List of selected artworks. Maps for the tour in the museum

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  • Exhibition view. Sonnabend Collection. 25 Years of Selection and Activity, 1987
    30 october, 1987 - 15 february, 1988

    Presented in the Centro de Arte Reina Sofía, Ileana and Michael Sonnabend's collection is an important testimony to twenty-five years of artistic activity in the United States and Europe. Many of the works in this collection are key to understanding the art of our times; it encompasses many of the predominant art movements, such as Pop Art, Minimal Art, Arte Povera, Antiform, Conceptual Art, American and German Expressionism, Neo-minimalism, Neo-conceptualism and multimedia practices.

  • Exhibition view. Minimal Art from the Panza Collection, 1988
    24 march, 1988 - 31 december, 1988

    During the first half of the Seventies, a series of American artists develop a set of aesthetic approaches that aim to free art from its function of representation - associated with figurative tradition - as well as its ideological content. Thus, with the use of related volumes, materials and mediums that identify a work of art solely with itself, Minimalism is born.

  • Robert Mangold. Irregular green area with a drawn ellipse, 1985-86. Painting. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid
    10 july, 2001 - 8 october, 2001

    Minimalismos was the title chosen by Anatxu Zabalbeascoa and Javier Rodríguez Marcos for a small book that was published in the year 2000 by the publishing company Gustavo Gili, Barcelona. In it, his vision of the popularisation of the term "minimalism" is told as well as the story of his expansion beyond the visual arts into other areas of expression such as architecture, music and fashion. On this occasion, the Museo Nacional Centro de Arte Reina Sofía uses them as commissioners for this exhibition that traces the evolution of that historical movement started in the Sixties and which has grown to become one of the most recognisable aesthetic categories today.

  • Exhibition view. El retorno de lo imaginario. Realismos entre XIX y XXI, 2010
    20 May - 27 September, 2010

    El retorno de lo imaginario

    Realismos entre XIX y XXI (Tributo a Juan Antonio Ramírez)

    In their efforts to distance themselves from a linear narrative of modernity, The Museo Nacional Centro de Arte Reina Sofía addresses the Museum's vision as not merely a container of objects, but as an entity capable of producing new discourses for their Collection and generating new knowledge. For this reason through Two Different Readings of the Collection, two exhibitions have opened at the same time about the meaning of collecting and relating the Museum's Collection from two different points of view. Artists Rosa Barba and Juan Luis Moraza, have made an exhaustive study on the Museum's Collection to then choose a selection of works which can offer the public two alternative visions and proposals on the Collection.

  • Henry Flynt delivering his lecture From Culture to Veramusement, Walter De Maria’s loft, New York, February 28, 1963. Photograph by Diane Wakoski. Courtesy Henry Flynt
    June 19 – October 28, 2013

    ± I96I

    Founding the Expanded Arts

    ± I96I presents the first detailed analysis of the decisive year in the 1960s that led to the invention of the “expansion of the arts.”

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