Naturalezas españolas (Spanish Nature) is an historical review of the most significant art movements in Spain spanning four decades and analysed from the monographic perspective of nature. The common thread of the exhibition is divided into the following sections: “Facing Nature”, “With Nature”, “On Nature”, “Beyond Nature”, five propositions representing the five different models between art and nature.
The exhibition El arte sucede. Origen de las prácticas conceptuales en España (1965-1980) (Art Happens: The Origin of Conceptual Practices in Spain 1965-1980) takes its title from James Whistler's saying “Art happens”. Whistler was an habitué to Stéphane Mallarmé's circle and worked in close proximity to his line of thought, the reflections of which contributed to establishing the basis of the interdisciplinary and supranational conception of art. The exhibition explores the appearance and development of Conceptual Art in Spain, bringing together an anthology of works realised by diverse artists with their own traits, linked by their experiences and interests whilst also sharing approaches with their international counterparts. These traits are defined by the multifarious relationship with popular culture, the social, the political, the subjective and the body itself.
Realismos entre XIX y XXI (Tributo a Juan Antonio Ramírez)
In their efforts to distance themselves from a linear narrative of modernity, The Museo Nacional Centro de Arte Reina Sofía addresses the Museum's vision as not merely a container of objects, but as an entity capable of producing new discourses for their Collection and generating new knowledge. For this reason through Two Different Readings of the Collection, two exhibitions have opened at the same time about the meaning of collecting and relating the Museum's Collection from two different points of view. Artists Rosa Barba and Juan Luis Moraza, have made an exhaustive study on the Museum's Collection to then choose a selection of works which can offer the public two alternative visions and proposals on the Collection.
Although recognised primarily as a painter, in the making of his works Mitsuo Miura goes beyond traditional pictorial media. His art can thus be situated halfway along the path towards sculpture or installation, due to its tendency to use chromatic forms in space.