List of selected artworks. Maps for the tour in the museum

Preview

Search

Related Pedro G. Romero

Results

  • Exhibition view. em>Impure Vision. Works from the Permanent Collection, 2006
    February 14 - September 11, 2006

    The exhibition La visión impura (Impure Vision) presents a selection of works recently acquired by the Museo Nacional Centro de Arte Reina Sofía, and does so using the title to highlight the fact that the art produced in the latter part of the 20th century undermines any notion of purely visual art.

  • 13 may, 2009 - 27 september, 2009

    Silo. Archivo F.X.

    A Project by Pedro G. Romero

    The exhibition of the Archivo F.X. project by Pedro G. Romero (Aracena, 1964) shows this documentary collection, which began in 1999. This project consists of different types of files, most notably an extensive collection of images from iconoclastic, anti-sacramental political occurrences in Spain between 1845 and 1945. In his archive Romero draws parallels with the iconoclastic pulse present in all avant-garde modern art. In Archivo F.X., an open archive, relationships of readings from documentary sources of image are established -iconoclastic ones- and the dictionary that names it -the artistic index-. The instrument used by Romero for it, is the composition of this archive with over a thousand images, documentary films, reflections on seminars and publications. It also includes various social and political practices on anticlerical, political iconoclasm in Spain, such as: beheaded statues, soiled paintings, pierced architectures, expropriated sacred spaces, reuse of religious buildings, or the smelting of objects of worship for civil industry.

  • Exhibition view. El retorno de lo imaginario. Realismos entre XIX y XXI, 2010
    20 May - 27 September, 2010

    El retorno de lo imaginario

    Realismos entre XIX y XXI (Tributo a Juan Antonio Ramírez)

    In their efforts to distance themselves from a linear narrative of modernity, The Museo Nacional Centro de Arte Reina Sofía addresses the Museum's vision as not merely a container of objects, but as an entity capable of producing new discourses for their Collection and generating new knowledge. For this reason through Two Different Readings of the Collection, two exhibitions have opened at the same time about the meaning of collecting and relating the Museum's Collection from two different points of view. Artists Rosa Barba and Juan Luis Moraza, have made an exhaustive study on the Museum's Collection to then choose a selection of works which can offer the public two alternative visions and proposals on the Collection.

  • Exhibition view. ATLAS. How to carry the world on one’s back?, 2010
    November 26 - March 28, 2011

    ATLAS

    How to carry the world on one’s back?

    Atlas is a proposal to put the frame of thought introduced by German art historian Aby Warburg (1866-1929) into the context of historical knowledge and images. This is not a monographic exhibition on Warburg, but a journey through the history of images from 1914 until the present day, where warburgism constitutes the genius loci.

  • Fischli y Weiss. Minimal Resistance, 1980-1981. DVD. Museo Nacional Centro de Arte Reina Sofía. © Peter Fischli David Weiss, Zürich 2013
    October 16, 2013 - January 5, 2014

    Minimal Resistance

    Between late modernism and globalisation: artistic practices during the 80s and 90s

    With this selection of works form the Collection, the Museo Reina Sofía takes a close look at art produced in Spain and abroad during the 1980s and 1990s.

See past exhibitions