself.

  • Vista de sala de la exposición. The Pamplona Encounters 1972: The End of the Party for Experimental Art, 2009
    October 28, 2009 - February 22, 2010

    At the beginning of the summer of 1972, the “Pamplona Encounters” were held - the most extensive and significant international avant-garde art festival held in Spain. Imbued with the idea of diffusing art into life, these were ephemeral encounters, set up as an opportunity to subvert the order established at the end of the dictatorship in Spain.

  • Fischli y Weiss. Minimal Resistance, 1980-1981. DVD. Museo Nacional Centro de Arte Reina Sofía. © Peter Fischli David Weiss, Zürich 2013
    October 16, 2013 - January 5, 2014

    Minimal Resistance

    Between late modernism and globalisation: artistic practices during the 80s and 90s

    With this selection of works form the Collection, the Museo Reina Sofía takes a close look at art produced in Spain and abroad during the 1980s and 1990s.

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