Along with the rest of Europe, the beginnings of video art in Spain are determined by the approach of plastic arts to this new medium, as the possibility of innovation within its aesthetic explorations gets underway.
Under the equation "culture + industry = design,"Diseño industrial en España tries to, on one hand, convey the importance of an industry that in addition to responding to consumer demands and market strategies, is a reflection of post-industrial society, and on the other aims to provide an overview of the evolution of industrial design on the national scene during the twentieth century.
The exhibition Galería Cadaqués (1973-1997) is part of the series of exhibitions dedicated to historical art galleries -the last one was dedicated to showing the Archivo de la Galería Juana Mordó in 2001- and is organised by the Documentation Centre of the Museo Nacional Centro de Arte Reina Sofía.
The exhibition El arte sucede. Origen de las prácticas conceptuales en España (1965-1980) (Art Happens: The Origin of Conceptual Practices in Spain 1965-1980) takes its title from James Whistler's saying “Art happens”. Whistler was an habitué to Stéphane Mallarmé's circle and worked in close proximity to his line of thought, the reflections of which contributed to establishing the basis of the interdisciplinary and supranational conception of art. The exhibition explores the appearance and development of Conceptual Art in Spain, bringing together an anthology of works realised by diverse artists with their own traits, linked by their experiences and interests whilst also sharing approaches with their international counterparts. These traits are defined by the multifarious relationship with popular culture, the social, the political, the subjective and the body itself.
The heterogeneous proposals of Antoni Miralda’s (Tarrasa, 1942) productions included in this retrospective exhibition, claim knowledge and experiences of other cultures from different perspectives. His artistic production is perishable by nature and develops in spaces outside the art circuit. This artist has investigated the ephemeral art of food for more than four decades. Miralda uses a vibrant and inclusive language, extremely humorous and based on the celebration of the senses. His pieces lack a material presence, he gives them a transient nature and leads them to a collective space, bringing them closer to spectator participation. Many of his actions are documented only in photographs, videos and films.