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  • Anish Kapoor. It Is Man, 1988. Sculpture. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid
    5 july, 1994 - 13 october, 1994

    Following Artistas Españoles. Obras de los años 80 y 90 en las colecciones del Museo (Spanish Artists. Works from the 80s and 90s in the Museo collections), a complementary exhibition is presented, joining thirty-two works by international artists incorporated in the last three years into the Museo Nacional Centro de Arte Reina Sofía's Collection through acquisition, dation or donation. The common denominator of these works, bar the six pieces by Lucio Fontana and one by Barnett Newman, is that they have been produced either in the Eighties or the Nineties; therefore, the exhibition looks to consider these points of contact and connection with the international movements that link Spanish artists.

  • Exhibition view. Cindy Sherman. Colofón, 1996
    9 july, 1996 - 22 september, 1996

    With photography as the dominant medium, Cindy Sherman forges a new path as she formulates a visual discourse, opening up a critique of the power of images and the information the viewer receives from them. Sherman constantly works as her own model in the majority of her images, creating a speculative relationship between reality and fiction.

  • Sean Scully. Land, Sea, Sky, 1999. Photography. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid
    14 september, 2004 - 4 december, 2004

    Thirty-nine photographs from the Museo Nacional Centro de Arte Reina Sofía collection, produced during the Eighties and Nineties, are displayed at the exhibition Nueva Tecnología, Nueva Iconografía, Nueva Fotografía which is presented by the Juan March Foundation at the Museu d’Art Espanyol Contemporani in Palma and will afterwards exhibit at Museo de Arte Abstracto Español in Cuenca. A total of thirty-six artists are present due of the diversity coming from a single medium: photography.

  • Vista de sala de la exposición. Colección Taschen, 2004
    20 october, 2004 - 10 january, 2005

    The Museo Nacional Centro de Arte Reina Sofía presents a representative selection of art works from the collection of German publisher Benedikt Taschen that he has gathered over the past two decades. Such a private collection as this one allows for an overview of art at a historic moment from an unprecedented point of view, given the very nature of personal choice which the collector himself has conducted as a general artistic overview. Thus a more institutional and objective vision on art proper to the museum itself is extended upon showing the public other aspects that allows them to amplify their diversity.

  • Louise Bourgeois. Spider, 1994. Sculpture. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid
    February 14 - September 11, 2006

    The exhibition La visión impura (Impure Vision) presents a selection of works recently acquired by the Museo Nacional Centro de Arte Reina Sofía, and does so using the title to highlight the fact that the art produced in the latter part of the 20th century undermines any notion of purely visual art.

  • Exhibition view. El retorno de lo imaginario. Realismos entre XIX y XXI, 2010
    20 May - 27 September, 2010

    El retorno de lo imaginario

    Realismos entre XIX y XXI (Tributo a Juan Antonio Ramírez)

    In their efforts to distance themselves from a linear narrative of modernity, The Museo Nacional Centro de Arte Reina Sofía addresses the Museum's vision as not merely a container of objects, but as an entity capable of producing new discourses for their Collection and generating new knowledge. For this reason through Two Different Readings of the Collection, two exhibitions have opened at the same time about the meaning of collecting and relating the Museum's Collection from two different points of view. Artists Rosa Barba and Juan Luis Moraza, have made an exhaustive study on the Museum's Collection to then choose a selection of works which can offer the public two alternative visions and proposals on the Collection.

  • Exhibition view. Una conferencia comisariada. Sobre el futuro de la fuerza colectiva dentro del archivo, 2010
    May 20 - August 30, 2010

    Una conferencia comisariada

    Sobre el futuro de la fuerza colectiva dentro del archivo

    In their efforts to distance themselves from a linear narrative of modernity, The Museo Nacional Centro de Arte Reina Sofía addresses the Museum's vision as not merely a container of objects, but as an entity capable of producing new discourses for their Collection and generating new knowledge. For this reason through Two Different Readings of the Collection, two exhibitions have opened at the same time, about the meaning of collecting and relating the Museum's Collection from two different points of view. Artists Rosa Barba and Juan Luis Moraza, have made an exhaustive study on the Museum's collection to then choose a selection of works which can offer the public two alternative visions and proposals on the Collection.

  • Exhibition view. Mixed Use, Manhattan: Photography and Related Practices 1970s to the present, 2010
    June 10 - September 27, 2010

    Mixed Use, Manhattan

    Photography and Related Practices 1970s to the present

    The use of images of the New York from early deindustrialisation and abandonment of the city during the Seventies are juxtaposed in, and exposed to, the counterpoint of more recent works by artists who, fully aware of the practices of their predecessors, continue finding an aesthetic potential in this area. Mixed Use, Manhattan is based on atime when the city served as an experimentation workshop. In this place fundamental artistic aspects intertwine, such as the future of the performing arts or the relationship between work and exhibition spaces, with other high social significance, such as sexual identity, socialisation modes and uses of public space.

  • Fischli y Weiss. Minimal Resistance, 1980-1981. DVD. Museo Nacional Centro de Arte Reina Sofía. © Peter Fischli David Weiss, Zürich 2013
    October 16, 2013 - January 5, 2014

    Minimal Resistance

    Between late modernism and globalisation: artistic practices during the 80s and 90s

    With this selection of works form the Collection, the Museo Reina Sofía takes a close look at art produced in Spain and abroad during the 1980s and 1990s.

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