Gordon Matta-Clark’s (New York, United States, 1943-1978) work has an expressive multidimensionality and a formal complexity in a New York dominated by the reductionism of Minimal and Conceptual Art. The artist develops his art production in the art of action, the objectification of space shared by sculpture and architecture, and especially in redefining the idea of landscape as an interactive place where the social, historical, ideological and natural coexist. Matta-Clark shows that it is possible to fuse matter, form, perception and idea into urban landscape. After a period spent studying architecture, he led the way as a visual artist, becoming one of the most important conceptual artists of the second half of the twentieth century.
Sobre el futuro de la fuerza colectiva dentro del archivo
In their efforts to distance themselves from a linear narrative of modernity, The Museo Nacional Centro de Arte Reina Sofía addresses the Museum's vision as not merely a container of objects, but as an entity capable of producing new discourses for their Collection and generating new knowledge. For this reason through Two Different Readings of the Collection, two exhibitions have opened at the same time, about the meaning of collecting and relating the Museum's Collection from two different points of view. Artists Rosa Barba and Juan Luis Moraza, have made an exhaustive study on the Museum's collection to then choose a selection of works which can offer the public two alternative visions and proposals on the Collection.
Photography and Related Practices 1970s to the present
The use of images of the New York from early deindustrialisation and abandonment of the city during the Seventies are juxtaposed in, and exposed to, the counterpoint of more recent works by artists who, fully aware of the practices of their predecessors, continue finding an aesthetic potential in this area. Mixed Use, Manhattan is based on atime when the city served as an experimentation workshop. In this place fundamental artistic aspects intertwine, such as the future of the performing arts or the relationship between work and exhibition spaces, with other high social significance, such as sexual identity, socialisation modes and uses of public space.
Atlas is a proposal to put the frame of thought introduced by German art historian Aby Warburg (1866-1929) into the context of historical knowledge and images. This is not a monographic exhibition on Warburg, but a journey through the history of images from 1914 until the present day, where warburgism constitutes the genius loci.